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Die My Love
Black Label Media Black Label Media
?
Excellent Cadaver
Sikelia Productions Sikelia Productions

Not part of a collection.

Die My Love

Everything. Is. Fine.

2025 119 min ★ 6.1 (635) Released
Drama

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Original title
Die My Love
Language
EN
Country
US
Budget
Revenue
$11,745,933
Reviews & Ratings 3
B

Brent Marchant

Dec 29, 2025 · via TMDB

★ 3.0

Postpartum depression is a subject that, arguably, doesn’t receive enough attention, especially outside of a clinical context. That’s why it’s somewhat surprising to see it addressed in an entertainment vehicle. It’s unfortunate, however, that it hasn’t been examined as tactfully or as effectively as it could or should have been in this disappointing new release from director Lynne Ramsay. When Jackson (Robert Pattinson) and his girlfriend, Grace (Jennifer Lawrence), move into a home left to them by his deceased uncle in rural Montana, the couple enjoys their idyllic new lifestyle. And, not long thereafter, they become the parents of a baby boy, a theoretically happy event that, regrettably, also marks the beginning of growing troubles in their relationship. Even though Grace appears to adore her son, she simultaneously becomes dissatisfied with her life as a stay-at-home mom, particularly in the decline of the duo’s once-robust and prolific sex life. Her behavior becomes erratic, unpredictable and even hostile toward Jackson and others, including acts of self-harm against herself. But what’s behind these changes? It’s as if a form of madness has begun overtaking her. And what, if anything, can be done about it? Such conditions are sometimes associated with mood changes after childbirth, but, in the case of this story, their expression goes so far off the rails that the picture becomes difficult to follow or fathom, meandering wildly and losing credibility with each passing sequence. In addition, the inclusion of bizarre, ancillary, seemingly unrelated developments, coupled with unrelenting overacting by the protagonists, makes for an utterly exhausting watch, one in which its core subject seems to be treated almost as an afterthought. Moreover, this is a project that represents a phenomenal waste of its cast; besides Pattinson and Golden Globe Award nominee Lawrence, the film recklessly squanders the talents of supporting players Sissy Spacek, Lakeith Stanfield and Nick Nolte. It’s genuinely unclear what the filmmaker was going for here, prompting viewers to wonder if they’re watching actual events or fabrications in the minds of the characters (or some indistinguishable combination of both). In that respect, this film readily calls to mind the narrative incoherence found in another of Lawrence’s efforts, “mother!” (2017) (one would like to think that she should have learned her lesson from that cinematic debacle – what should have served as a wake-up call to make better script selection decisions). What’s more, this offering features more than its fair share of gratuitous nudity, something I’m typically not prudish about but that truly starts to get out of hand in this release, particularly in its frequent and somewhat graphic depictions of self-pleasuring. Without a doubt, “Die My Love” is a serious letdown, one that should leave almost anyone associated with this production suitably depressed.

Nick

Nick

Nov 16, 2025 · via TMDB

★ 8.0

die my love is intense, messy, and strangely beautiful. the film dives deep into its character’s unraveling without ever feeling fake, and the performances really carry the chaos. it’s not always easy to watch, but it sticks with you in a good way. a bold, jagged drama that mostly hits its mark

CinemaSerf

CinemaSerf

Nov 13, 2025 · via TMDB

★ 7.0

“Grace” (Jennifer Lawrence) and boyfriend “Jackson” (Robert Pattinson) arrive at the remote Montana home that used to belong to his uncle. She’s not exactly enamoured of the place but they are so loved up that it is quickly a case of getting down to things on the wooden flooring and making themselves a bairn. Thing is, though, once motherhood beckons “Grace” begins to feel the full effects of their isolation. With “Jackson” at work, often far away, she finds herself bored and captivated by their married and motor-cycle riding neighbour “Karl” (LaKeith Stanfield). After the birth, what appears to be some post-natal trauma sets in and neither her boyfriend nor his mother “Pam” (Sissy Spacek) who has had her own troubled experiences with her now late husband (Nick Nolte) can really get to grips with her increasingly erratic, often sex-obsessed, behaviour. It doesn’t exactly help the situation that “Jackson” has no longer any interest in the sexual nature of their relationship and so a chasm is slowly but definitely developing between the pair. Is anything redeemable for them? Do they care? Do we? This film belongs to a Lawrence who is remarkably free with her performance. She portrays her character effectively, depicting senses of confusion and ennui, sexuality and desire really quite powerfully and in a fashion that is quite potently foiled by the sparing appearances of Spacek. Pattinson, though, is just about as wooden as their picket fence and here I could not quite decide if he was cast because he is not a remotely charismatic actor and because Lynne Ramsay wanted this film to be solely about the character of “Grace”; or whether he was meant to add more weight than he actually does and just isn’t very good. It identifies some elements of mental illness, but there is little context or science for us to grasp the extent to which she might be genuinely ill, or just attention seeking? If the latter, then what might have broken their relationship? It’s a smudgy film. Deliberately, I guess, with some plot lines clear, others blurred and some missing altogether - but I found that emotional ambiguity increasingly uninteresting as the plot unravels to no apparent purpose. Perhaps I just wasn’t on the same wavelength, but I didn’t really get anything from this remarkably soulless story. Sorry.

