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Chicago
Miramax Miramax
Storyline Entertainment Storyline Entertainment
The Producer Circle Co. The Producer Circle Co.

Not part of a collection.

Chicago

If you can't be famous, be infamous.

2002 113 min ★ 7.1 (2,968) Released
Comedy Crime Drama

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Original title
Chicago
Language
EN
Country
US
Budget
$45,000,000
Revenue
$306,776,732
Reviews & Ratings 4
CinemaSerf

CinemaSerf

Apr 4, 2022 · via TMDB

★ 7.0

Hats off to Rob Marshall for taking a cast not necessarily obvious for this story and moulding them into an entertaining trio. The screenplay has been sanitised a bit, and proves really quite thin: "Roxie" (Renée Zellweger) and "Velma" (Catherine Zeta-Jones) are both convicted murderesses who will do just about anything to escape death row. Using their skills as dancers, and their gifts for attracting publicity they must try to engage dodgy lawyer "Billy Flynn" (Richard Gere) to help get them out of the clutches of prison warden "Mama Morton" (a superb Queen Latifah). That's all pretty incidental to the stunning look of this film. At times a little confusing as the costumes seems to straddle timelines from the 1920s to things one might see in "Saturday Night Fever", but it is all about the style; and both principals have it in spades. Zeta-Jones, especially, has a classy sexiness about her performance; Zellweger more of an innocence, and Gere is the perfect man for the job proving he, too, can get his (and our) toes tapping. The original Fosse play remains the bedrock for this and the Kander and Ebb songs performed strongly with "All That Jazz"; "Funny Honey" and "Razzle Dazzle" all delightfully choreographed and delivered. I still prefer the intimacy (and grittiness) of the stage production, but as cinematic adaptations go - this is highly entertaining and well worth a watch.

CinemaSerf

CinemaSerf

Mar 29, 2022 · via TMDB

★ 7.0

Hats off to Rob Marshall for taking a cast not necessarily obvious for this story and moulding them into an entertaining trio. The screenplay has been sanitised a bit, and proves really quite thin: "Roxie" (Renée Zellweger) and "Velma" (Catherine Zeta-Jones) are both convicted murderesses who will do just about anything to escape death row. Using their skills as dancers, and their gifts for attracting publicity they must try to engage dodgy lawyer "Billy Flynn" (Richard Gere) to help get them out of the clutches of prison warden "Mama Morton" (a superb Queen Latifah). That's all pretty incidental to the stunning look of this film. At times a little confusing as the costumes seems to straddle timelines from the 1920s to things one might see in "Saturday Night Fever", but it is all about the style; and both principals have it in spades. Zeta-Jones, especially, has a classy sexiness about her performance; Zellweger more of an innocence, and Gere is the perfect man for the job proving he, too, can get his (and our) toes tapping. The original Fosse play remains the bedrock for this and the Kander and Ebb songs performed strongly with "All That Jazz"; Funny Honey" and "Razzle Dazzle" all delightfully choreographed and delivered. I still prefer the intimacy (and grittiness) of the stage production, but as cinematic adaptations go - this is highly entertaining and well worth a watch.

Zoro DPiece

Zoro DPiece

Aug 29, 2018 · via TMDB

★ 9.0

SPOILERS AHEAD! From Rob Marshall ("Into the Woods") and Bill Condon ("Dreamgirls") comes this charming satirical stab on celebrity criminals. Based on the 1975 stage play and starring Renee Zellweger, Catherine Zeta-Jones and Richard Gere. Set in the jazz age of Chicago, Illinois. "Chicago" tells the story of two women on murderess row who hope that fame and fortune will keep them out of the gallows. Velma Kelly (Zeta-Jones) is a vaudevillian performer who plugs her sister and husband right before a performance. Roxie Hart (Zellweger) is watching the performance while idolizeing Velma and hopes one day to be on the stage just like her. Convinced that with Fred Casely's (Dominic West) help she will get what she wants. But, when Casely turns out to be an abusive lying womanizer Roxie is angered and betrayed. Causing her to kill him as revenge, she tries to convince her husband Amos (John C. Reilly) to take the blame. However, his story does not phase the Harrison (Colm Feore) and Roxie is arrested and learns that she could face the death penalty. Roxie later meets the corrupt but nurturing jail matron Mama Morton (Queen Latifah), who gives her some helpful advice on how to win the court's appeal. Roxie later finds herself being a client of the corrupt smooth-talking Billy Flynn (Gere), who is determined to help her win her case. Billy corrupts the press with a story about how Roxie killed Fred out of self-defense. At the same time she butts heads with Velma after the press starts putting her name in the headlines. Roxie's fame is almost short-lived until she fakes a pregnancy. Now with a swelled head, she fires Billy convinced she can win the case on her own. Unfortunately, she is forced to take Billy back after seeing that another inmate will be executed. At the same time Amos starts to wonder about Roxie's "baby." Convinced that it is not his baby he decides to file for divorce. The day of the trial Billy turns the court room upside down and is able to convince the jury that Roxie is innocent, Amos learns that the pregnancy was a ruse and finally leaves her. Now that Roxie is free she tries to make her dream come true, but Velma explains to her that a one woman act is not what Chicago is looking for. Roxie rejects the offer because of Velma's resentment towards her and the lack of hospitality when they were on murderess row. Velma finally convinces her that they don't have to be friends in order to be partners. Roxie's dream becomes a reality as she and Velma are now the hottest act in Chicago. But one question remains did it really happen or is it all in Roxie's head? Highly Recommended. This movie has some of the best singing and acting I have ever seen. It deserved all six of the awards.

