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Spider-Man: Brand New Day
Columbia Pictures Columbia Pictures
Marvel Studios Marvel Studios
Pascal Pictures Pascal Pictures
TSG Entertainment TSG Entertainment
TSG Entertainment II TSG Entertainment II
Spider-Man (MCU) Collection Spider-Man (MCU) Collection

Spider-Man: Brand New Day

A brand new day starts now.

2026 145 min ★ 7.9 (2,470) Released
Action Adventure Science Fiction

Fighting crime full-time as Spider-Man in a world that doesn't remember him—and the pressure of seeing his old friends move on without him—sparks a change in Peter Parker he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves - a powerful villain no one can even see.

Original title
Spider-Man: Brand New Day
Language
EN
Country
US
Budget
$225,000,000
Revenue
$2,408,062,495
Reviews & Ratings 6
I

ianrathbone

Aug 14, 2026 · via TMDB

★ 9.0

#filmreviewhaiku Manhattan rising / Genius inherited / Villains come in waves #filmreviewhaiku  

P

popcar2

Aug 9, 2026 · via TMDB

★ 5.0

Easily the worst Tom Holland Spiderman movie. The plot is unambitious and leaves so many plot points hanging it feels like barely anything was resolved, and they were scrambling to create a third act where Spiderman has to fight anything. Why would they introduce Jean and then not resolve her plot line… At all? She starts the movie on the run, looks for her sister, realizes she’s dead, then goes back to being on the run. It didn’t really feel like we accomplished anything. It didn't feel like she had any character arc because we still don't know anything about her, other than she's mad at the people who kidnapped her sister. Also, the twist of her not being the villain is CRAZY to me because she was insanely evil and spent most of the movie messing with Spiderman, threatening to kill his girlfriend, possessing multiple people and making them attempt suicide, and causing untold damage… only for the movie to end with “actually she’s a really nice person deep down inside?” What??? She was blatantly evil and sadistic, and now she’s just cool and misunderstood? So much of Jean becoming a villain was out of convenience so there could be something for Spiderman to fight. Why would Jean run a tank through the city and plant a bomb if she wants to keep a low profile? Why did she free Scorpion? You also can't just make EVERY action scene about fighting mind-controlled villains. Oh my god, it's Scorpion... But he's mind controlled! It's Hulk but he's mind controlled! It's The Hand but they're mind controlled!!! It's a bunch of security guards but they're...! Oh nevermind, they just wanted to fight Spiderman for fun. Half of the plot is just Spiderman getting the confidence to re-introduce himself to his friends. I totally get *why* they’re doing it and it’s nice that they reconnect in a believable way… But it’s just such a boring plot idea. The whole emotional core of the movie is just “guy connects with characters he used to be friends with last movie”. It takes an entire movie to reset the status quo back to the previous movie. Imagine if they spent this time introducing any new fun characters instead of re-introducing ones we already know. The Hand is also just hanging out in New York and it’s never explained or resolved. Spiderman’s powers freaking out is never resolved but I guess it’s just implied he gets over it now that he has friends again. Jean Gray baits you into thinking they’re introducing mutants to the MCU but they never do. The director guy was supposedly left alive but we never see if anything happened to him…? Did they just let him go with zero consequences? So much wasted potential and wasted time. Everything was kinda half assed. The only thing I can really say I liked was the direction, it felt a lot more dynamic and less flat than the other Tom Holland spiderman movies. I loved the swinging scenes. Everything else? Bleh.

R

RetroWill

Aug 7, 2026 · via TMDB

★ 6.0

Not an absolute disaster, but 6.5/10 at best. It falls well short of the previous trilogy, and it baffles me how it’s breaking records and pulling top reviews. It felt like a tired, bloated movie riding purely on hype and pent-up demand for a Tom Holland outing. My biggest issue was the core supporting cast. The emotional weight of No Way Home relied on Peter's sacrifice so they could live safe lives. Bringing them back when they don't even remember him felt like a total cop-out. They served zero narrative purpose and were clearly included out of obligation. Reverting on that sacrifice undercuts the last film, and the story would've been far tighter without them taking up screen time. The pacing and stakes were just as frustrating. A weak central conflict left a 2.5-hour movie dragging with shockingly little happening. To mask the lack of momentum, shoehorned hero cameos were jammed in for fan service rather than Peter's arc, weighing the story down with broader MCU maintenance. The action and visuals were equally lacklustre. Instead of grounded, street-level acrobatics, set pieces felt generic and CGI-heavy, with a rushed third act trading emotional payoff for a noisy climax. Overall, a mediocre effort. It's fine for a casual evening out, but as a flagship release, it’s underwhelming. Fans expecting a sharp follow-up will feel the franchise is running on fumes. It should have cut ties with the past to stand alone or start a fresh trilogy. Admittedly a tough task, but it would’ve made a far better fourth film.

