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Double Dare You
Legendary Pictures
Pacific Rim Collection
To fight monsters, we created monsters.
Using massive piloted robots to combat the alien threat, Earth's survivors take the fight to the invading alien force lurking in the depths of the Pacific Ocean. Nearly defenseless in the face of the relentless enemy, the forces of mankind have no choice but to turn to two unlikely heroes who now stand as Earth's final hope against the mounting apocalypse.
misubisu
Jun 24, 2026 · via TMDB
Score: 9/10 A Del Toro Masterclass in Spectacle and Heart Pacific Rim is a towering achievement in pure, unapologetic cinematic joy. Directed by Guillermo del Toro, this is not just a monster movie it's a love letter to the kaiju and mecha genres that treats its source material with genuine reverence while elevating it through del Toro's singular visual imagination. It is very entertaining from start to finish, a film that understands exactly what it is and executes that vision with flawless precision. The Fighting: Spectacular and Grounded The battles between the Kaiju and the Jaegers are the film's undeniable centrepiece. Del Toro and his team ensure that these colossal clashes carry immense weight and scale. Every punch, every impact, every step of these towering behemoths feels tangible and destructive. The Hong Kong sequence, in particular, is a masterpiece of escalating action a 20-minute set piece that moves from harbour to city to sky without ever losing its grip on the audience. The Jaegers feel like real machines, the Kaiju feel like real threats, and the chaos of their collision is captured with a clarity that modern blockbusters often lack. It is very realistic in the sense that you never question the physics of the world del Toro has built. The weight, the scale, the destruction it all feels earned. The Cast: A Perfect Ensemble The casting is impeccable across the board. Charlie Hunnam delivers a solid, grounded performance as Raleigh Becket, the reluctant hero pulled back into the fray. The true scene-stealers, however, are the supporting players: Ron Perlman as Hannibal Chau: Perlman plays a great baddie, embodying the black-market Kaiju dealer with a gleeful, unapologetic amorality. His character is a pure hedonist, a war profiteer with no allegiance to anyone but himself and his insatiable appetites. He is utterly ruthless, unpredictable, and a joy to watch. Perlman's natural charisma and del Toro's flair for larger-than-life characterisation make Chau unforgettable. Charlie Day and Burn Gorman: The banter between Day's Dr. Newton Geiszler and Gorman's Gottlieb is brilliant. They play rival scientists one biological, one mathematical whose constant, clashing bickering provides the film's comedic heart. Their friction is hilarious, their chemistry is palpable, and their arc builds to a surprisingly pivotal moment in the climax. Idris Elba as Stacker Pentecost: Elba brings the necessary gravitas, delivering speeches that rally both the troops and the audience. He is, as always, a commanding presence. Why It's a 9 (Not a 10) If there is a minor deduction, it is that the film's emotional core the relationship between Hunnam's Raleigh and Rinko Kikuchi's Mako doesn't quite reach the same heights as the spectacle surrounding it. The film's structure is formulaic, and its character arcs are broad strokes rather than deep studies. But these are quibbles for a film that delivers so much on its core promise: giants fighting giants with heart, humour, and immense visual flair. The Verdict Pacific Rim is a triumph. It is a film that celebrates the joy of cinema, crafted by a director who understands that even the silliest concepts can become art when executed with conviction and respect. Del Toro's direction, the phenomenal visual effects, and a cast that knows exactly what kind of movie they're in make for a blockbuster of pure, unadulterated entertainment. Watch if: You love spectacle, del Toro's visual genius, or simply want to watch giant robots punch giant monsters in a battle for the fate of the planet. Skip if: You require nuanced character studies or non-formulaic plots. This is a film that excels at being precisely what it promises to be.
CinemaSerf
Feb 9, 2025 · via TMDB
Guillermo del Toro does “Transformers” meets “Godzilla” - and thanks to a spirited effort from Charlie Hunnam turns out quite a decent adventure. There’s some sort of rift between the surface dwellers and these prehistoric beasts that bide deep within the planet. They have an habit of coming up to visit every now and again and causing havoc, so mankind has developed these great nuclear-powered machines to guard the entrance and send them packing. Under the guidance of the grumpy “Pentecost” (Idris Elba) these “Jaegers” (that’s hunters in case you didn’t know) are our main line of defence, but when they start to become overwhelmed by the sheer size and power of their foes, the world must turn it’s hopes to the veteran “Becket” (Hunnam) and his novice partner “Mako” (Rinko Kikuchi) and hope they can find a way to seal this doorway once and forever. It takes a while to get going, indeed it could probably lose twenty minutes, but once it gets going there’s loads of action set amidst some impressive visual effects and featuring extended combat scenes that don’t just repeat themselves over and over. There’s a bit of testosterone zinging about between “Becket” and the other “Becket” (Diego Klattenhoff) and there’s also plenty of entertainingly geeky science from Bruno Gorman’s “Gottlieb” and Charlie Day’s “Dr. Geiszler” as the adventure hots up. Nobody watches these films for the writing, so little effort has been expended on that front beyond giving them something to do with their mouths whilst doing their own, more sophisticated, impressions of Sigourney Weaver from 1986 and it is all enjoyably easy on the eye for a couple of hours.