User reviews courtesy of TMDB.

Keywords 17
barking dog based on novel or book car accident condescending dark comedy domesticity female protagonist husband wife relationship mean spirited mental illness mother-in-law daughter-in-law relationship pregnancy psychiatric treatment rural area sexless marriage surrealism woman director
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Cast 18
Jennifer Lawrence

Jennifer Lawrence

Grace

Robert Pattinson

Robert Pattinson

Jackson

Sissy Spacek

Sissy Spacek

Pam

LaKeith Stanfield

LaKeith Stanfield

Karl

Nick Nolte

Nick Nolte

Harry

Gabrielle Rose

Gabrielle Rose

Jen

Clare Coulter

Clare Coulter

Courtney

Sarah Lind

Sarah Lind

Cheryl

Luke Camilleri

Luke Camilleri

Greg

Victor Zinck Jr.

Victor Zinck Jr.

Tom

Debs Howard

Debs Howard

Marsha

Phillip Forest Lewitski

Phillip Forest Lewitski

Charlie

Georgina Lightning

Georgina Lightning

Kathleen the Orderly

Darren Moore

Darren Moore

Gerry

Lauren Viau

Lauren Viau

Bessie

Michael Shepherd

Michael Shepherd

Darryl

Tom Carey

Tom Carey

Therapist

Saylor McPherson

Saylor McPherson

Young Cashier

Crew 26
Seamus McGarvey

Seamus McGarvey

Director of Photography

Catherine George

Catherine George

Costume Designer

Steven McMichael

Steven McMichael

Stunt Coordinator

Chad Cosgrave

Chad Cosgrave

Stunts

Jim Sinclair

Jim Sinclair

Stunts

Lisa Chandler

Lisa Chandler

Stunts

Drew Daniels

Drew Daniels

Thanks

Lynne Ramsay

Lynne Ramsay

Director

Renato De Cotiis

Renato De Cotiis

Second Assistant Director

Steven McMichael

Steven McMichael

Second Unit Director

Ariana Harwicz

Ariana Harwicz

Executive Producer

Efe Çakarel

Efe Çakarel

Executive Producer

Jason Ropell

Jason Ropell

Executive Producer

Lynne Ramsay

Lynne Ramsay

Executive Producer

Rick Yorn

Rick Yorn

Executive Producer

Robert Pattinson

Robert Pattinson

Executive Producer

Jennifer Lawrence

Jennifer Lawrence

Producer

Justine Ciarrocchi

Justine Ciarrocchi

Producer

Martin Scorsese

Martin Scorsese

Producer

Thad Luckinbill

Thad Luckinbill

Producer

Trent Luckinbill

Trent Luckinbill

Producer

Lynne Ramsay

Lynne Ramsay

Original Music Composer

Ariana Harwicz

Ariana Harwicz

Book

Alice Birch

Alice Birch

Screenplay

Enda Walsh

Enda Walsh

Screenplay

Lynne Ramsay

Lynne Ramsay

Screenplay

Gallery 198
Videos 24
Similar Movies 404
US Release Dates 4

Nov 1, 2025

AMC Lincoln Square 13

R Premiere

Nov 7, 2025

R Theatrical

Dec 9, 2025

Digital

Dec 23, 2025

TV

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Too Much, Too Young: Children of the Middle Ages

Too Much, Too Young: Children of the Middle Ages

2011

VS
900 Neighbours

900 Neighbours

2006

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
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