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20th Century Fox
Fox 2000 Pictures
Linson Entertainment
Regency Enterprises
Taurus Film
Not part of a collection.
Mischief. Mayhem. Soap.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
AlfaVitaY2K
Jun 5, 2026 · via TMDB
Recommended cult classic from XX century. If you don't get distracted by the David Fincher's masterful direction and Brad Pitt's alpha image, you can comprehend it's not about alpha male rebellion, it's the dream of incels, socially disconnected men unable to form normal relationships. Narrator: Wagekuck obsessed with IKEA catalogs (special interest in consumer minimalism), crashes support groups for fake emotional connection, has neither a partner nor friends. Tyler: Chad effortless charisma, sexual dominance, zero social anxiety. Pure fantasy cope. Marla: A female prop in their psychodrama of love-hate. No relationship based on conscious feelings, just abstract basic instincts and inertial escalation. Fight Club crew: Wagecucks with no life finding the only place they can feel testosterone and adrenaline (via mindless violence) and feel like finding a way out of apathy. The anti-consumerist manifesto is post-rationalization for romantic/sexual frustration + autistic alienation → emasculation → hyper-masculine LARP → cult collapse. I rated it only 90% because of the missing meaningful ending from the book.
CinemaSerf
Mar 20, 2024 · via TMDB
I wonder just how much of this might have been inspired by the vivid imagination of Robert Louis Stevenson? Edward Norton narrates a story that's essentially about himself. He works nine-to-five, but can't sleep. He can't explain his insomnia and after a casual aside from his doctor - who refuses to prescribe him sedatives - he starts cruising evening support groups. That's when he meets two important people. The first is "Bob" (Meat Loaf) who has undergone some hormone therapy that inadvertently helps him cry. Now after a bit of hugging, that skill transfers to our storyteller and the weeping seems to help with the sleeping! Success... Next, he meets "Marla" (Helena Bonham Carter) who also spends her evening going from group to group. Her only illness is a penchant for free doughnuts and coffee. They sort of bond - and even agree to divvy up the groups so they don't clash! It's on a flight, though, that our friend finds his life profoundly altered. He sits next to the uber-confident soap maker "Tyler Durden" (Brad Pitt) who offers him an whole new take on life - especially when his condo inexplicably blows up and he finds himself living with his new friend in what looks like a glorified squat. "Punch me" requires his pal. He gets punched back and both now seem to thrive on the ensuing and rather brutal cycle of violence. Their relationship feeds off the beatings and swiftly they are recruiting other men to their "Fight Club". With shades of the bare-knuckled boxing of the 19th century, they are soon atop an ever-growing group of men who almost revere their leaders. It's here that the whole story heads a little off-piste as it becomes clear that there is a much more malevolent agenda being put together by the membership. "Durden" starts to freeze out his friend, and now feeling more and more isolated his mental state starts to worsen. Just what's going on? Who is who? Even "Marly" starts to think he's lost the plot. This film is an allegorists wet dream. Just about every aspect of the characters behaviour can be used to evaluate or demonstrate choices, freedoms, rebellion, self-awareness - even love. It's not quite so difficult to guess what the denouement will deliver, but it's a journey filled with violence (who'd be Jared Leto?), but it's increasingly used more as if it were a steam valve for something much more psychologically demanding. It's got to be Norton's best effort yet and with Pitt charismatically vacillating between the sagely and the thoroughly evil, this is thought-provoking cinema that is certainly better to watch in a cinema if you can.
chosengreatone
Sep 20, 2023 · via TMDB
This is definitely one of the greatest movies of all time, stylistically, narratively, aesthetically, and creatively. It uses very unorthodox camera angles, cute and effects to fully encapsulate this nihilistic, alternative culture that took over the late 90s and early 2000s. It has very deep views on early corporate capitalism which really arose in the 90s, and it pulls no punches to deliver its beliefs on it. It’s very persuasive in its message about corporatism as it appeals directly to men’s natural instinct and rawness. It’s a very raw movie overall. My only wish is that it could be longer. This movie SHOULD be 3 hours. But even then, it masterfully delivers an experience and segues beautifully into every scene, fulfilling every plot device and answering every question. There are no unleft answers with this movie, this movie is completely calculated and cold-hearted; much likes it main protagonist, Tyler Durden. Absolutely watch this movie!
alksjalksj
Dec 11, 2022 · via TMDB
The best movie i've seen, also my head hurts
katch22
Jul 13, 2021 · via TMDB
Madness unbounded. Don't try to make sense of insanity, just ride a wild ride.