Filipe Manuel Neto
Jan 6, 2023 · via TMDB
**It could be so much better with some logic.** Guillermo Del Toro is a good director, but he seems to be learning too much from Tim Burton instead of forging his own path. I really liked some of his films, especially “Pan’s Labyrinth”, but this film, despite its merits, has nothing to do with that and doesn’t even seem to be from the same director. The best thing about this film is the extremely high production values. Visually, the film is amazing and it's really nice to watch. We've got great visuals, stunning cinematography, and an absolutely immersive dose of high-quality CGI. In addition, the film has very well-made sets and costumes, thought out in detail and indisputably expensive. The special effects department, despite all the computer graphics used, also had a series of good opportunities to show its value, and it never failed to do so. The editing is good, the cuts are barely felt and the pace of the film is extremely pleasant. All good reasons to see the film, which was a great blockbuster. Director Del Toro, I have no doubt, had the courage to take a risk on a film that looks like nothing I've seen of him. However, and as I said, he is good, he is creative, and he is a perfectionist in his work, assuring us of an impeccable job in this film. The cast has great actors, and all of them were at the best level. Idris Elba is, for me, the most notable and the best of them all, but I also appreciated the efforts of Rinko Kikuchi and Charlie Day. The worst performance came from Ron Perlman, but this is largely due to the poor conception of the character, who is a crude caricature of a common drug dealer with no taste. Charlie Hunnam, honestly, was an actor that I completely missed. I felt that not only did he lack the charisma and ability to hold the audience and be the protagonist, but he also lacked the skills for the task. I deliberately left the script for the end because, for me, this is where all (or almost) of the film's problems lie. The script is based on an alien invasion of Earth: coming from the bottom of the sea, aliens take the form of gigantic monsters, forcing the entire planet to unite and create metal monsters capable of breaking their faces. The first problem is the illogicality of these premises: how and when did aliens arrive in our world, and how could they penetrate the Earth's crust? This is not explained, nor how countries funded the construction and maintenance of such metallic machines, nor how they manage to walk and fight in an ocean as deep as the Pacific. How did they withstand the heat of the planet? How did they withstand the pressures on the ocean floor? The battles against the monsters almost always take place in the coastal area next to the big cities, threatened, in a clear allusion to films like “Godzilla” or “Transformer’s”. The dialogues also lack any kind of authenticity. The movie simply makes up for it all with tons of action.
The Movie Mob
Jan 2, 2023 · via TMDB
**Pacific Rim is outrageous and cliche but loads of fun if you embrace it for what it is: insane robot/monster action.** Pacific Rim is a ridiculous action monster movie that is a lot of fun if you have the right expectations. It’s a film about giant rock em sock em robots fighting giant Godzilla-like monsters, filled with shallow characters, goofy dialogue, great thrills, and exciting action sequences. Charlie Day’s wacky scientist was exceedingly annoying, but then you also have Idris Elba’s inspiring gritty performance of Stacker Pentecost in the same film. Those two performances perfectly define the movie as one of extremes. Extreme robot monster action. Extreme goofiness. All mixed in together for a unique movie worth a watch but not the movie hall of fame.
Teemu
Feb 28, 2018 · via TMDB
Watching a CGI heavy movie 5 years following its release doesn't sound like such a hot idea, but in the case of Pacific Rim nothing really drew me out of the experience in terms of aging animation. However, the film itself was an 'okay' at best. Aside from the spectacle CGI fights of giants robots versus giant alien monsters it doesn't offer anything of value. This is one of those movies you can safely keep on your second monitor and zone out in between the set piece fight scenes.