CinemaSerf

CinemaSerf

Aug 6, 2026 · via TMDB

★ 7.0

"Peter Parker" (Tom Holland) is pining. After having to sacrifice everyone's memory of him to save the world in the last film, he now has to swing from building to building in his red and blue kevlar stopping crimes whilst the biggest of all - his loss of "MJ" (Zendaya) remains unsolvable. The poor fella is lonely and so is putting all his efforts into his work to the extent that his police pal "DeWolff" (Liza Colón-Zayes) is starting to worry about his wellbeing. Well it isn't long before he is too - his spidey-senses are all over the shop. What's occurring? Well a chat with the sauna-dwelling "Black Widow" (Florence Pugh) following an Azazel-like experience with an ostensibly malevolent creature that can jump from person to person to person - but that can't use him as a conduit - starts to really get him confused. On the personal level, he has learned that spiders have three stages to their lives, so perhaps this is just a natural readjustment? He reckons a chat with "Banner" (Mark Ruffalo) might help - incognito, of course, but that only seems to make matters even worse. Might he, too, need an inhibitor to stop himself turning into something altogether more dangerous as his internal symbiosis between human and arachnid looks compromised? Meantime, he does make progress in identifying his ruthless and powerful new nemesis, but that doesn't help him explain why she is so bent on destroying the city's enforcement bureau and exacting her vengeance on it's boss "Metzger" (Tramell Tillman). Can he sort this out before he is subsumed by his new-found nature and, of course, what can he do about "MJ"? It's ten years since Holland first donned the red mask and as much as with watching the actor, we can also watch how his characterisation of "Spider-Man" has evolved. There are certainly plenty of set-piece action scenes - usually in tandem with Jon Bernthal's entertaining "Punisher", but there is also a little more soul to this film. It's much more of a characterful look at the man behind the eyes, of a troubled soul - but not in any sort of melodramatic fashion; more a study of just how loneliness can effect a person, any person, and of how difficult it can be for them to admit the problem let alone reach out to anyone. Zendaya is anything but the damsel in distress here too. There's no high-pitched squealing or "save-me, save-me" tied to a scaffold by the baddie sort of stuff. Indeed there's actually a distinct lack of the traditional baddie here and as the story unfolds the messy carnage starts to look like someone else's manifestation of solitude, too. This is certainly a piece in the puzzle of the MCU - with "Avengers" and "X-Men" related threads, but it doesn't mess about with it's timelines and so we are presented with something enjoyable and quickly paced, but just a little more substantial too - quite an achievement for a man who can't get his sponsors to make him red and blue spidey-pants too!

C

Chris Sawin

Aug 5, 2026 · via TMDB

★ 9.0

Even with its minor flaws, *Spider-Man: Brand New Day* is the best Tom Holland Spider-Man film to date and easily the most exciting the MCU has been in years. Spectacular performances, sensational action choreography, an amazingly mesmerizing story, and some of the most astonishing web-slinging sequences of any Spider-Man film to date help solidify *Brand New Day* as one of the best Spider-Man films ever. https://bit.ly/SpiderCant

