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EMI Films
Not part of a collection.
A true story of courage and human dignity.
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
CinemaSerf
Jun 7, 2023 · via TMDB
Saw this, recently up-converted to 4K at the London Film Festival and, apart from the clear improvements to the quality and detail of the image, I was reminded of just how good it is. Anthony Hopkins and Anne Bancroft play their roles with engaging sincerity - very ably supported by Sir John Gielgud and Dame Wendy Hiller. Prosthetics aside, John Hurt captures both the despair and optimism of Merrick with empathetic style; and Freddie Jones is just downright evil as "Bytes". His son Toby was at the screening and I couldn't help but wonder when he watched this portrayal by his father whether the pride in the performance must have been tempered by a disgust in the character, itself!! This film doesn't seem to do the rounds very often, nowadays, but it holds up very well after almost 40 years and is really a gem.
Wuchak
Jul 2, 2020 · via TMDB
_**The ultimate outcast**_ In 1884 London, a doctor (Anthony Hopkins) meets Joseph Merrick, aka The Elephant Man (wrongly called John Merrick in the film) who was being exploited as a freak show attraction. Treves (Hopkins) tries to help Merrick (John Hurt) for the last six years of the latter’s life wherein he becomes cultured, but he inevitably remains an object of curiosity, to high society as well as low society. Anne Bancroft plays a winsome entertainer who is warm toward Merrick. Directed by David Lynch and shot in B&W, “The Elephant Man” (1980) is a melancholic biographical movie, and understandably so, but Merrick’s story is worth checking out despite the fact that it inspires pity. It calls into question the concept of beauty: Natural beauty is something one is born with and did nothing to acquire, but so is physical unattractiveness. Then there’s inner beauty. The charismatic actress (Bancroft) displays both. Of course there’s also inner ugliness, like the carnival huckster. A myth developed about Merrick’s disfigurement that his mother was raped by an elephant, probably started by sideshow hawkers. The opening conveys this in an artistic manner, but it’s not to be taken literally, which is why it’s surreal. Meanwhile the factory scenes with the pipes and corresponding dangers exhibit the reality for workers in Victorian times. The score by John Morris is noteworthy with one piece being ripped-off for the moving parts of “Platoon” (1986), e.g. Elias’ melodramatic death scene. The film runs 2 hours, 4 minutes, and was shot entirely in London and nearby Shepperton Studios, just west of the city. GRADE: B
User reviews courtesy of TMDB.
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Anthony Hopkins
Frederick Treves
John Hurt
John Merrick
Anne Bancroft
Mrs Kendal
John Gielgud
Carr Gomm
Wendy Hiller
Mothershead
Freddie Jones
Bytes
Michael Elphick
Night Porter
Hannah Gordon
Mrs Treves
Helen Ryan
Princess Alex
John Standing
Fox
Dexter Fletcher
Bytes' Boy
Lesley Dunlop
Nora
Phoebe Nicholls
Merrick's Mother
Pat Gorman
Fairground Bobby
Frederick Treves
Alderman
Nula Conwell
Nurse Kathleen
Alfie Curtis
Milkman
Carol Harrison
Tart
Hugh Manning
Broadneck
William Morgan Sheppard
Man in Pub
Kathleen Byron
Lady Waddington
David Ryall
Man With Whores
Pauline Quirke
2nd Whore
Kenny Baker
Plumed Dwarf
Eiji Kusuhara
Japanese Bleeder
Patricia Hodge
Screaming Mum
Peter Davidson
Second Bobby
Hugh Spight
Puss In Panto
David Lynch
Man in the Bowler Hat in the Mob Chasing Merrick (uncredited)
Tony Clarkin
Thug from Pub (uncredited)
Dave Cooper
Man in crowd (uncredited)
Guy Standeven
Committee Member (uncredited)
Jill Goldston
Nurse (uncredited)
Stuart Craig
Production Design
Freddie Francis
Director of Photography
Neil Corbould
Special Effects
Alan Splet
Special Sound Effects
Anthony Waye
Assistant Director
David Lynch
Director
Anne V. Coates
Editor
Stuart Cornfeld
Executive Producer
Mel Brooks
Producer
John Morris
Original Music Composer
David Lynch
Sound Designer
Frederick Treves
Book
David Lynch
Screenplay
Oct 2, 1980
New York City
Oct 10, 1980
Sep 29, 2020
Criterion Collection, DVD and Blu-ray
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The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
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