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Film4 Productions
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An awkward office drone becomes increasingly unhinged after a charismatic and confident look-alike takes a job at his workplace and seduces the woman he desires.
badelf
Jun 10, 2026 · via TMDB
Richard Ayoade's The Double, based loosely on Dostoevsky's novel of the same name, unfolds in a world that feels equal parts Kafka and Orwell, a bureaucratic nightmare rendered in sickly yellow fluorescents and impossible architecture. The tone is oppressively dark, deliberately nonsensical; this is a universe where logic has left the building, where every interaction carries the threat of absurdist cruelty. The film takes Dostoevsky's central question and makes it visceral: we all maintain multiple identities, slipping between our work self, our social self, our private self with practiced ease. We juggle these versions without much trouble, or even thought, because they remain under our control, aspects of a coherent whole. But what happens when two of these identities come into direct conflict, when they can no longer coexist, when one threatens to consume the other entirely? Jesse Eisenberg delivers a phenomenal performance, creating two completely opposite identities that somehow inhabit the same physical form. His Simon is all nervous energy and apologetic existence, a man so diminished he barely registers in rooms he occupies. His James is confident, charismatic, effortlessly claiming the space and recognition that Simon cannot. Watching Eisenberg navigate between these polarities, you believe utterly in both; more disturbingly, you recognize the war between them, the way our bolder impulses can make our timid ones unbearable, the way our shadow selves can devour us from within. Ayoade traps us in Simon's psychological collapse with claustrophobic precision, offering no escape, no relief, no easy resolution. The film asks uncomfortable questions about identity, authenticity, and whether the self is something stable or merely a collection of competing performances, some more viable than others.
User reviews courtesy of TMDB.
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Jesse Eisenberg
Simon James / James Simon
Mia Wasikowska
Hannah
Wallace Shawn
Mr. Papadopoulos
Yasmin Paige
Melanie
Noah Taylor
Harris
James Fox
The Colonel
Cathy Moriarty
Kiki
Phyllis Somerville
Simon's Mother
Gabrielle Downey
Strange Woman
Craig Roberts
Young Detective
Kobna Holdbrook-Smith
Guard / Doctor
Susan Blommaert
Liz
Bruce Byron
Skinhead
J. Mascis
Janitor
Tony Rohr
Rudolph
Tim Key
Care Worker
Andrew Gruen
Man on Train
Kim Noble
Box Man / Guard 1
Morrison Thomas
Coughing Man
Sally Hawkins
Receptionist at Ball
Lydia Fox
Well-Dressed Woman at Ball / Test Invigilator
Chris Morris
Workers' Services Executive
Chris O'Dowd
Nurse
Kierston Wareing
James' Funeral Date
Paddy Considine
'The Replicator' - Jack
Gemma Chan
'The Replicator' - Glamourous Judge
Nathalie Cox
'The Replicator' - Jack's Wife
Daniel Chapple
Executive Worker (uncredited)
Danny
Singer (uncredited)
Catherine Delaloye
Air Hostess (uncredited)
Lukas DiSparrow
Resident (uncredited)
Joanna Finata
Bar Girl (uncredited)
Steve Saunders
Moaning Man on Trolley (uncredited)
Rade Šerbedžija
Frightening Old Man (uncredited)
Natalia Warner
The Girl (uncredited)
Jacqueline Durran
Costume Design
Ben Browning
Thanks
David Cronenberg
Thanks
Stuart Cornfeld
Thanks
Richard Ayoade
Director
Chris Dickens
Editor
Nick Fenton
Editor
Harmony Korine
Associate Producer
Michael Caine
Executive Producer
Tessa Ross
Executive Producer
Lydia Fox
Producer
Andrew Hewitt
Original Music Composer
Andy Kennedy
Sound Designer
Fyodor Dostoevsky
Novel
Richard Ayoade
Writer
May 9, 2014
Aug 26, 2014
DVD, Blu-ray
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Wasting, sinking, dazzling, floating
2024
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1926
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Evil Dead II
1987 · 14 wins
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2008 · 14 wins
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1978 · 13 wins
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2000 · 12 wins
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1981 · 11 wins
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