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Mad Max Beyond Thunderdome
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Kennedy Miller Productions
Mad Max Collection Mad Max Collection

Mad Max Beyond Thunderdome

Hold out for Mad Max. This is his greatest adventure.

1985 107 min ★ 6.2 (3,358) Released
Action Adventure Science Fiction

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

Original title
Mad Max Beyond Thunderdome
Language
EN
Country
AU
Budget
$10,000,000
Revenue
$36,230,219
Reviews & Ratings 5
r96sk

r96sk

May 26, 2024 · via TMDB

★ 7.0

Feels like a watered down version of <em>'Mad Max'</em>, albeit one that is still worth watching. <em>'Mad Max Beyond Thunderdome'</em> turns out to be a problematic title, given the most entertaining moments happen at the Thunderdome - so when events move away from said location, it isn't quite as interesting. I didn't really like the <em>'Peter Pan'</em> Lost Boys-esque parts, not that what's produced is bad it just isn't what I want to see from this franchise, personally. Mel Gibson is good value as the lead once more, while it is noteworthy to see one Tina Turner in a big supporting role. Yet again, though, I didn't get that much off the cast performances. I'm sounding like a broken record, I know, but it's very much the action that keeps these movies ticking over. The weakest of the series, for me. Here's hoping <em>'Mad Max: Fury Road'</em> is the best one, which - based on murmurs down the years - I am led to believe that it is; with Tom Hardy as the main man, I imagine that I will enjoy that 2015 flick - fingers crossed!

CinemaSerf

CinemaSerf

Jun 24, 2022 · via TMDB

★ 6.0

The wandering "Max" (Mel Gibson) finds himself in the brutal "Bartertown" ruled either by "Aunty Entity" (Tina Turner) or "Master" (Angelo Rossitto) depending on whether or not you needed electricity! The former, and her devious cohort "The Collector" (the always reliable Frank Thring) concoct a plan by which they can use the ingenuity of "Max" to sort out this power struggle once and for all. That goes to plan, to a certain extent, but when that sense of decency still within our hero causes him to defy his new boss, he is consigned to the "gulag" whereupon he alights upon some youngsters who believe him a god capable of flying them to safety. When he tries to point out that they have the wrong man, dissent amongst these children leads him, and them, back for a final confrontation with the "Aunty". Tina Turner was very much at the top of her musical renaissance when this was made, and had she featured a little more then perhaps we could have better developed the sense of menace here. As it is, she doesn't and once we end up in feral kindergarten territory, the story just becomes predicable and really rather dull. "We Don't Need Another Hero" tops it all off well, but much of the rest of this is pretty unremarkable and may well sound the death knell for this now well spent anti-hero.

Wuchak

Wuchak

Jun 5, 2020 · via TMDB

★ 6.0

_**Bizarre comic book post-nuclear adventure in the Outback with Mel Gibson and Tina Turner**_ In post-apocalyptic Australia, Mad Max (Mel Gibson) travels to Bartertown in the Outback run by Aunty Entity (Tina Turner) & her associate The Collector (Frank Thring). Max accepts a deal to take out MasterBlaster, who runs the town’s methane production underground, but ends up exiled to the deadly desert where he meets… (watch the movie and see). “Mad Max Beyond Thunderdome” (1985) is the third in George Miller’s franchise after “Mad Max” (1979) and “The Road Warrior” (1981). The fourth installment, “Fury Road,” didn’t surface until 2015 (meanwhile Miller has announced a fifth entry, “The Wasteland”). All of these films were rated R except “Beyond Thunderdome,” which turns off some devotees. I could care less since the amount of gore, violence, sex and cussing don’t determine the quality of a film, except maybe to teenagers. Like the previous two films, “Beyond Thunderdome” combines the austere life-or-death situation with a cartoonish vibe, so it’s difficult to take it too seriously, as can be done with the first two Planet of the Apes flicks (1968 & 1971). This campy air always turned me off to these movies, but if you can accept it they can be enjoyed on their level of semi-believable fantasy. You just have to be willing to enter into their weird world. Most fans object to the kids in the desert angle, but this section only lasts 25 freakin’ minutes before tying back into what took place in the first act. Besides, Savannah (Helen Buday) is cute and has nice legs. The departure from a paradisal oasis in exchange for Bartertown seems nonsensical, but it’s figurative of leaving the utopia of youth to the ugly real world and challenges thereof. The verbiage is odd, basic and guttural so don’t look for fascinating dialogues. Meanwhile the storytelling isn’t very compelling. Nevertheless, the movie’s iconic to the 80s and has its points of interest, like its all-around bizarreness, the desolate landscapes, the laconic hero and cutie Savannah, not to mention Turner and her songs (“We Don't Need Another Hero”). The film runs 1 hour, 47 minutes, and was shot in Australia. GRADE: B-