Wuchak
Jul 2, 2021 · via TMDB
_**Finding enlightenment thru beating each other to a pulp**_ A 30 year-old man in Los Angeles works the office drudgery, but suffers insomnia (Edward Norton). He’s finally inspired by an unconventional woman he meets at support groups (Helena Bonham Carter) and, especially, a devil-may-care guy who lives on the outskirts of town (Brad Pitt). They start an underground club where men get together and vent their frustrations by beating the crap out of each other. "Fight Club" (1999) has a huge reputation as a stylish cult flick and is often ranked with the greatest films ever made. The first half is entertaining enough, both quirky and amusing; and I like the interesting themes explored: Escaping the maternal and material, being a slave to advertising, rebelling against life-stifling conformity, being a blind follower of a charismatic leader, finding your inner wild-man, Dr. Jekyll & Mr. Cool, the nature of lawless “revolutionaries” (which is too reminiscent of ANTIFA thugs), the struggle with homosexuality interpretation, etc. That’s all highly commendable. Unfortunately, the second half isn’t compelling. I sat there bored and couldn’t wait for it to end. “Donnie Darko” (2001) had the same problem – promising set-up with clever ideas, but a tedious wrap-up. Meanwhile the twist that everyone gushes over is actually underwhelming and not very surprising, although it’s relatively interesting. Moreover, watching guys get radically beat up is only entertaining a couple times; after that it gets redundant. Speaking of which, how exactly does bare-knuckled fighting inspire or enlighten? Does it really help one’s life to have missing teeth, black eyes and other assorted injuries? Of course the movie doesn’t emphasize the long-lasting negative effects of regular brawling. Have you ever met a brawler, boxer or professional football player in his 50s with the perpetual aches & pains? Cult flicks like “Pulp Fiction” (1994) deserve the praise and stand the test of time; this one disappoints mainly due to the curiously dull second half. But it's genius on the metaphorical level no doubt. The film is overlong at 2 hours, 19 minutes, and was shot in Los Angeles. GRADE: B-
User reviews courtesy of TMDB.
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Fandango At Home
Edward Norton
Narrator
Brad Pitt
Tyler Durden
Helena Bonham Carter
Marla Singer
Meat Loaf
Robert Paulson
Jared Leto
Angel Face
Zach Grenier
Richard Chesler (Regional Manager)
Holt McCallany
The Mechanic
Eion Bailey
Ricky
Richmond Arquette
Intern at Hospital
David Andrews
Thomas at Remaining Men Together
George Maguire
Group Leader at Remaining Men Together
Eugenie Bondurant
Weeping Woman - Onward and Upward
Christina Cabot
Group Leader - Partners in Positivity
Sydney 'Big Dawg' Colston
Speaker - Free and Clear
Rachel Singer
Chloe
Christie Cronenweth
Airline Check-In Attendant
Tim DeZarn
Federated Motor Co. - Inspector Bird
Ezra Buzzington
Federated Motor Co. - Inspector Dent
Dierdre Downing-Jackson
Business Woman on Plane
Bob Stephenson
Airport Security Officer
Rob Lanza
Man in Suit
David Lee Smith
Walter
Joel Bissonnette
Food Court Maitre d'
Evan Mirand
'Steph'
Lou Beatty Jr.
Cop at Marla's Building
Thom Gossom Jr.
