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Paramount Pictures
The Kennedy/Marshall Company
Warner Bros. Pictures
Not part of a collection.
Life isn't measured in minutes, but in moments.
Born under unusual circumstances, Benjamin Button springs into being as an elderly man in a New Orleans nursing home and ages in reverse. Twelve years after his birth, he meets Daisy, a child who flits in and out of his life as she grows up to be a dancer. Though he has all sorts of unusual adventures over the course of his life, it is his relationship with Daisy, and the hope that they will come together at the right time, that drives Benjamin forward.
CinemaSerf
Jul 2, 2026 · via TMDB
A baby is abandoned by his petrified parents when it is born with all the features of an elderly man. Fortunately, he finds a home with the caring "Queenie" (Taraji P. Henson) who is somewhat adept at looking after seniors - just not ones this tiny. It doesn't take "Benjamin" long to assume a more adult size but he still exhibits all the frailties of a disablingly arthritic old age whilst having the emotional maturity of a bairn. They all realise that as he gets older, he will get younger until eventually he will regress back into infancy and then essentially die of young age - assuming fate doesn't intervene in the meantime. Had he had the benefits of the presumed wisdom of his years at the start, then his life might have been different but he was learning in reverse and so was for a long time very dependent on "Queenie", her beau "Tizzy" (Mahershala Ali) and his fellow residents at the care come. All of what happens now is narrated by "Caroline" (Julia Ormond) who is reading his diary to her ailing mother and his long term best friend "Daisy" (Cate Blanchett) and as their stories interveave across the better part of a century it also quite effectively mirrors so much of the evolution of the United States during a time from the end of the Great War until the deadly hurricane "Katrina" descended upon an ill-prepared New Orleans. The make up artists have done sterling work turning Brad Pitt from an elderly gent (whom I did think looked more like Mark Hamill) to an handsome young charmer who falls in love with the younger "Daisy" but who is terrified that should they have a child, it might end up just like him! There isn't a continuous narrative for any of his relationships or friendships which makes this much more interesting than just being a straight chronology but as she reads and we listen, we learn of a troubled soul with plenty to give if only nature and nurture can reconcile long enough for him to learn to trust and be trusted. Trying to get a couple of hours from this original F. Scott Fitzgerald short story was always going to be an ask, but with both Pitt and Henson, especially, delivering at their most characterful; the usually rather aloof Blanchett imbuing her character with a surprising degree of engaging vulnerability as their love blossoms and the sparingly used Ormond adding something really quite emotional as the pennies drop as she reads this book, David Fincher has crafted something remarkably human for us here. The production design convinces well as the clock ticks backwards and forwards - depending on who you are, and the Alexandre Desplat score augments a very stylish story that does tug at the heart strings occasionally, but that is mercifully devoid of much sentimentality as the inevitable conclusion looms ever larger for a "Daisy" for whom roles are now reversing. There's everything from war to romance in here, and it's well worth a watch on a big screen if you can.
Unknownian
Feb 4, 2022 · via TMDB
This movie is in my top 10 movie list in life. It is a cinema achievement that may never be outdone by 'anyone'. Considering that this masterpiece was shot digitally in 2007, it is miles above any CG effort since. For those of you that haven't seen it: "SEE IT". Besides a great story (with one flaw), this film makes illusion and simulation become reality. The one flaw: I have great respect for David Fincher, and I am going to go out on a limb and say that he must have been aware of this discrepancy, but went ahead with the story-line as written anyway. ( I hope that's the case). Benjamin Button was born "old", and regressed backwards to die an infant. The flaw in the story-line (and it's a big one), is that as he regresses to youth, he begins to have dementia (Alzheimer's symptoms), along with all of the arthritic pains and problems an old man gets as he ages. At the end, before he dies he loses his memory completely. Logically, since he was born an old man, those illnesses should have evolved from birth, and improved as he regressed in age. Strangely in the film, he is born with severe arthritis, and can't even walk until he is 7. Why then would he again experience these same symptoms as a child on the way to his death bed (or crib)? He should be in perfect health as a child, and regress to a "fetus", and then disappear. Other than that major flaw, this movie is a 10. Unfortunately because of the illogical way he dies, I had to give it a 9 out of 10 stars. One other issue with the plot: If we were to take this movie scenario and try to place it in the real world, Benjamin would have to have been born a "full sized", old man, and then after 70 or 80 years, he would have begun to shrink. Since the idea of a woman giving birth to a full sized man is physically impossible, our Benjamin had to be born old and "tiny". This of course is another contradiction in the plot, since Benjamin is small "twice in his life". We can't dwell on this flaw at all, because if we did we would never get passed it. To enjoy this movie, we must put all the facts and logistics of this scenario aside, and when we do, this movie takes us on a journey unlike any other ever filmed.