Dark Jedi
Jan 15, 2018 · via TMDB
I have to say that I enjoyed this pure special effects movie quite a lot even though the plot is totally ridiculous. Clumsy giant robots beating at alien beasts with their fists should be better than modern tanks and airplanes with modern explosive and armor penetrating weapons? As I said, a ridiculous story. Well it does not really matter does it because the story gives an excuse for some real cool special effects loaded action. Giant robots and alien Godzillas in the same movie. Cool, simply cool. Once you have gotten past the silliness of the story it is a very entertaining rollercoaster ride of action. The scenes where the robots and aliens go head to head is visually very enjoyable. Sometimes they make you laugh as well. For instance the scene where Gipsy Danger (one of the robots) drags a cargo ship after it to use as a club. Unfortunately a somewhat somber mood is set right from the start by the fact that the Jaeger program is discontinued. Not because they are really defenseless as the movie blurb states but because dumbass politicians wants to save money as usual. Instead they build giant walls that are subsequently breached in hours. As I said, dumbass politicians. I guess they wanted to put some realism into the movie! As much as the robot and alien action is tremendously enjoyable I think some of my favorite scenes are the ones with Ron Perlman as Hannibal Chau. I have always liked Ron Perlman and he is simply outrageously (as in funny) wacky as Hannibal Chau. The one thing I did not like with the movie is the ludicrous nonsense statements about the dinosaurs being the first attempt at an invasion. Whoever wrote that must be an idiot. Worse, the fact that it made it into the movie means that someone believes that the audience are idiots. When it then was followed by some green-religious crap that the atmosphere was not right for them then but that we have now “terraformed” earth for them by our pollution it was at least a star off just for that. I hate it when they put crap like that in the movies. It is an insult to the audience. Anyway, despite the dinosaur nonsense I found it a very enjoyable movie. Without that it would have received a near top rating but as I said, it is at least a star off due to that crap.
User reviews courtesy of TMDB.
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Charlie Hunnam
Raleigh Becket
Rinko Kikuchi
Mako Mori
Idris Elba
Stacker Pentecost
Max Martini
Herc Hansen
Clifton Collins Jr.
Tendo Choi
Ron Perlman
Hannibal Chau
Charlie Day
Dr. Newton Geiszler
Burn Gorman
Dr. Hermann Gottlieb
Robert Kazinsky
Chuck Hansen
Robert Maillet
Lt. Aleksis Kaidanovsky
Heather Doerksen
Lt. Sasha Kaidanovsky
Larry Joe Campbell
Tommy T
Brad William Henke
Miles
Diego Klattenhoff
Yancy Becket
Santiago Segura
Wizened Man
Jane Watson
Raleigh and Yancy's Mom
Jung-Yul Kim
Hannibal Chau Thug
Joshua Peace
Officer
Mana Ashida
Young Mako
Joe Pingue
Captain Merrit
Milton Barnes
McTighe
Brian Frank
1st Officer
Ellen McLain
Gipsy Danger AI (voice)
David Fox
Old Man on Beach
Jake Goodman
Child
Robin Thomas
American UN Representative
Julian Barnes
British UN Representative
David Richmond-Peck
Canadian UN Representative
Sebastian Pigott
Engineer
Robert Morse
Raleigh and Yancy's Dad
Mike Chute
Saltchuck Crew
Duncan McLeod
Saltchuck Crew
Louis Paquette
Saltchuck Crew
Matthew G. Taylor
Saltchuck Crew
Terry Belleville
UN Representative
Mishu Vellani
UN Representative
Peter Kosaka
Young Mako's Father
Yiren Stark
Young Mako's Mother
Mark Luu
Wei Tang Triplet
Charles Luu
Wei Tang Triplet
Lance Luu
Wei Tang Triplet
Victoria Sawal
Chinese Girl in Anti-Kaiju Refuge
Timothy Gibbs
Marine (uncredited)
Hugh Tran
Asian Boy
Scott Martin Gershin
Kaiju Sound Effects (voice) (uncredited)
Barack Obama
Self (archived footage)
Simu Liu
Extra (Uncredited)
Andrew Li
Art Direction
Carlos Salgado
Concept Artist
Jeremy Gillespie
Second Assistant Art Director
Guillermo Navarro
Director of Photography
Andy Jekabsons
First Assistant Camera
Gilles Corbeil
Steadicam Operator
Kate Hawley
Costume Design
Colin Penman
Key Makeup Artist
Jordan Samuel
Makeup Department Head
Bradley James Allan
Fight Choreographer
Branko Racki
Stunt Coordinator
Robert Racki
Stunt Coordinator
Alain Moussi
Stunts
David Cronenberg
Thanks
Guillermo del Toro
Director
John Gilroy
Editor
Margery Simkin
Casting
Chu Chen-On
Line Producer
Guillermo del Toro
Producer
Jon Jashni
Producer
Mary Parent
Producer
Thomas Tull
Producer
Lauren Hadaway
ADR Editor
Gary A. Hecker
Foley Artist
Peter Myles
Music Editor
Tom Morello
Musician
Ramin Djawadi
Original Music Composer
Scott Martin Gershin
Sound Designer
Csaba Wagner
Sound Effects Editor
Scott Martin Gershin
Supervising Sound Editor
Chris Lentz
Animation Supervisor
Hal Hickel
Animation Supervisor
Eddie Pasquarello
Visual Effects Supervisor
John Knoll
Visual Effects Supervisor
Nigel Sumner
Visual Effects Supervisor
Guillermo del Toro
Screenplay
Travis Beacham
Screenplay
Travis Beacham
Story
Jul 12, 2013
Oct 15, 2013
DVD, Blu-ray
Oct 4, 2016
4K UHD
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
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Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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