Detective Stern
Valerie Bickford
Cosmetics Buyer
Carl Ciarfalio
Lou's Body Guard
Stuart Blumberg
Car Salesman
Mark Fite
Second Man at Auto Shop
Matt Winston
Seminary Student
Lauren Sánchez Bezos
Channel 4 Reporter
Pat McNamara
Commissioner Jacobs
Owen Masterson
Airport Valet
David Jean Thomas
Policeman
Paul Carafotes
Salvator - Winking Bartender
Christopher John Fields
Proprietor of Dry Cleaners
Scotch Ellis Loring
Bruised Bar Patron #2
Michael Shamus Wiles
Bartender in Halo
Andi Carnick
Hotel Desk Clerk
Leonard Termo
Desk Sergeant
Van Quattro
Detective Andrew
Markus Redmond
Detective Kevin
Greg Bronson
Fight Spectator (uncredited)
Paul Dillon
Irvin (uncredited)
Eddie Hargitay
Chanting Fighter (uncredited)
Phil Hawn
Banquet Guest (uncredited)
Bruce Holman
Waiter in Bridgeworth Suites Corporate Video (uncredited)
Jawara
Fight Patron Saying 'I don't know. What's going on?' (uncredited)
Baron Jay
Waiter (uncredited)
Kevin Scott Mack
Passenger Clutching Armrest (uncredited)
Louis Ortiz
Fight Spectator (uncredited)
Chad Randau
Waiter (uncredited)
Marcio Rosario
Fighter (uncredited)
Brian Tochi
Fight Bully (uncredited)
Michael Zagst
Support Group Member (uncredited)
Summer Moore
Marla's Neighbor (uncredited)
Triple T
Bad Ghost
Chris Gorak
Art Direction
Seth Reed
Assistant Art Director
Alex McDowell
Production Design
Jay Hart
Set Decoration
Peter Ramsey
Storyboard Artist
Conrad W. Hall
Camera Operator
Jeff Cronenweth
Director of Photography
Chris Haarhoff
Steadicam Operator
Michael Kaplan
Costume Design
Fríða Aradóttir
Key Hair Stylist
Matthew E. Butler
CG Supervisor
Damon Caro
Fight Choreographer
Rob Bottin
Makeup Effects
Michael Runyard
Stunt Coordinator
Damon Caro
Stunt Double
Carl Ciarfalio
Stunts
Darrin Prescott
Stunts
David Leitch
Stunts
David Wald
Stunts
Debbie Evans
Stunts
Denney Pierce
Stunts
Hiro Koda
Stunts
Jeff Imada
Stunts
Jimmy Nickerson
Stunts
Ryan Christopher Keys
Stunts
Chris O'Hara
Utility Stunts
Richard Cetrone
Utility Stunts
David Fincher
Director
Claudio Miranda
Gaffer
Mickie McGowan
ADR Voice Casting
Laray Mayfield
Casting
Arnon Milchan
Executive Producer
Joe Hartwick Jr.
First Assistant Accountant
Art Linson
Producer
Ceán Chaffin
Producer
Rich Thorne
Production Executive
Julie M. Anderson
Production Supervisor
Doc Kane
ADR Mixer
John Roesch
Foley Artist
Michael Simpson
Original Music Composer
Ren Klyce
Sound Designer
Steve Boeddeker
Sound Effects Editor
Brandon Proctor
Sound Mix Technician
David Parker
Sound Re-Recording Mixer
Michael Semanick
Sound Re-Recording Mixer
Todd Boekelheide
Sound Re-Recording Mixer
Richard Hymns
Sound Supervisor
Carlos Saldanha
Animation Supervisor
Michael Thurmeier
Visual Effects
Dennis Berardi
Visual Effects Supervisor
Kevin Scott Mack
Visual Effects Supervisor
Chuck Palahniuk
Novel
Jim Uhls
Screenplay
Sep 21, 1999
CMJ Film Festival
Oct 6, 1999
Westwood, California
Oct 15, 1999
Apr 25, 2000
VHS
Apr 22, 2026
4K Remaster
May 12, 2026
4K Ultra HD SteelBook
Sep 8, 2026
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Versus
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Lassie In Handford
1968
The Life After Death Project 2: Personal Encounters
2013
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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