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RatPac Entertainment
Syncopy
Warner Bros. Pictures
Not part of a collection.
When 400,000 men couldn't get home, home came for them.
The story of the miraculous evacuation of Allied soldiers from Belgium, Britain, Canada and France, who were cut off and surrounded by the German army from the beaches and harbour of Dunkirk between May 26th and June 4th 1940 during World War II.
Dr Nostromo
Mar 19, 2026 · via TMDB
66/100 3 groups of individuals - some fighter pilots, a private boat owner, and a group of soldiers trying to get out - during the evacuation of Dunkirk. Very realistic in its depiction as to what it must have been like but, for me, that's also its problem as it tries to hard to capture the drama of the people to the distraction of what's going on. This made it feel somewhat lethargic and I expected far more tension. Also, I found that presenting it in a non-linear fashion was quite jarring ...nighttime in one scene, daylight the next, back to night, etc. It's really good but not a big hit for me. --DrNostromo.com
CinemaSerf
Jun 3, 2024 · via TMDB
Faced with imminent annihilation, over 400,000 troops are stranded on the beaches of Dunkirk facing bombardment from superior Nazi air and land power. Christoper Nolan manages to condense into the next 95 minutes the grimness of the situation, and the sheer determination of the ordinary soldiers; how they deal with fear, learn to trust and co-operatate with others from many different nations - as the logistical nightmare that is repatriating them gradually is taking shape. We take the perspective of three individuals as they try to survive and get home and really do get a sense of the existential threat they each face; some more bravely than others. The events are historical fact, but the performances from Fionn Whitehead, Barry Keoghan are superb and perfectly plausible. A great supporting cast with Tom Hardy, Sir Kenneth Branagh and Mark Rylance amongst many all contributed to the authenticity of this expertly photographed (frequently using much more intimate POV-style coverage) production from Oscar nominated Hoyte Van Hoytema. The paucity of script also helped convince of the atrocity of their situation - definitely a case of less being more.
James
Oct 20, 2023 · via TMDB
Yes.
Filipe Manuel Neto
May 13, 2023 · via TMDB
**Considering the quality and talent of those involved, the budget and all the variables, the film is unforgivably disappointing.** The Dunkirk disaster was one of the opening moments of World War II: in the face of the unstoppable advance of German troops, a mixture of British, Belgian and French soldiers were pushed into the English Channel, fortifying themselves in the French city of Dunkirk. The prospects could not be worse: in a few weeks, hundreds of thousands of exhausted Allied soldiers found themselves surrounded by a powerful Panzer division and under constant attack by German aviation, having no port capable of evacuation, which would be carried out by smaller vessels in the so-called “Operation Dynamo”. And everything indicated that, after France, it would be England that suffered the German invasion, so the British could not be more apprehensive. Despite the fact that the film paints the episode in a positive light (trying to highlight the ability that the British had to successfully evacuate their troops), there is no doubt that Dunkirk was a disaster and is, even today, one of the most humiliating moments of British military history, comparable to a similar situation that occurred in 1809 in A Coruña, where British soldiers also found themselves between the sea and the enemy, this time Napoleon's army. Moreover, this film turns out to be a kind of remake of a film with the same name and the same theme made in the 50s. Directed by Christopher Nolan (a talented and fashionable director), the film has a cast full of strong names in the industry. Mark Rylance has the most prominence in the role of a civilian, owner of a small yacht, who decides to go personally to rescue soldiers with his sons. Tom Hardy also gives us an excellent job, in the role of a British aviator who helps as he can. Cillian Murphy is believable in his work, giving us an idea of the shock a soldier can experience in a combat situation. Harry Styles and Aneurin Barnard also deserve a positive note. Sir Kenneth Branagh stands out, embodying the figure of British stoicism, but I found his character somewhat forced to be more impassive than would be plausible in that situation. Despite its merits, it is an indisputably cold and unexciting film. Anyone expecting incredible shootouts or grandiose battle scenes will be disappointed and have to settle for some good dogfight-style fighter combats and some more tense scenes, but which never materialize in combat scenes worthy of a great war movie. And considering the number of soldiers surrounded there, one would expect to see a crowd of soldiers... however, this only happens occasionally, and it even seems that production has saved on the means. Written in a simplistic way, the script distracts attention and places more emphasis on what is happening in the sea and in the sky, so the German threat is something that we don't quite understand and that the film doesn't waste time explaining. With me, that wasn't a problem, but the worst History students will have to read a little to find out what's going on. The characters are also not developed: there is no concrete villain because the enemy soldiers are collectively, so there is also no undisputed protagonist character. Technically, it has several merits and demerits to consider. On the one hand, it is an authentic visual spectacle thanks to a masterful filming work and a remarkable and very well crafted cinematography. The sound also deserves praise thanks to very good effects, very well-used and, of course, a tense and efficient soundtrack signed by Hans Zimmer (in yet another collaboration with Nolan). Unfortunately, the editing is bad and, if the script already had flaws, the non-linear narrative accentuated them even more, making the film confusing and strange.
