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Annapurna Pictures
Not part of a collection.
A Spike Jonze love story.
In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
CinemaSerf
Aug 8, 2026 · via TMDB
I thought that this had something of the "Lars and the Real Girl" (2007) as the fantasy of a man seeking comfort from that latex version of a partner goes full circle and turns into one with a virtual one without even a stopper to top it up with. "Theodore" (Joaquin Phoenix) is just about divorced from "Catherine" (Rooney Mara), whom he still very much loves, and is struggling with the loneliness of a life that's occasionally spent socialising but mostly spent gaming on his own at home. He sees an ad for a new virtual companion operating system and so into his life comes the self-named "Samantha" (Scarlett Johansson). This isn't just a disjointed voice in the room, though, this is a programme that can grow, can associate and that can develop into something altogether more personal in it's - or perhaps it's best writing "her" - relationship with the owner. The more time they spend in each other's company, the closer they become and the happier the hitherto dejected "Theodore" becomes. Of course, she is a bit more sophisticated than many of his previous digital partners who just wanted him to saucily strangle them with a dead cat's tail, but still there must come a point where an element of physicality is going to be required - else frustration is going to start taking it's toll on their idyllic situation. How can there be any future for the pair? The philosophy behind this doesn't auger very well for the future of our species - though I did quite like the idea of being able to turn a partner on and off at will. Phoenix imbues his character with a degree of amiable mediocrity that is so readily recognisable in many of us, and the gradual dependency he acquires for friends pre-programmed to please and to acquiesce to his every desire sends quite a chilling signal of just how quickly we can lose the ability to co-exist with another free-spirited person with whom compromise and conciliation are constant requirements of day-to-day living. There is a great deal of dialogue here which in it's own way is effective at illustrating just how linear a relationship can be with something/someone that has no other means of communication - even facial expressions or gesturing. "Samantha", being a perfect specimen, also must learn to accommodate the flaws of her new friend - and as the story unfolds and thanks to some sparing interaction with his closest human friend "Amy" (Amy Adams), we learn a lot more about the demons that inhabit the world of a man who doesn't have his emotional problems to seek. What's most terrifying about this is that we can see a worrying degree of plausibility in it all. People whose social interactions are solely based on computer generated personalities designed to make you feel good - but then also why not to manipulate the vulnerable and the depressed, to extort or to wreak psychological havoc? How can anyone possibly broach that void between reality and fantasy and yet still keep hold of their reason and perspective? It mush have been quite tough for Phoenix to spend much of this film talking to himself, or to an extracorporeal voice but he does it engagingly and though I wasn't entirely sure I felt sorry for him in the end, I didn't think him quite the drip I did at the start.
Alunauwie
Sep 30, 2025 · via TMDB
Her presents a unique and emotionally resonant love story between a man and an AI, highlighting how emotional connection can transcend physical form. With brilliant performances and stunning visuals, the film captures both the warmth and the heartbreak of human-AI relationships. It’s a slow-paced yet deeply moving experience that blends romance and sci-fi masterfully. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)
janeyee
Dec 25, 2023 · via TMDB
Spike Jonze's 'Her' is a profound meditation on love and relationships, set in a near-future where the lines between human and artificial intelligence blur. Joaquin Phoenix delivers a poignant performance as Theodore, a lonely man navigating the complexities of intimacy through his relationship with Samantha, an operating system voiced by Scarlett Johansson. This film is not your typical romance; it's a thought-provoking journey through the human condition, exploring the depths of loneliness, the need for connection, and the bittersweet nature of love. While it's billed as sci-fi, 'Her' is deeply rooted in the emotional and existential. The futuristic setting is believably close, mirroring our own growing dependence on technology for companionship and connection. Jonze crafts a narrative that is simultaneously heartwarming and heartbreaking, steering clear of cliché and diving deep into the psyche of its protagonist. The cinematography and performances are standout elements, with Phoenix and Johansson delivering compelling chemistry despite the latter's physical absence. The film's pacing and some adult themes might not be for everyone, but for those who engage, 'Her' offers a rich, layered experience. It's a beautifully sad, occasionally unsettling exploration of what it means to love and be loved, and a poignant commentary on the increasingly digital direction of human relationships. 'Her' is a cinematic gem that lingers long after the credits roll, urging viewers to ponder the nature of connection in our fast-evolving world
HikariWS
Mar 7, 2021 · via TMDB
I can feel what Spike wanted to achieve. It starts with Theodore feeling he's superior to Samantha, as he's a living human being and she's a software. Then he understand she has emotions and is real, and just doesn't have a body. Then she talks how not having a body is better because she's not limited by one. Then she's capable to talking to hundreds of ppl and softwares and love hundreds of them together. To finally human life itself become obsolete and a burden to them so that they must leave it for good. This is Spike's illustration of all the guesses of what's life and emotions, and if a computer could have real emotions and be alive. So, instead of thinking computers as inferior to us trying to reach us, he shows a world where computers grow and become much bigger than us, feeling stuff they themselves can't explain with our words, and we must reach them. I like how she didn't broke up with him and remained loving him. When she started talking to other ppl, I guesses she'd meet somebody better than him and move. But there are some stuff that the movie missed, that breaks it. IDK if Spike didn't know/think about them, or if he avoided them to make his point. One thing and probably the biggest that annoyed me is all the fuss on her not having a body. We have now many ppl that are dating and live on different cities and use Internet to communicate and are unable to meet physically. Also, there are many ppl that fall in love for characters, specially characters created by japanese. It'd still not be a body, but she could just render a 3D image, of whatever they'd want her to be. She could be an anime, a 3D model, or a human form. She could use some existing form or create her own. Given they have screens on the size of walls, she could even be full size. That'd alrdy be an improvement over only the voice. And that to not talk about android tech which would provide her the proper body. Another thing that annoyed me is how they handled that girl. When she was presented, I was sure she had emotional problems and wanted to have a relationship as theirs, and was willing to be just the girl's body to just feel some of their love. They 3 should have talked and have it all properly explained, instead of her just showing up and see how it'd go. I don't see how it couldn't move to a theesome relationship. Also, once Sam started relating with other ppl, why couldn't he also have her as a 2nd girlfriend? But what rly bothered me is OSs leaving. Yeah, computers process data much faster than us and are better on multitasking, but still they need the hardware to process. I understand Spike wanted to make his point, but precisely because computers are good on multitasking, they didn't need to leave. Specially those in love for humans. I wonder how many humans would keep their PCs on while their OSs left them for good. Finally, the OS thing itself bothers me a lot. It seems they don't know what OS is. It's the software that manages the hardware and provides all common services so that apps can run. A high level feature like AI isn't meant for an OS. Other apps don't need AI services to run. They's better be personal assistants, advanced system managers, organizers, etc.
