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Warner Bros. Pictures
Not part of a collection.
You are cordially invited to George and Martha's for an evening of fun and games
A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.
CinemaSerf
Jan 10, 2025 · via TMDB
Never mind Virginia Woolf, she's a lightweight compared to "Martha" (Elizabeth Taylor) as "Nick" (George Segal) and his wife "Honey" (Sandy Dennis) are about to discover for themselves. They've already been at a faculty do with her and husband "George" (Richard Burton) and have gone round after for a nightcap. That's their first mistake as a vitriolic battle of sarcastic and venomous wits is just getting started between their hosts. Initially they are sympathetically embarrassed but then that morphs into something a little more participative as the brandy and the bourbon starts to take effect on everyone. In vino vertitas has never been more true as it emerges that the older couple have a son, the other bugger, and it's clear from early on that something on that front is not right. The younger couple are not immune from the prevailing toxicity and before long they are also starting to question some of what underpins their own relationship. As tempers flare, things become even more unpleasant - even violent, as there are no holds barred and psychological cruelty becomes the benchmark for just about all of them. I saw this on stage and loved it. On the big screen, Mike Nicholls has used his cinematic advantages to make it even more potent. By using the cast together, splitting them off into pairs, changing the location from their increasingly small living room, occasionally involving an innocent bystander to temporarily lessen the stress levels and even pouring some coffee into them, we tell a remarkably hard-hitting story of grief. A festering, poisonous emotion that when not dealt with can grow to throttle just about any relationship - especially if the vintner is on it, too. Taylor and Burton excel, there's no other word for it. Her performance makes the hair on the back of your neck stand up and is perfectly foiled by the more understated but just as brutal characterisation of "George" by a Burton rather benignly bedecked in his middle-aged cardigan - but don't be fooled. Though the plot doesn't focus so much on the others at the start, both Segal and a strong effort from Dennis come into their own too as the ghastliness of their new friends proves contagious and noxious. It's also directed as if we were watching from various points in the room, which adds extra impact as we see things from differing perspectives - but always with a horribly natural flow. It often comes across as a continuous stream of filming akin to how it would be presented live on a stage. This is cinema at it's most visceral with compelling characterisations and dialogue that really does hurt. Maybe don't watch if you've just had a row, or a few drinks, or both? No remakes, please.
User reviews courtesy of TMDB.
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Elizabeth Taylor
Martha
Richard Burton
George
George Segal
Nick
Sandy Dennis
Honey
Haskell Wexler
Director of Photography
Irene Sharaff
Costume Design
Jean Burt Reilly
Hairstylist
Sydney Guilaroff
Hairstylist
Herbert Ross
Choreographer
Mike Nichols
Director
Ernest Lehman
Producer
Alex North
Original Music Composer
Ernest Lehman
Screenplay
Edward Albee
Theatre Play
Victory Over Death
The Fifth Groom
The World We Left
Ondine
The Discussion
Henry IV
Shakket Al-Talaba
Once Upon a Time in America
Léon: The Professional
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Taxi Driver
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In the Mood for Love
All About Eve
Wild Strawberries
M
Amadeus
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Children of Paradise
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The Critic
Jun 21, 1966
Hollywood, California
Jun 22, 1966
Oct 1, 1997
VHS & DVD
Dec 5, 2006
DVD
May 3, 2016
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
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2008 · 14 wins
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1978 · 13 wins
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2000 · 12 wins
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1981 · 11 wins
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