Wuchak

Wuchak

Aug 21, 2018 · via TMDB

★ 7.0

**_Beautiful women frolicking around in showgirl costumes_** In mid-20s' Chicago Velma Kelly (Catherine Zeta-Jones) and Roxie Hart (Renée Zellweger) find themselves on death row for murdering their lovers and fan the fame that will keep them from the gallows with the assistance of a slick lawyer (Richard Gere). John C. Reilly plays Roxie's likable but dimwitted husband while Latifah is on hand as the avaricious prison matron. People criticize this amusing satirical musical for being sleazy, but it would be hard to lampoon and ridicule the corrupt targets of the media and the legal (in)justice system without showing, um, sleaze. That's the point of the original 1926 play "Chicago" and all its successive incarnations, including this acclaimed 2002 movie: illustrating and sarcastically denouncing sleaze via a droll musical. "Chicago" without sleaze would be akin to "Apocalypse Now" without war. Believe it or not, the movie is based on real women, Beulah Annan (represented by Roxie) and Belva Gaertner (Velma), who were imprisoned for killing lovers in spring, 1924, in two unrelated incidents. The actual accounts were salacious with loads of sex & violence; and both were ultimately acquitted. Maurine Dallas Watkins wrote the original play, which was intended as a stinging satire of the lack of morals in Chicago during the roaring 20s. Watkins was, interestingly, a reporter for the Chicago Tribune who covered the popular trials and is represented by Mary Sunshine (Christine Baranski) in the film. Several of the peripheral characters are also based on real-life individuals who played a part in the unfolding drama, e.g. journalists, attorneys, officials and convicts. I'm not big on musicals beyond ones like "Moulin Rouge" (1952) and "The Wizard of Oz" (1939), but "Chicago" works for me simply due to the scores of beautiful women prancing around in showgirl apparel of the 20s. It's the same reason I love figure skating. After the passage of the 19th Amendment, American women were basking in their newfound freedoms and "Chicago" depicts this euphoric emancipation. I also appreciate "Chicago" because Gere is great and there are some creative pieces, like the puppet one and the tap-dancing part. All the musical skits are in Roxie's imagination, except for the opening "All that Jazz" performed by Velma at the club and the climatic one, which features both Velma & Roxie. The film runs 1 hour, 53 minutes. GRADE: B

User reviews courtesy of TMDB.

Keywords 19
1920s based on play or musical burlesque burlesque dancer chicago, illinois death by hanging execution execution by hanging gallows hanged woman hanging jail jazz age lawyer musical noose prison prison matron public execution
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Cast 61
Renée Zellweger

Renée Zellweger

Roxie Hart

Catherine Zeta-Jones

Catherine Zeta-Jones

Velma Kelly

Richard Gere

Richard Gere

Billy Flynn

Queen Latifah

Queen Latifah

Matron Mama Morton

Ekaterina Chtchelkanova

Ekaterina Chtchelkanova

Katalin Helinski "Hunyak"

