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Blonde
Plan B Entertainment Plan B Entertainment

Not part of a collection.

Blonde

Watched by all, seen by none.

2022 β€’ 167 min β€’ β˜… 5.9 (1,559) β€’ Released
Drama

From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, this reimagined fictional portrait of Hollywood legend Marilyn Monroe blurs the lines of fact and fiction to explore the widening split between her public and private selves.

Original title
Blonde
Language
EN
Country
US
Budget
$22,000,000
Revenue
β€”
Reviews & Ratings 5
misubisu

misubisu

Jul 24, 2023 Β· via TMDB

β˜… 1.0

No wonder Marilyn Monroe overdosed on sleeping pills, I was suicidal well before this movie finished!! This movie is so depressing that it is hard to watch. I had to jump through numerous parts desperately looking for something even slightly uplifting. I failed.

r96sk

r96sk

Jan 6, 2023 Β· via TMDB

β˜… 8.0

<em>'Blonde'</em> is a strange one. There is nothing about it that I'd scream from the rooftops about, yet the heavy run time of around 2hrs 47mins went by in an absolute flash - not once was I bored with what I was watching; I tend to check how long is left of a movie when I'm finding it dull, but with this I didn't check at all - as clear a sign as any that I obviously enjoyed it. I'm not fully convinced why, admittedly. I think it's just really interesting to watch from start-to-finish, the acting is very good and the film is put together well. I wasn't sure about having Ana de Armas as Marilyn Monroe during the first few scenes, though I quickly lost those thoughts as she gives a great performance. I get the criticisms (though how many biopics truly stick to reality?) but I predominantly judge films as films, and this is a very watchable one in my books. I'm not saying it's anything special, though for a near 3hr flick to fly by it evidently gave me what I require.

H

Hossein

Oct 8, 2022 Β· via TMDB

β˜… 2.0

This is a movie that shows no other side of Marylin than her being miserable. While watching this movie, if you try to fact-check stuff, you realize that many parts of it are fictitious. Then as you continue watching the movie, you wonder what you're watching. This movie is neither a good representation of reality nor a good work of fiction...

MartΓ­n Acosta

MartΓ­n Acosta

Oct 2, 2022 Β· via TMDB

β˜… 4.0

In the middle of 2022, the movie I was looking forward to the most was '**Blonde**', but... I'm really disappointed. The film has nowhere to hold on, it's just a fictional compilation of the supposed life of **Marilyn Monroe**, where we don't get context and it's easy to get lost through the scenes and the large number of characters (_which if you didn't know the story, you wouldn't really know who they are_) of a feature film of almost three hours. The direction is good, although quite experimental where sometimes elements that seem to come out of nowhere are combined. Not to mention the constant switching between color and black/white that doesn't seem to represent anything concrete. **Ana de Armas's** performance is brilliant, by far the best of the film, despite how poor her character is. I'm really disappointed, in these times we live in, designing a movie about **Marilyn Monroe** could have contained a much more powerful message. The story of a woman who went through the sexualization of the industry in the 50's. Instead the film only seems to add fuel to the fire by showing nudity at any time and sometimes for no reason. Based on a story in parts fictitious, with a vision, in my opinion, poorly focused, they make 'Blonde' a great disappointment.

CinemaSerf

CinemaSerf

Sep 24, 2022 Β· via TMDB

β˜… 6.0

What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have acquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.

User reviews courtesy of TMDB.

Keywords 24
1950s 1960s absent father based on novel or book biography celebrity domestic violence exploitation fame hollywood husband wife relationship los angeles, california mental illness mother daughter relationship overdose pregnancy psychological abuse psychological stress rape reality vs fantasy starlet substance abuse suicide traumatic childhood
Streaming
Netflix Netflix
Netflix Standard with Ads Netflix Standard with Ads
Cast 59
Ana de Armas

Ana de Armas

Norma Jeane / Marilyn Monroe

Adrien Brody

Adrien Brody

The Playwright

Bobby Cannavale

Bobby Cannavale

The Ex-Athlete

Sara Paxton

Sara Paxton

Miss Flynn

Lucy DeVito

Lucy DeVito

Ex-Athlete's Niece

Julianne Nicholson

Julianne Nicholson

Gladys

Scoot McNairy

Scoot McNairy

Tommy Ewell / Richard Sherman

Xavier Samuel

Xavier Samuel

Cass Chaplin

Caspar Phillipson

Caspar Phillipson

The President

Evan Williams

Evan Williams

Eddy G. Robinson Jr.

Rebecca Wisocky

Rebecca Wisocky

Yvet

Toby Huss

Toby Huss

Whitey

Catherine Dent

Catherine Dent

Jean

Haley Webb

Haley Webb

Brooke (Flight Attendant)

Dan Butler

Dan Butler

I.E. Shinn

Tygh Runyan

Tygh Runyan

Norma Jeane's Father

David Warshofsky

David Warshofsky

Mr. Z

Michael Masini

Michael Masini

Tony Curtis / Josephine

Chris Lemmon

Chris Lemmon

Jack Lemmon / Daphne

Ned Bellamy

Ned Bellamy

Doc Fell

Sonny Valicenti

Sonny Valicenti

Casting Director

Tatum Shank

Tatum Shank

Dick Tracy

Andrew Thacher

Andrew Thacher

Jiggs

Ravil Isyanov

Ravil Isyanov

Billy Wilder

Tim Ransom

Tim Ransom

Rudy

Rob Brownstein

Rob Brownstein

Acting Coach

Rob Nagle

Rob Nagle

Radio Announcer

Ethan Cohn

Ethan Cohn

Assistant to the Director

Mike Ostroski

Mike Ostroski

The Writer

Christopher Kriesa

Christopher Kriesa

Joe E. Brown

Eric Matheny

Eric Matheny

Joseph Cotten

Kiva Jump

Kiva Jump

Ward Nurse at Norwalk

Patrick Brennan

Patrick Brennan

Joe (Photo Shoot Photographer)