Max Borghetti

Max Borghetti

Aug 2, 2026 · via TMDB

SPOILERS AHEAD: I loved the movie, I’m not going to lie. It feels different, daring, and genuinely confident in its own identity. Jon Watts should be taking notes. That said, I do feel that Hulk/Banner deserved a much larger role. The character had the potential to contribute a great deal to the story, but they never fully took advantage of him. The Bad Bunny reference made me laugh, and honestly, it also made me happy. Whether you like him or not, he is a Latino artist and represents us. It even reminded me somewhat of the cultural energy and pride embodied by Miles Morales. What didn’t I like? For starters: where the hell is J. Jonah Jameson? The movie is packed with news broadcasts discussing Spider-Man and everything happening across New York. We saw Jameson at the end of *Spider-Man: No Way Home*, and here he simply vanished. Nothing. Not even a mention. Completely erased from the map. The same applies to the references involving the inhibitor chip and Doctor Octopus. A single comment or joke delivered by the suit’s own artificial intelligence would have been enough to acknowledge that connection without interrupting the story. And what about Daredevil? Exactly the same problem. I would have been satisfied with just a few frames of Matt Murdock sitting behind the bars of his cell, sensing that Spider-Man was nearby. It did not require a full scene or a gratuitous cameo. One carefully constructed image would have been enough to excite the audience and connect both worlds. There is also a major problem during the final act. Our friendly neighborhood Spider-Man risks his life to save Jean Grey from a shot fired by the Punisher, and Frank ultimately takes him to the hospital. Sometime later, we see Peter lying in a hospital bed while Frank explains that the doctors had to completely destroy the suit in order to save his life. That means they necessarily saw his face and discovered his identity. And that is where the plot hole appears: once they learned who he was, they should have discovered that Peter Parker practically does not exist in any recognizable public record as a consequence of what happened at the end of *No Way Home*. So what was the point of that entire storyline and everything Peter sacrificed? The problem becomes even more obvious in the final scene, when Peter casually walks out through the hospital’s main entrance dressed as Peter Parker. If the doctors had to remove his suit and saw that he was Spider-Man, how is it possible that nobody recognizes him, questions him, detains him, or at the very least reacts to such an enormous revelation? Anyway… I did think that Ned unconsciously remembering Peter through their handshake at the end was a beautiful and emotionally intelligent detail. It subtly suggests that, even though his memory was altered, certain emotional connections remain buried somewhere inside him. But it is time to move forward. I want to see Harry Osborn. I want to see Gwen Stacy. I want to see Peter finally become a photographer and build a life of his own, rather than constantly depending on the legacy of the Avengers. I hope *Spider-Man 5* has the courage to explore that stage of the character’s life with the maturity, drama, and cinematic ambition it deserves. Peter Parker has already lost far too much. Now it is time to watch him grow, rebuild his life, and finally become the definitive version of Spider-Man.

User reviews courtesy of TMDB.

Keywords 32
admiring aftercreditsstinger amused based on comic blunt casual celebratory comforting euphoric fight for justice genetic mutation hero introspective marvel cinematic universe (mcu) masked superhero masked vigilante mind control mutation new york city ninja secret identity sequel somber spider spider man spider web super power superhero transhumanism villain whimsical wonder
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Fandango At Home Fandango At Home
Cast 59
Tom Holland

Tom Holland

Peter Parker / Spider-Man

Zendaya

Zendaya

MJ

Mark Ruffalo

Mark Ruffalo

Bruce Banner / Hulk

Jon Bernthal

Jon Bernthal

Frank Castle / Punisher

Jacob Batalon

Jacob Batalon

Ned Leeds

Sadie Sink

Sadie Sink

Jean Grey

Florence Pugh

Florence Pugh

Yelena Belova / Black Widow

Liza Colón-Zayas

Liza Colón-Zayas

Detective Jean DeWolff

Tramell Tillman

Tramell Tillman

William 'Bill' Metzger

Marisa Tomei

Marisa Tomei

May Parker

Naomi Watts

Naomi Watts

E.V. (voice)

Keith David

Keith David

Michael Mando

Michael Mando

Mac Gargan / Scorpion

Keith David

Keith David

Narrator of Spider Video (voice)

