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The Girl on the Train
DreamWorks Pictures DreamWorks Pictures
Marc Platt Productions Marc Platt Productions
Reliance Entertainment Reliance Entertainment

Not part of a collection.

The Girl on the Train

What you see can hurt you.

2016 112 min ★ 6.4 (6,135) Released
Crime Mystery Thriller

Rachel Watson, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

Original title
The Girl on the Train
Language
EN
Country
US
Budget
$45,000,000
Revenue
$173,200,000
Reviews & Ratings 5
Filipe Manuel Neto

Filipe Manuel Neto

Oct 6, 2023 · via TMDB

★ 6.0

**A very feminine film with a good mystery, but is no better due to several small problems and the total absence of dramatic tension.** Good books usually give rise to good films… if they have people who are skilled enough to translate them intelligently onto the screen. I heard great things about the original book, but as I never found it on sale in my language, I ended up never being able to read it. All I can do is talk strictly about the film, and overall I was satisfied. I couldn't help but feel that the film took a while to really capture attention: I think it was only twenty minutes after the beginning that I felt that there was something interesting here. However, I can understand the need to clearly introduce the three central female characters in the plot. I also liked seeing the way the script treated the main character: the film starts with her, and she seems like someone very friendly. Little by little, this changes: the character is confronted by others and reacts in unfriendly, abrupt or thoughtless ways (I'm being nice). After all, she is the villain! Only very close to the end, with the clarification of the plot after new twists, do we understand more. This is well done and the film, decently directed by Tate Taylor, knows how to use mystery well. There are, however, some problems that prevent the film from being really good: despite the mysteries and twists, it feels like it is a tepid film, without the dramatic tension that is needed and which would be a very pleasant bonus. I also found the film slow, although that seems like a minor problem to me. It wastes time in some scenes, yes, but I handled the subject well. A friend of mine also said that the film's story resembled a Brazilian soap opera script. I'm not going to argue that, I partly agree with the way she saw things, but it didn't seem so melodramatic to me that it merited comparison. In fact, if there is one thing that seems absent from this film, it is love or, at least, the sweet romantic notion that we have of it. Being such a feminine film and aimed at female audiences (at least, I had that feeling), it is quite natural that the male actors do not stand out, but what happens here is more radical: the male characters are quite sketchy and even ignored. , and I felt that they only appeared when they really had to. It's a shame, because the film has a good performance by Justin Theroux, who even seems to want to give us more and do better, even without the material for it. Edgar Ramírez does a decent job, but Luke Evans doesn't make much of an effort. The spotlight goes to Emily Blunt, who gives us one of the most interesting works of her career (up to that point) and deserves our attention whenever she appears on the scene. It's a shame that Rebecca Ferguson and Haley Bennett can't keep up with her and are always in her shadow.

Wuchak

Wuchak

Aug 30, 2019 · via TMDB

★ 4.0

***Tortuous, tedious and unpleasant psychological crime drama*** A divorced alcoholic (Emily Blunt) who regularly travels the train that parallels the Hudson River north of New York City is fixated on a house in her old neighborhood. When the woman of that house comes up missing, the girl on the train becomes entangled in the investigation. Justin Theroux plays her ex-husband, Rebecca Ferguson his new wife, Haley Bennett the missing woman, Luke Evans the missing woman’s husband and Edgar Ramírez her therapist. “The Girl on the Train” (2016) is a melancholy adult-oriented crime drama/mystery in the mold of “Derailed” (2005), “The Clearing” (2004), "Snow Angels" (2007), “The River King” (2005) and even “Mystic River” (2003). But it’s by far the least of these. As far as technical filmmaking and cast go, there’s no issue. The problem is the unpleasant story, its lack of sympathetic characters and the partly-troubling message at the end. The tale starts off confusing, but everything naturally comes together by the end and makes sense. Unfortunately, the journey there isn’t very compelling and, like I said, the more you get to know the main characters the less you care for them, with one exception. The ultimate message is worthy, but also troubling if you think about it. I can’t say anymore without giving anything away. At the end of the day this is an ugly flick with not enough to redeem it. The movies cited above also have seriously unsavory elements, but they override the ugliness one way or another. The film runs 1 hour, 52 minutes, and was shot entirely in New York: the Hudson River area north of the city, as well as the city itself from Bear Mountain in the closing scene. GRADE: C/C-

Reno

Reno

Jul 30, 2017 · via TMDB

★ 7.0

**The mystery man and the gone girl!** It is one of those films that I thought I saw everything from its trailer. Not just me, many others said the same. Those we were never read the original source. Yes, it was based on the book of the same name. I really liked it. Unpredictable, but once it reveals its secret, it feels so simple that we'd missed. Straightforward storytelling. No flashbacks. Great characters, but that's where the story had a strong grip. Especially when the suspense unveiled, you might say all the earlier events were in the wrong direction, which were intentionally done to divert viewer's envision. An alcoholic woman who daily takes the train to work, witnesses out of the window a woman happily married and living the life of her dream. When one day she sees a mysterious man with her, the tale takes a twist. Following the suspense, what she finds and how the film ends are the remaining part. Emily Blunt was very good. There are other characters, but it was Emily's story, told from her perspective. Recognisable role with an award, but the film's theme was an adult. Not like sexual exploration, but the basic outline was drawn out of such concept. One of the finest crime-mystery in the recent time, so surely worth a watch. _7/10_

K

kastigar

Apr 19, 2017 · via TMDB

ColinJ was right, there's nothing I would add.