GenerationofSwine
Jan 12, 2023 · via TMDB
It starts off well, with a little glimpse of a British Soldier that was as unprepared as the UK for the war. It's a nice teaser... ...then a little story about the civilian involvement with the evacuation... ...And it all comes with the promise of being a British "Saving Private Ryan." Unfortunately it ends up being a lot more Michael Bay than Steven Spielberg. that is to say that it looks nice and sleek and professional but is otherwise lacking in a real story. Spielberg managed to tell a story that was both pro-Soldier and anti-war, and that made the whole Normandy Beach until the very end a pleasure to watch. Dunkirk, on the other hand, gives up about 15 Minutes in and decides to just focus on the action with the story being an after thought. In short it's boring.
r96sk
Jan 2, 2021 · via TMDB
Very good. <em>'Dunkirk'</em>, as you'd expect given the director, is extremely well made. I particularly enjoyed how the film is shot, the sound editing and the score. It's a watchable story about an event from World War II. I wouldn't, personally, say there's a standout cast performer. I don't mean that negatively, it's just more a film about a group of people rather than individuals - which I assume was the intention. There are still good performances, from the likes of Tom Glynn-Carney and Jack Lowden. It also features star names, including Tom Hardy, Cillian Murphy and Mark Rylance. The music and how the sequences are crafted is what elevates this film up, while the pacing is almost spot on - they could easily have made this 2hr 15mins+, like most war films seem to do, but keeping it at around 1hr 47mins was a smart choice. I do still feel like it could've been greater, yet I still got entertainment from it.
User reviews courtesy of TMDB.
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Charley Palmer Rothwell
Corporal
Tom Gill
Furious Soldier
John Nolan
Blind Man
Bill Milner
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Jack Riddiford
Soldier on RN Launch
Harry Collett
Boy
Eric Richard
Man at Railway Window
Michael Caine
Voice on Radio (uncredited)
Johnny Otto
Captain Marshall (uncredited)
Nathan Crowley
Production Design
Hoyte van Hoytema
Director of Photography
Jeffrey Kurland
Costume Design
Olivier Ligen
Key Costumer
Odile Fourquin
Key Makeup Artist
Allan A. Apone
Makeup Artist
Luisa Abel
Makeup Department Head
Andrew Kawczynski
Additional Music
Craig Hosking
Aerial Coordinator
Scott R. Fisher
Special Effects Coordinator
Clay Cullen
Stunts
John Medalin
Stunts
Marie Fink
Stunts
Mark Norby
Stunts
Mathieu Lardot
Stunts
Matt Leonard
Stunts
Rick Avery
Stunts
Rick Miller
Stunts
Shane Geraghty
Stunts
Tim Neff
Stunts
Travis Quist
Stunts
Zack Duhame
Stunts
Dan Friedkin
Thanks
Michael Caine
Thanks
Christopher Nolan
Director
Nilo Otero
First Assistant Director
Lee Smith
Editor
Yvan Quehec
Electrician
Barbara Harris
ADR Voice Casting
John Papsidera
Casting
Greg Silverman
Executive Producer
Christopher Nolan
Producer
Emma Thomas
Producer
Hans Zimmer
Original Music Composer
Mark Weingarten
Sound Mixer
Gary Rizzo
Sound Re-Recording Mixer
Richard King
Supervising Sound Editor
Andrew Jackson
Visual Effects Supervisor
Andrew Lockley
Visual Effects Supervisor
Tim McGovern
Visual Effects Supervisor
Christopher Nolan
Writer
Jul 19, 2017
70mm IMAX
Jul 21, 2017
Dec 19, 2017
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Return of the Redneck Zombies
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