talisencrw
May 19, 2016 · via TMDB
One of Fincher's masterworks--though I like others better. He's definitely one of the only people alive who could have succeeded with this very intriguing story. There are moments--when Benjamin's coming into his own, both with Tilda Swinton's character and with Cate Blanchett's--that are amongst the finest and most invigorating I have ever seen in cinema. I'm curious how I'll find it when I rewatch it in a few years. I have the impression that as I come to terms with age and gather more wisdom in my own skin, this story will only grow in my heart and appreciation--for both the highs and the lows. That is a spectacular magic trick for a movie to do--and Fincher's downright full of them.
User reviews courtesy of TMDB.
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FlixFling
Spectrum On Demand
Brad Pitt
Benjamin Button
Cate Blanchett
Daisy Fuller
Taraji P. Henson
Queenie
Julia Ormond
Caroline Fuller
Jason Flemyng
Thomas Button
Tilda Swinton
Elizabeth Abbott
Mahershala Ali
Tizzy Weathers
Jared Harris
Captain Mike
Elias Koteas
Monsieur Gateau
Phyllis Somerville
Grandma Fuller
Faune Chambers Watkins
Dorothy Baker
Donna DuPlantier
Blanche Devereux
Jacob Tolano
Martin Gateau
Earl Maddox
Man at Train Station
Ed Metzger
Teddy Roosevelt
Danny Vinson
Priest Giving Last Rites
David Jensen
Doctor at Benjamin's Birth
Joeanna Sayler
Caroline Button
Fiona Hale
Mrs. Hollister
Patrick Thomas O'Brien
Dr. Rose
Peter Donald Badalamenti II
Benjamin 1928-31
Danny Nelson
General Winston
Lance E. Nichols
Preacher
Rampai Mohadi
Ngunda Oti
Troi Bechet
Filamena Gilea
Elle Fanning
Daisy Age 7
Ted Manson
Mr. Daws
Clay Cullen
Young Mr. Daws
Robert Towers
Benjamin 1932-34
Sonya Leslie
Daisy's Nurse
Yasmine Abriel
Prostitute with Benjamin
Madisen Beaty
Daisy Age 10
Tom Everett
Benjamin 1935-37
Don Creech
Prentiss Mayes
Joshua Desroches
Vic Brody
Richmond Arquette
John Grimm
Josh Stewart
Pleasant Curtis
Ilia Volok
Russian Interpreter
David Ross Paterson
Walter Abbott
Myrton Running Wolf
Dennis Smith
Stephen Monroe Taylor
Sailor
Devyn A. Tyler
Queenie's Daughter Age 14
Adrian Armas
David
Wilbur Fitzgerald
TV Reporter
Louis Herthum
Man at Caroline's Party
Rus Blackwell
Robert Williams
Joel Bissonnette
David Hernandez
Deneen Tyler
Queenie's Daughter Age 40
Spencer Daniels
Benjamin Age 12
Chandler Canterbury
Benjamin Age 8
Charles Henry Wyson
Benjamin Age 6
Katherine Crockett
Featured Dancer
Bianca Roe
Ballerina Who Ties Up Shoelace (uncredited)
Emma Degerstedt
Ballet Dancer (uncredited)
Megan Brown Martinez
Woman Kissing Benjamin (uncredited)
Clay Chamberlin
The Grumpy Sailor (uncredited)
Leslie Augustine
Ballet Dancer (uncredited)
Brett Beoubay
1918 Police Officer (uncredited)
Allen Boudreaux