John Chard

John Chard

Apr 14, 2020 · via TMDB

★ 3.0

Max Rockatansky and the Goonie feral gang. Even allowing for my unabashed love of the first two films in the franchise, and sweeping away any sort of biased leanings I might of had for the character of Max, I just can't bring myself to rate at average this cartoonery waste of space that so nearly soils what had gone before it. Gone is the rugged nasty streak that brought feeling to the character Mad Max Rockatansky, gone is the impacting feeling of desolation in an apocalyptic world, and more crucially, gone is director George Miller's passion for the franchise. The dreadful score matches the cartoon heart of the film, it seems that the makers didn't really know what to do with the amount of cash given to make this third instalment. Sure the stunts are spot on (to be expected by now), and of course Miller manages to paint a barren desert landscape by purely lifting from what he has done before. Yet he clearly struggled for fresh ideas with the action since "The Road Warrior's" crowning glory of the Petrol Tanker pursuit is replicated here, only he uses a train instead!!. It's just a very poor show that may have seemed like an ambitious turn of events back in the mid 1980s, but when viewing the three films together now, Thunderdome just comes across as a director losing his edgy approach whilst sadly getting caught between the mix of comedy and fantasy action. And the truth is that neither of those genre slants would have worked singularly, in the context of this series, anyway. I give the film 3/10 purely for one real good Thunderdome fight sequence, while the stunt men here deserve some credit at the very least. But this is the third time I have tried to like this film, and as glutton for punishment as I undoubtedly am, I wont be trying again, ever.

C

Charles Dance

Feb 20, 2017 · via TMDB

★ 8.0

**The best of the Mad Max films** High production values and a compelling story line make this the best of the series. This one doesn't rely on basic car smashes for the duration and instead gives us a moving and more thoughtful adventure. No campy men dressed for the _Blue Oyster_ bar in this one, thank goodness. _The Road Warrior_ (1981) is widely regarded as the best but I have to disagree. That film had a very one note narrative that verged on the bland and an overload of homoerotic imagery. This is a beautiful looking and entertaining film that does not have the shoddy and amateur vibe of the first two. _Mad Max Beyond Thunderdome_ is the film that the first should have been. - Charles Dance

User reviews courtesy of TMDB.

Keywords 28
action hero adventurer angry arena australia camel desert desert oasis dictator dwarf dystopia ex-cop exuberant forceful frantic good versus evil grim harsh ominous post nuclear post-apocalyptic future psychotic sandstorm sequel tribe urgent villain wasteland
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Cast 22
Mel Gibson

Mel Gibson

Max Rockatansky

Tina Turner

Tina Turner

Aunty Entity

Helen Buday

Helen Buday

Savannah Nix

Bruce Spence

Bruce Spence

Jedediah the Pilot

Angelo Rossitto

Angelo Rossitto

Master

Adam Cockburn

Adam Cockburn

Jedediah Jr.

Frank Thring

Frank Thring

The Collector

Paul Larsson

Paul Larsson

Blaster

Angry Anderson

Angry Anderson

Ironbar

Robert Grubb

Robert Grubb

Pig Killer

George Spartels

George Spartels

Blackfinger

Edwin Hodgeman

Edwin Hodgeman

Dr. Dealgood

Bob Hornery

Bob Hornery

Waterseller

Ollie Hall

Ollie Hall

Aunty's Guard

Tushka Bergen

Tushka Bergen

Guardian

Tom Jennings

Tom Jennings

Slake

Rebekah Elmaloglou

Rebekah Elmaloglou

Gatherer

Mark Spain

Mark Spain

Mr. Skyfish

Mark Kounnas

Mark Kounnas

Gekko

Justine Clarke

Justine Clarke

Anna Goanna

Rod Zuanic

Rod Zuanic

Scrooloose

Shane Tickner

Shane Tickner

Eddie

Crew 15
Louis Irving

Louis Irving

Camera Operator

Dean Semler

Dean Semler

Director of Photography

Grant Page

Grant Page

Stunt Coordinator

George Miller

George Miller

Director

George Ogilvie

George Ogilvie

Director

Daphne Paris

Daphne Paris

Script Supervisor

Richard Francis-Bruce

Richard Francis-Bruce

Editor

Mike Fenton

Mike Fenton

Casting

Doug Mitchell

Doug Mitchell

Co-Producer

Terry Hayes

Terry Hayes

Co-Producer

George Miller

George Miller

Producer

Maurice Jarre

Maurice Jarre

Original Music Composer

Tina Turner

Tina Turner

Songs

George Miller

George Miller

Screenplay

Terry Hayes

Terry Hayes

Screenplay

Gallery 202
Videos 6
Similar Movies 286
US Release Dates 2

Jul 8, 1985

PG-13 Theatrical

Jul 30, 1997

DVD

PG-13 Physical

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Group IV: Beaded Light/Dissolving/Beyond

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1970

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🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

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Final Destination

2000 · 12 wins

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Top Gun: Maverick

2022 · 11 wins

#5 Joker

Joker

2019 · 11 wins

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