Ryan Vincent

Ryan Vincent

Uncle Clive

Vanessa Lemonides

Vanessa Lemonides

Marilyn Singing Voice (voice)

Michael Drayer

Michael Drayer

Deputy Will Bonnie

Mary-Pat Green

Mary-Pat Green

Tracey

Ron West

Ron West

Dr. Spindel (Abortion Doctor)

Scott Wilder

Scott Wilder

Chloroform Man #1

Sal Landi

Sal Landi

Chloroform Man #2

Seth Meriwether

Seth Meriwether

5th Helena Messenger

JuliΓ‘n Rebolledo

JuliΓ‘n Rebolledo

Trailer Announcer / Newsreel Announcer

Tereza Rizzardi

Tereza Rizzardi

Ex-Athlete's Momma

Lily Fisher

Lily Fisher

Young Norma Jeane

Denna Thomsen

Denna Thomsen

Choreographer

Parker Harris

Parker Harris

Diamonds Dancer

Ryan Kanfer

Ryan Kanfer

Diamonds Dancer

Scott Hislop

Scott Hislop

Diamonds Dancer

Chris Moss

Chris Moss

Diamonds Dancer

Cris Cangero

Cris Cangero

Diamonds Dancer

Arne Gjelten

Arne Gjelten

Diamonds Dancer

Bryan Anthony

Bryan Anthony

Diamonds Dancer

Jeremy Shouldis

Jeremy Shouldis

Tuxedo #2 (uncredited)

Steve Bannos

Steve Bannos

Brentwood Doctor (uncredited)

Dieterich Gray

Dieterich Gray

Photographer's Assistant (uncredited)

Mia McGovern Zaini

Mia McGovern Zaini

Young Norma Jeane (voice) (uncredited)

Garret Dillahunt

Garret Dillahunt

Producer (uncredited)

Eden Riegel

Eden Riegel

Esther (uncredited)

Judy Kain

Judy Kain

Severe Woman (uncredited)

Crew 39
Florencia Martin

Florencia Martin

Production Design

Chayse Irvin

Chayse Irvin

Director of Photography

Jennifer Johnson

Jennifer Johnson

Costume Design

Gary Archer

Gary Archer

Prosthetics

Denna Thomsen

Denna Thomsen

Choreographer

Shauna Duggins

Shauna Duggins

Stunt Coordinator

Tracy Keehn-Dashnaw

Tracy Keehn-Dashnaw

Stunt Coordinator

Kimberly Shannon Murphy

Kimberly Shannon Murphy

Stunt Double

Monette Moio

Monette Moio

Stunt Double

Casey Adams

Casey Adams

Stunt Driver

Adam Hart

Adam Hart

Stunts

Andrea VanEpps

Andrea VanEpps

Stunts

Callie Croughwell

Callie Croughwell

Stunts

Sierra Hawkins

Sierra Hawkins

Stunts

David Fincher

David Fincher

Thanks

Laray Mayfield

Laray Mayfield

Thanks

Michael De Luca

Michael De Luca

Thanks

Andrew Dominik

Andrew Dominik

Director

Scott Robertson

Scott Robertson

First Assistant Director

Jennifer Lame

Jennifer Lame

Additional Editor

Laray Mayfield

Laray Mayfield

Casting

Brad Pitt

Brad Pitt

Producer

Dede Gardner

Dede Gardner

Producer

Jeremy Kleiner

Jeremy Kleiner

Producer

Scott Robertson

Scott Robertson

Producer

Liv Banks

Liv Banks

Production Supervisor

Chris Navarro

Chris Navarro

ADR Mixer

Joanna Fang

Joanna Fang

Foley Artist

Leslie Bloome

Leslie Bloome

Foley Artist

Ryan Collison

Ryan Collison

Foley Mixer

Jo Goldsmith-Eteson

Jo Goldsmith-Eteson

Musician

Nick Cave

Nick Cave

Original Music Composer

Warren Ellis

Warren Ellis

Original Music Composer

Leslie Shatz

Leslie Shatz

Sound Designer

Lisa Pinero

Lisa Pinero

Sound Mixer

Leslie Shatz

Leslie Shatz

Sound Re-Recording Mixer

Andrew Degryse

Andrew Degryse

VFX Artist

Joyce Carol Oates

Joyce Carol Oates

Novel

Andrew Dominik

Andrew Dominik

Writer

Gallery 128
Videos 8
Similar Movies 127
US Release Dates 3

Sep 13, 2022

Los Angeles, California

NC-17 Premiere

Sep 16, 2022

NC-17 Theatrical (Limited)

Sep 28, 2022

Netflix

NC-17 Digital

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Three Hours to Kill

Three Hours to Kill

1954

VS
The Poynting Vec↑or

The Poynting Vec↑or

2022

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

πŸ₯‡ Evil Dead II

Evil Dead II

1987 · 14 wins

πŸ₯ˆ The Dark Knight

The Dark Knight

2008 · 14 wins

πŸ₯‰ Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest β€” sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue β€” tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater β€” theater popcorn with Icee/soda & maybe nachos 67%
At home β€” relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
Horror 50%
Music 0%
Mystery 0%
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