John C. Reilly

John C. Reilly

Amos Hart

Christine Baranski

Christine Baranski

Mary Sunshine

Lucy Liu

Lucy Liu

Kitty Baxter

Taye Diggs

Taye Diggs

Bandleader

Colm Feore

Colm Feore

Harrison

Dominic West

Dominic West

Fred Casely

Mya

Mya

Mona

Deidre Goodwin

Deidre Goodwin

June

Denise Faye

Denise Faye

Annie

Susan Misner

Susan Misner

Liz

Cliff Saunders

Cliff Saunders

Stage Manager

Jayne Eastwood

Jayne Eastwood

Mrs. Borusewicz

Bruce Beaton

Bruce Beaton

Police Photographer

Roman Podhora

Roman Podhora

Sergeant Fogarty

Robbie Rox

Robbie Rox

Prison Guard

Chita Rivera

Chita Rivera

Nickie

Joey Pizzi

Joey Pizzi

Bernie

Ken Ard

Ken Ard

Wilbur

Sebastian La Cause

Sebastian La Cause

Al Lipschitz

Brendan Wall

Brendan Wall

Billy's Assistant

Eve Crawford

Eve Crawford

Billy's Secretary

Joseph Scoren

Joseph Scoren

Harry

Monique Ganderton

Monique Ganderton

Bare Woman #1

Marty Moreau

Marty Moreau

Groin Reporter

Conrad Dunn

Conrad Dunn

Doctor

Jonathan Whittaker

Jonathan Whittaker

Bailiff

Sean McCann

Sean McCann

Judge

Jeff Clarke

Jeff Clarke

Court Clerk

Patrick Salvagna

Patrick Salvagna

Newsboy

Kate Zenna

Kate Zenna

Woman Shooter

Michelle Johnston

Michelle Johnston

Female Dancer

Vicky Lambert

Vicky Lambert

Female Dancer

Tara Nicole Hughes

Tara Nicole Hughes

Female Dancer

Cynthia Onrubia

Cynthia Onrubia

Female Dancer

Karine Plantadit

Karine Plantadit

Female Dancer

Karen Andrew

Karen Andrew

Female Dancer

Catherine Chiarelli

Catherine Chiarelli

Female Dancer

Theresa Coombe

Theresa Coombe

Female Dancer

Sheri Godfrey

Sheri Godfrey

Female Dancer

Brittany Gray

Brittany Gray

Female Dancer

Karen Holness

Karen Holness

Female Dancer

Amber-Kelly Mackereth

Amber-Kelly Mackereth

Female Dancer

Jodi McFadden

Jodi McFadden

Female Dancer

Leigh Torlage

Leigh Torlage

Female Dancer

Paul Becker

Paul Becker

Male Dancer

Darren Lee

Darren Lee

Male Dancer

Robert Montano

Robert Montano

Male Dancer

Sean Palmer

Sean Palmer

Male Dancer

Martin Samuel

Martin Samuel

Male Dancer

Sergio Trujillo

Sergio Trujillo

Male Dancer

Curtis King Jr.

Curtis King Jr.

Male Ensemble

Laura Dean

Laura Dean

Female Ensemble

Capathia Jenkins

Capathia Jenkins

Female Ensemble

Sara Ramirez

Sara Ramirez

Female Ensemble

Nicki Richards

Nicki Richards

Female Ensemble

Timothy Shew

Timothy Shew

Male Ensemble (uncredited)

Crew 28
John Myhre

John Myhre

Production Design

Dion Beebe

Dion Beebe

Director of Photography

Colleen Atwood

Colleen Atwood

Costume Design

Jordan Samuel

Jordan Samuel

Key Makeup Artist

Jennifer Ricci

Jennifer Ricci

Acting Double

Cynthia Onrubia

Cynthia Onrubia

Associate Choreographer

Joey Pizzi

Joey Pizzi

Associate Choreographer

Rob Marshall

Rob Marshall

Choreographer

Steve Lucescu

Steve Lucescu

Stunt Coordinator

Jeanette Roxborough

Jeanette Roxborough

Stunts

Andrew Weisblum

Andrew Weisblum

Visual Effects Editor

Rob Marshall

Rob Marshall

Director

Martin Walsh

Martin Walsh

Editor

Don Carmody

Don Carmody

Co-Producer

Bob Weinstein

Bob Weinstein

Executive Producer

Harvey Weinstein

Harvey Weinstein

Executive Producer

Julie Goldstein

Julie Goldstein

Executive Producer

Neil Meron

Neil Meron

Executive Producer

Martin Richards

Martin Richards

Producer

John Kander

John Kander

Music

Danny Elfman

Danny Elfman

Original Music Composer

John Kander

John Kander

Original Music Composer

John Kander

John Kander

Songs

Randall Balsmeyer

Randall Balsmeyer

Visual Effects Supervisor

Bob Fosse

Bob Fosse

Book

Fred Ebb

Fred Ebb

Book

Fred Ebb

Fred Ebb

Lyricist

Bill Condon

Bill Condon

Screenplay

Gallery 106
Videos 4
Similar Movies 252
US Release Dates 5

Dec 10, 2002

Los Angeles, CA

Premiere

Dec 18, 2002

New York, NY

Premiere

Dec 27, 2002

PG-13 Theatrical (Limited)

Jan 24, 2003

PG-13 Theatrical

Aug 19, 2003

DVD & VHS

PG-13 Physical

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🥇 Evil Dead II

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2019 · 11 wins

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