30WEST
Ashland Hill Media Finance
Davis Films
Electric Shadow Company
FilmNation Entertainment
Not part of a collection.
The Crow
True love never dies.
Soulmates Eric and Shelly are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.
- Original title
- The Crow
- Language
- EN
- Country
- US
- Budget
- $50,000,000
- Revenue
- $24,109,036
MovieGuys
Sep 14, 2024 · via TMDB
WOW this is awful. I remember the original Crow film with Brandon Lee (who sadly passed away making the film), which was reasonable but this so called remake, is, simply put, a cinematic train wreck. Eric (The Crow) is, it seems, not really the main character (he's elbowed aside by his drug addict, criminally linked, ex prostitute girlfriend). Apparently Eric, not to be entirely outdone however, is also a drug addict. Both he and the upcoming love interest attend a drug rehab centre, where everyone dresses like extra's from a Pink Panther movie. Oh and poor Eric's a wuss, who's bullied until he and his lady friend escape, have a tryst and are promptly croaked by some bad guys, who are after his dodgy lady friend. At this point and for reasons that seem, to say the least, far fetched, Eric is resurrected, as a mostly inept, anti hero tasked with seeking revenge. Suffice to say, this remake is filled with characters who are deeply unlikable and a central plot that's not only weak tea but make's little rational sense. Backed by a so called love story, that's about as appetising, as a two week old bowl of clam chowder. In summary, the original The Crow film from way back when is a cinematic masterpiece, when compared to this dismal retake. In my opinion, one to avoid.
r96sk
Sep 5, 2024 · via TMDB
Closer to <em>'Morbius'</em> than it is to <em>'The Crow'</em>. That is... A: not even a joke, it honestly felt similar vibe-wise to that infamous <em>'Sony's Spider-Man Universe'</em> movie for large portions. B: not as big a slight as you may think, as I didn't dislike that Jared Leto flick as much as most others did (not saying it's good, mind). Still, this version of the highly regarded 1994 picture isn't all that, I'm afraid. it almost feels like something completely different, they could've altered a few minor things and made an entirely original film to be honest. I found the pacing to be particularly off, while the antagonist(s) are extremely plain throughout. I do have some positives. Bill Skarsgård and FKA Twigs make for a solid pairing, I sensed enough chemistry between them and both their performances are satisfactory. The music is decent, while some of the kills are creatively done and well shown onsreen. All in all, however, it's a thumbs down from me; no copyright infringement intended, Messrs Siskel and Ebert.
CinemaSerf
Aug 29, 2024 · via TMDB
I think the best plan of attack for this film is to forget all about Brandon Lee's 1994 version and treat this as a stand-alone vehicle for Bill Skarsgård to show off his ninja skills. He's "Eric" who encounters "Shellly" (FKA twigs) and is then promptly embroiled in the devilish machinations of "Roeg" (Danny Huston) who ensures that his hench-woman "Marion" (Laura Birn) kills them both. Turns out, though, that "Eric" still has enough purity of soul left to return to the land of the living and so long as he is touched by true love's kiss sort of thing, will remain immortal long enough to avenge the couple. Yes, there is a crow - the embodiment of his spirit when he goes on his murderous spree, but that whole theme isn't at all developed so let's just forget about that and revert to the whole point of the film - an excuse to pack loads of slaughter, acrobatics and dark, eerie photography into all but two hours of repetitious mediocrity. The camera likes Skarsgård well enough, and there's certainly plenty of him to see here as he takes on all comers. Why were they killed though? Who is "Roeg"? Sure, you can put your own interpretation onto the story if you can be bothered, but director Rupert Sanders has almost entirely focussed on the gloomy and very wet imagery and decided against putting any meat on the bones of the story or the characters. There's a welcome paucity of dialogue throughout and FKA clearly twigged there wasn't much for her to do here so leaves much of the film to her co-star trying his best to be an amalgam of "John Wick" and "Selene" from "Underworld" (2003). It does look good but hasn't an original feather in it's body. It's nice to see Josette Simon (remember "Blake's Seven"?) on the big screen, albeit briefly, but this is really all very disappointing.
User reviews courtesy of TMDB.
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Bill Skarsgård
Eric
FKA twigs
Shelly
Danny Huston
Vincent Roeg
Josette Simon
Sophia
Laura Birn
Marion
Sami Bouajila
Kronos
Karel Dobrý
Roman
Jordan Bolger
Chance
Sebastian Orozco
Dom
David Bowles
Wickham
Isabella Wei
Zadie
Jordan Haj
Adam
Dukagjin Podrimaj
Detective Milch
Darija Pavlovičová
Gray
Janek Gregor
Large Inmate
Lukáš Duy Anh Tran
Skinny Inmate
Brian Caspe
Simon Elbe / Therapist
Peter Parker Mensah
Kelly (Guard)
Gregory Gudgeon
James
Bethany Adams
Clinical Aid
Jim High
Uniformed Cop #1
Monika Kvasničková
Eric's Mother
Andrea Miltner
Music Teacher
Paul Maynard
Card Dealer
Leona Skleničková
Emma
Sinéad Phelps
EMT #1
Daniel Szelezsán
EMT #2 Kronos Look Alike
Paul Dean
Guard
Jan Budař
Opera Fighter
Steve Annis
Director of Photography
David Máj
Costume Coordinator
Daniel Pietrucha
Key Costumer
Daniel Parker
Makeup & Hair
Adam Horton
Stunt Coordinator
Miroslav Lhotka
Stunts
Rupert Sanders
Director
Jason Ballantine
Additional Editor
Greg Fisher
Colorist
Des Hamilton
Casting
Arianne Fraser
Executive Producer
Dan Friedkin
Executive Producer
Delphine Perrier
Executive Producer
Henry Winterstern
Executive Producer
Johanna Watts
Executive Producer
Jon Spaihts
Executive Producer
Kwesi Dickson
Executive Producer
Rupert Sanders
Executive Producer
Ryan Kavanaugh
Executive Producer
Edward R. Pressman
Producer
Samuel Hadida
Producer
Victor Hadida
Producer
Volker Bertelmann
Music Score Producer
Volker Bertelmann
Original Music Composer
Ozan Tekin
Other
Sebastian Badea
Animation Supervisor
Michal Křeček
VFX Supervisor
Alessandro Cioffi
Visual Effects Supervisor
James O'Barr
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Zach Baylin
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