ColinJ

ColinJ

Feb 16, 2017 · via TMDB

★ 5.0

Relentlessly grim yet unengaging, despite a committed performance from Emily Blunt at the centre of it. Fractured narrative can work brilliantly when a master like Christopher Nolan is in charge. This just felt like a boilerplate chick-lit murder mystery thrown into a blender to hide the thinness of its story.

User reviews courtesy of TMDB.

Keywords 24
abuse alcoholics anonymous alcoholism amnesia based on novel or book blackout confusion disappearance divorcee domestic abuse ex-husband ex-wife relationship female protagonist flashback homicide infidelity memory loss missing person new york city obsession police investigation psychological thriller train unreliable narrator voyeurism
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Cast 37
Emily Blunt

Emily Blunt

Rachel Watson

Rebecca Ferguson

Rebecca Ferguson

Anna Watson

Haley Bennett

Haley Bennett

Megan Hipwell

Luke Evans

Luke Evans

Scott Hipwell

Justin Theroux

Justin Theroux

Tom Watson

Allison Janney

Allison Janney

Detective Sgt. Riley

Lisa Kudrow

Lisa Kudrow

Martha

Laura Prepon

Laura Prepon

Cathy

Edgar Ramírez

Edgar Ramírez

Dr. Kamal Abdic

Darren Goldstein

Darren Goldstein

Man in the Suit

Lana Young

Lana Young

Doctor

Rachel Christopher

Rachel Christopher

Woman with Child

Gregory Morley

Gregory Morley

Officer Pete

Mac Tavares

Mac Tavares

Detective Gaskill

John Norris

John Norris

Jason

Nathan Shapiro

Nathan Shapiro

Meeting Member

Tamiel Paynes

Tamiel Paynes

Central Park Drummer Boy

Peter Mayer-Klepchick

Peter Mayer-Klepchick

Mac

Frank Anello

Frank Anello

Field Reporter (uncredited)

Alexander Jameson

Alexander Jameson

Parochial School Kid (uncredited)

Mauricio Ovalle

Mauricio Ovalle

Conductor (uncredited)

Ross Gibby

Ross Gibby

David (uncredited)

Guy Sparks

Guy Sparks

Uniformed NYPD Officer (uncredited)

Hannah Kurczeski

Hannah Kurczeski

Parochial School Kid (uncredited)

Leilah Marie Giddens

Leilah Marie Giddens

Parochial School Kid (uncredited)

Athena Stuebe

Athena Stuebe

Parochial Student (uncredited)

Sidney Beitz

Sidney Beitz

Train Commuter (uncredited)

Danielle M. Williamson

Danielle M. Williamson

Student on Bus (uncredited)

Phil Oddo

Phil Oddo

Train Passenger (uncredited)

Jesse VanDerveer

Jesse VanDerveer

Parochial Student (uncredited)

Tim Wiencis

Tim Wiencis

Uniformed NYPD Police Officer (uncredited)

Kevin D. McGee

Kevin D. McGee

Passenger (uncredited)

Kristina Nichole

Kristina Nichole

Parochial School Kid (uncredited)

Doris McCarthy

Doris McCarthy

Businesswoman (uncredited)

Craig Moruzzi

Craig Moruzzi

Jungle Gym Boy (uncredited)

Alice Niedermair

Alice Niedermair

Social Worker (uncredited)

Johnny Otto

Johnny Otto

Officer Martin (uncredited)

Crew 21
Kevin Thompson

Kevin Thompson

Production Design

Charlotte Bruus Christensen

Charlotte Bruus Christensen

Director of Photography

Ann Roth

Ann Roth

Costume Design

Kyra Panchenko

Kyra Panchenko

Makeup Artist

Michael Fontaine

Michael Fontaine

Special Effects Makeup Artist

Victor Paguia

Victor Paguia

Stunt Coordinator

Dejay Roestenberg

Dejay Roestenberg

Stunt Double

Mam Smith

Mam Smith

Stunt Double

George B. Colucci Jr.

George B. Colucci Jr.

Stunt Driver

Brandon Alan Smith

Brandon Alan Smith

Stunts

Tracey Ruggiero

Tracey Ruggiero

Stunts

Tate Taylor

Tate Taylor

Director

Andrew Buckland

Andrew Buckland

Editor

Michael McCusker

Michael McCusker

Editor

Celia D. Costas

Celia D. Costas

Executive Producer

Jared LeBoff

Jared LeBoff

Producer

Marc Platt

Marc Platt

Producer

Matthew Puccini

Matthew Puccini

Production Assistant

Danny Elfman

Danny Elfman

Original Music Composer

Skip Lievsay

Skip Lievsay

Sound Designer

Erin Cressida Wilson

Erin Cressida Wilson

Screenplay

Gallery 130
Videos 4
Similar Movies 164
US Release Dates 3

Oct 4, 2016

New York City

R Premiere

Oct 7, 2016

R Theatrical

Jan 17, 2017

R Physical

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Bicara Cinta

Bicara Cinta

2020

VS
The Pied Pipers of Harlow

The Pied Pipers of Harlow

1965

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
Horror 50%
Music 0%
Mystery 0%
Romance 0%
Science Fiction 0%
Thriller 0%
War 0%
Western 0%
4 votes

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