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BBC Film
UK Film Council
United Artists
Not part of a collection.
How do you solve a crime when the last thing you want to know is the truth?
In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.
CinemaSerf
Aug 31, 2025 · via TMDB
I struggle with some of these futuristic dystopian dramas simply because I can never imagine how humanity could ever find itself in the situation where life could really be like this. This one adds an additional, if entirely accidental, Oedipean element to the plot. “Geld” (Tim Robbins) is an investigator who tracks down folks who peddle in fake travel documents. Believe it or not, this is big business in a world where travel is tightly regulated by the governmental “Sphinx”. His latest trip takes him to Shanghai where he encounters “Maria” (Samantha Morton) whom he quickly deduces is behind the forgeries, but he’s too smitten to do anything about it as he embarks on twenty-four hours of activities he might not like to recount to his wife at home. Anyway, back home he goes only for his boss to enquire as to why he seemed to have failed in his mission and to promptly send him back. Was this his plan all along - to be sent back? Well when he tries to find “Maria” again, he discovers that she has undergone memory erasing treatment following her alleged breaching of “Code 46”. He also discovers that she is not quite the random person he had initially supposed, and that the genetics of two into one don’t really go! Essentially this comes across as a curious take on a love story, with Robbins confidently delivering a persona that still yearns for a degree of humanity in the face of an increasingly sterile and prescribed human existence. Morton also delivers well, exuding a certain vulnerability as her character sits on the wrong side of an arbitrarily defined society that discriminates indiscriminately. The plot tries to reconcile some more scientific concepts alongside the emotionally conflicted ones, but that’s where I found it’s wheels came off. It hasn’t quite the convictions to deliver without reaching an uncomfortable compromise that I felt rather let the whole thing down, and boy can it take it’s time as it often feels way longer than ninety minutes. There are moments of chemistry between the pair, and I did like the premise but the over-written and ponderous execution just left me disappointed, sorry.
User reviews courtesy of TMDB.
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The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
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