Marisa Tomei

Marisa Tomei

May Parker

Florence Pugh

Florence Pugh

Yelena Belova

Marisa Tomei

Marisa Tomei

May Parker

Florence Pugh

Florence Pugh

Yelena Belova

Marvin Jones III

Marvin Jones III

Tombstone

Olivia Booth-Ford

Olivia Booth-Ford

Sara

Marisa Tomei

Marisa Tomei

May Parker

Florence Pugh

Florence Pugh

Yelena Belova

Taryn Marie Butler

Taryn Marie Butler

Apartment Girl

Woody Harrelson

Woody Harrelson

Johnny Myers

Johnny Myers

Building Manager

Dean Meminger

Dean Meminger

NY1 Reporter

Billy Clements

Billy Clements

Ramrod

Zabryna Guevara

Zabryna Guevara

Sheila Rivera

Nina Rose Galano

Nina Rose Galano

Marley

Maikol Roque

Maikol Roque

EJ

Jamel Davall Rodriguez

Jamel Davall Rodriguez

NYC Street Driver

Phoenix Di Sebastiani

Phoenix Di Sebastiani

DODC Escort Guard

Vivien Keene

Vivien Keene

Female Janitor

Kurtis Lowe

Kurtis Lowe

DODC Box Guard

David Hepple

David Hepple

Warehouse Worker

Jamaal Burcher

Jamaal Burcher

DODC Crew Chief

Mary Stillwaggon Stewart

Mary Stillwaggon Stewart

Female DODC Guard

Luka Hays

Luka Hays

DODC Weapons Tech

Robert Veng

Robert Veng

Partygoer

Aoife Haakenson

Aoife Haakenson

Partygoer

Gabriel Blaikie

Gabriel Blaikie

Partygoer

Eman Esfandi

Eman Esfandi

The Boyfriend

Shing Moussa Chung

Shing Moussa Chung

Building Tenant

Akil Young

Akil Young

Apartment Girl Boyfriend

Benedict Cezair-Thompson

Benedict Cezair-Thompson

DODC Substation Guard

Shannon Young Cho

Shannon Young Cho

Cindy

Niyi Akin

Niyi Akin

David

Carlos Agualusa

Carlos Agualusa

Businessman

Shelley Williams

Shelley Williams

Street Woman

Jud Charlton

Jud Charlton

Street Worker

John Moraitis

John Moraitis

Balcony Guy

Daisy Sequerra

Daisy Sequerra

Lucy (Bride)

Nezar Alderazi

Nezar Alderazi

John (Groom)

Daniel Kabanda

Daniel Kabanda

Cater-Waiter

Sean Carrington

Sean Carrington

DODC Tech

Michael Amariah

Michael Amariah

DODC Containment Guard

Pat Kiernan

Pat Kiernan

Pat Kiernan (uncredited)