Teddy Roosevelt's Secret Service Agent (uncredited)
Eve Brent
Old Woman (uncredited)
David E. Brown
U.S. Lieutenant (uncredited)
Jake Carpenter
Sailor (uncredited)
Walter Delmar
Ballet Dancer (uncredited)
Marian Filali
Hospital Receptionist (uncredited)
Ron Flagge
Bartender (uncredited)
Tiffany Forest
Girl on Street (uncredited)
Debby Gaudet
Restaurant Patron (uncredited)
Simone-Elise Girard
Parisian Woman (uncredited)
Grant James
Joking Old Man (uncredited)
Christopher Karl Johnson
Medical Officer on Liberty Ship (uncredited)
Spencer Kayden
Ballet Dancer (uncredited)
Jonathan Lane
Usher at Theater (uncredited)
Valeska Miller
Ballet Dancer (uncredited)
Dennis Thomas IV
Grave Digger (uncredited)
Gelsey Weiss
Dancer (uncredited)
Michael Wozniak
World War I Officer (uncredited)
Owl Martin Dwyer
Assistant Property Master
Kasra Farahani
Conceptual Illustrator
Donald Graham Burt
Production Design
Claudio Miranda
Director of Photography
Jacqueline West
Costume Design
Heba Thorisdottir
Makeup Department Head
Todd Tucker
Makeup Supervisor
Kazu Hiro
Special Effects Makeup Artist
Michelle Johnston
Choreographer
Tim Monich
Dialect Coach
Marc Désourdy
Stunt Coordinator
Mickey Giacomazzi
Stunt Coordinator
Chris Palermo
Stunts
Clay Cullen
Utility Stunts
Jeremy Fry
Utility Stunts
Joey Box
Utility Stunts
David Fincher
Director
Tarsem Singh
Second Unit Director
Brent Joseph
Assistant Editor
Tyler Nelson
Assistant Editor
Angus Wall
Editor
Kirk Baxter
Editor
Tarik Naim Alherimi
Electrician
Laray Mayfield
Casting
William Doyle
Location Manager
Ceán Chaffin
Producer
Frank Marshall
Producer
Kathleen Kennedy
Producer
Doc Kane
ADR Mixer
Kris Chevannes
ADR Recordist
John Roesch
Foley Artist
Alexandre Desplat
Original Music Composer
Ren Klyce
Sound Designer
Mark Weingarten
Sound Mixer
David Parker
Sound Re-Recording Mixer
Michael Semanick
Sound Re-Recording Mixer
Ren Klyce
Sound Re-Recording Mixer
Ren Klyce
Supervising Sound Editor
Janelle Croshaw Ralla
Compositing Supervisor
Paul Lambert
Compositing Supervisor
Nikos Kalaitzidis
Effects Supervisor
Elissa Bello
Roto Supervisor
Colin Strause
Visual Effects Designer
Greg Strause
Visual Effects Designer
Craig Barron
Visual Effects Supervisor
Eric Barba
Visual Effects Supervisor
Eric Roth
Screenplay
Eric Roth
Screenstory
Robin Swicord
Screenstory
F. Scott Fitzgerald
Short Story
Dec 8, 2008
Westwood, California
Dec 25, 2008
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Evil Dead II
1987 · 14 wins
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2008 · 14 wins
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1978 · 13 wins
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2000 · 12 wins
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1981 · 11 wins
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