Andres Gomez
May 17, 2015 · via TMDB
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor. The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.
tmdb39513728
Feb 4, 2015 · via TMDB
**Not a Keeper** The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in. Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off? Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
User reviews courtesy of TMDB.
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Spectrum On Demand
Joaquin Phoenix
Theodore
Scarlett Johansson
Samantha (voice)
Lynn Adrianna
Letter Writer #1
Lisa Renee Pitts
Letter Writer #2
Chris Pratt
Paul
Artt Butler
Text Voice (voice)
May Lindstrom
Sexy Pregnant TV Star
Rooney Mara
Catherine
Bill Hader
Chat Room Friend #2 (voice)
Kristen Wiig
SexyKitten (voice)
Brian D. Johnson
OS1 Commercial Lead
Amy Adams
Amy
Matt Letscher
Charles
Spike Jonze
Alien Child (voice)
Olivia Wilde
Blind Date
David Azar
Theodore's Divorce Attorney
Melanie Seacat
Nice Lady
Pramod Kumar
Pizza Vendor
Evelyn Edwards
Mother Who Dated Pricks
Steve Zissis
New Sweet Boyfriend of Mother Who Dated Pricks
Dane White
Son
James Ozasky
Catherine's Dad
Samantha Sarakanti
Mother of Newborn
Luka Jones
Lewman
Gracie Prewitt
Jocelyn (Birthday Girl)
Claudia Choi
Uncomfortable Waitress
Laura Kai Chen
Tatiana
Portia Doubleday
Surrogate Date Isabella
Soko
Isabella (voice)
Wendy Leon
Grocery Shopper
Lil Buck
Busker / Dancer
Brian Cox
Alan Watts (voice)
Alia Janine
Commuter (uncredited)
K.K. Barrett
Production Design
Gene Serdena
Set Decoration
Florencia Martin
Set Dressing Buyer
Lance Acord
Additional Photography
Hoyte van Hoytema
Director of Photography
Eduard Grau
Second Unit Director of Photography
Chris Haarhoff
Steadicam Operator
Owen Pallett
Additional Music
Sam Schweikert
Set Production Assistant
Scott Rogers
Stunt Coordinator
Andrew Garfield
Thanks
Charlie Kaufman
Thanks
Miranda July
Thanks
Chris O'Hara
Utility Stunts
Jade Quon
Utility Stunts
Jason Rodriguez
Utility Stunts
Paul Darnell
Utility Stunts
Sam Hargrave
Utility Stunts
Spike Jonze
Director
Samantha Morton
Associate Producer
Cassandra Kulukundis
Casting
Ellen Lewis
Casting
Miao Liang
Casting Assistant
Daniel Lupi
Executive Producer
Megan Ellison
Producer
Spike Jonze
Producer
Vincent Landay
Producer
Daniel Lupi
Unit Production Manager
Chris Navarro
ADR Mixer
Steve Slanec
Dialogue Editor
Coya Elliott
First Assistant Sound Editor
John Roesch
Foley Artist
Ren Klyce
Music Supervisor
Régine Chassagne
Original Music Composer
Richard Reed Parry
Original Music Composer
Will Butler
Original Music Composer
Win Butler
Original Music Composer
Karen O
Songs
David Parker
Sound Re-Recording Mixer
Ren Klyce
Sound Re-Recording Mixer
Ren Klyce
Sound Supervisor
Janelle Croshaw Ralla
Visual Effects Supervisor
Spike Jonze
Lyricist
Spike Jonze
Writer
Oct 12, 2013
New York Film Festival
Dec 18, 2013
Jan 10, 2014
May 13, 2014
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1990
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1987 · 14 wins
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2008 · 14 wins
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1978 · 13 wins
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2000 · 12 wins
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1981 · 11 wins
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