Aidan Kennedy

Aidan Kennedy

Frederick Myers/Boomerang

Megan Jupp

Megan Jupp

The Inhabited

Crew 94
Charles Wood

Charles Wood

Production Design

Simon Finney

Simon Finney

"B" Camera Operator

Brett Pawlak

Brett Pawlak

Director of Photography

Sanja Milkovic Hays

Sanja Milkovic Hays

Costume Design

Alessandro Bertolazzi

Alessandro Bertolazzi

Hair Designer

Alessandro Bertolazzi

Alessandro Bertolazzi

Makeup Designer

Justin Kuritzkes

Justin Kuritzkes

Additional Writing

Justin Kuritzkes

Justin Kuritzkes

Additional Writing

Lee Briggs

Lee Briggs

Executive Visual Effects Producer

Christopher Clark Cowan

Christopher Clark Cowan

Other

Ben Essex

Ben Essex

Stunt Coordinator

Leonard Woodcock

Leonard Woodcock

Stunt Coordinator

Marlow Warrington-Mattei

Marlow Warrington-Mattei

Stunt Coordinator

Peng Zhang

Peng Zhang

Stunt Coordinator

Jade Lye

Jade Lye

Stunt Double

Luke Scott

Luke Scott

Stunt Double

Rick English

Rick English

Stunt Double

Martin Ivanov

Martin Ivanov

Stunt Driver

Andrej Riabokon

Andrej Riabokon

Stunts

Boris Martinez

Boris Martinez

Stunts

Daniel Adams

Daniel Adams

Stunts

Elise Lamb

Elise Lamb

Stunts

Gary Hoptrough

Gary Hoptrough

Stunts

George Surry

George Surry

Stunts

Lewis Young

Lewis Young

Stunts

Martin Ivanov

Martin Ivanov

Stunts

Matthew Bell

Matthew Bell

Stunts

Nathan Aldous

Nathan Aldous

Stunts

Nicholas Daines

Nicholas Daines

Stunts

Nick Roeten

Nick Roeten

Stunts

Shane Steyn

Shane Steyn

Stunts

Will Breslin

Will Breslin

Stunts

Bill Everett

Bill Everett

Thanks

Bob Gale

Bob Gale

Thanks

Brian Michael Bendis

Brian Michael Bendis

Thanks

Chris Claremont

Chris Claremont

Thanks

Dan Slott

Dan Slott

Thanks

Don Heck

Don Heck

Thanks

Dwayne McDuffie

Dwayne McDuffie

Thanks

Erik Larsen

Erik Larsen

Thanks

Frank Miller

Frank Miller

Thanks

J. Michael Straczynski

J. Michael Straczynski

Thanks

Jack Kirby

Jack Kirby

Thanks

Jim Lee

Jim Lee

Thanks

Joe Quesada

Joe Quesada

Thanks

John Byrne

John Byrne

Thanks

John Romita Sr.

John Romita Sr.

Thanks

Lloyd Lee Choi

Lloyd Lee Choi

Thanks

Mark Bagley

Mark Bagley

Thanks

Mark Millar

Mark Millar

Thanks

Mike Deodato

Mike Deodato

Thanks

Reginald Hudlin

Reginald Hudlin

Thanks

Sara Pichelli

Sara Pichelli

Thanks

Todd McFarlane

Todd McFarlane

Thanks

Zeb Wells

Zeb Wells

Thanks

Destin Daniel Cretton

Destin Daniel Cretton

Director

Jeff Okabayashi

Jeff Okabayashi

First Assistant Director

Peng Zhang

Peng Zhang

Second Unit Director

Tom Poole

Tom Poole

Colorist

Harry Yoon

Harry Yoon

Editor

Nat Sanders

Nat Sanders

Editor

Sarah Halley Finn

Sarah Halley Finn

Casting

Mitchell Bell

Mitchell Bell

Co-Producer

Louis D'Esposito

Louis D'Esposito

Executive Producer

Amy Pascal

Amy Pascal

Producer

Avi Arad

Avi Arad

Producer

Kevin Feige

Kevin Feige

Producer

Doc Kane

Doc Kane

ADR Mixer

Julie Diaz

Julie Diaz

Dialogue Editor

Gary A. Hecker

Gary A. Hecker

Foley Artist

Dave Jordan

Dave Jordan

Music Supervisor

Michael Giacchino

Michael Giacchino

Original Music Composer

John Casali

John Casali

Production Sound Mixer

Jack Whittaker

Jack Whittaker

Sound Designer

Greg P. Russell

Greg P. Russell

Sound Re-Recording Mixer

Onnalee Blank

Onnalee Blank

Sound Re-Recording Mixer

Jack Whittaker

Jack Whittaker

Supervising Sound Editor

Katy Wood

Katy Wood

Supervising Sound Editor

Kiel Figgins

Kiel Figgins

Animation Supervisor

Richard Smith

Richard Smith

Animation Supervisor

Mark Bakowski

Mark Bakowski

VFX Supervisor

Christopher Elke

Christopher Elke

Visual Effects Producer

Chris Waegner

Chris Waegner

Visual Effects Supervisor

Jerome Chen

Jerome Chen

Visual Effects Supervisor

Mark Bakowski

Mark Bakowski

Visual Effects Supervisor

Richard Baker

Richard Baker

Visual Effects Supervisor

Stan Lee

Stan Lee

Characters

Steve Ditko

Steve Ditko

Characters

Stan Lee

Stan Lee

Comic Book

Steve Ditko

Steve Ditko

Comic Book

Dan Slott

Dan Slott

Original Story

Justin Kuritzkes

Justin Kuritzkes

Other

Chris McKenna

Chris McKenna

Writer

Erik Sommers

Erik Sommers

Writer

Gallery 810
Videos 212
Similar Movies 708
Recommended 45
US Release Dates 4

Jul 27, 2026

Los Angeles, California

PG-13 Premiere

Jul 31, 2026

PG-13 Theatrical

Aug 6, 2026

IMAX

PG-13 Theatrical (Limited)

Nov 17, 2026

4K Ultra HD / Blu-ray / DVD

PG-13 Physical

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