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Domain Entertainment
Winkler Films
Not part of a collection.
The most dangerous enemy is an old friend.
Two of New York's most notorious organized crime bosses, Frank Costello and Vito Genovese, vie for control of the city's streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.
kevin2019
Dec 24, 2025 · via TMDB
"The Alto Knights" is a highly recommended and worthwhile film and the most surprising thing of all is how bloodless the finale is. This is a good thing since it allows the film to be rounded off in the most unorthodox way imaginable. However, even though there is plenty said about notorious New York crime bosses Frank Costello and Vito Genovese as young men very little of these early years is actually shown and the film really should have been made in the style of Francis Ford Coppola's magnificent "The Godfather" (1972), "The Godfather Part II" (1974) or Sergio Leone's marvellous "Once Upon a Time in America" (1984) amongst many other outstanding examples of this genre at its finest. It is always more satisfying when we make the journey with the characters as it provides considerable depth and a greater understanding of the people involved - this is certainly the case here with the power struggle and underlying sense of betrayal between Frank and Vido which would be more focused and have a greater sense of critical urgency as a result - and in doing so the film might also be less apt to join the long line of pale imitations inspired by Martin Scorsese's superb "Goodfellas" (1990).
GenerationofSwine
Mar 30, 2025 · via TMDB
You guys remember how bad Gotti was? Well this is what happens when someone tries to out-do De Niro in anything. He took a breath, told Travolta to hold his beer, and sat down and showed him how bad a mob movie can really be. Part of it is, well it's De Niro's politics. He isn't just outspoken politically, he's an outspoken cry-bully and that who cry baby attitude makes it pretty unbelievable when you're playing a mobster. And part of it goes a little deeper, The Good Shepard was his last decent flick and Matt Damon had to carry him through it. So now we get De Niro playing two roles that he never should have been cast in to begin with. We have a good script that no one can seem to sell. One that was probably written by the most expensive AI on the market, as testament by it's overwhelming cliches and predictable plot twists. It's amateur hour here, but, hey, at least Gotti is good by comparison.
r96sk
Mar 28, 2025 · via TMDB
<em>'The Alto Knights'</em> delivered for me. A (biographical) crime drama featuring Robert De Niro, what's not to love? It's a bio about Vito Genovese and Frank Costello, two people I'm not all that familiar with but the story is an easy one to understand and follow so it matters not. I'm not absolutely sold on the documentary-esque scenes, though everything more traditional is excellent in my opinion. It doesn't feel like it adds anything new to the genre, much of it does feel derivative, but I'm not even hating at all because I highly enjoyed it. De Niro is as quality as one would expect in this sorta role, or roles as it is. I didn't initially know it was a dual, so I was actually quizzing myself as to if it was him playing both; I was like, it sounds like him but the make-up is good enough that I'm not convinced to be honest. Only me, I'm sure.
CinemaSerf
Mar 26, 2025 · via TMDB
After mob boss Vito (Robert De Niro with loads of facial prosthetics) gets into a scrape with the authorities, he has to flee the USA and leave his childhood friend and business partner Frank (Robert De Niro without augmentation) in charge of things. Many years go by and the latter makes a success of the post prohibition business, avoiding the narcotics industry and keeping the peace amongst the other families that control the boroughs of New York. Then Vito decides he wants to come home and resume his position at the top of the tree, but being quite a loose cannon finds that Frank and just about everyone else isn’t so keen on that proposal. True to form, Vito decides to make his presence felt and things start to become pretty precarious for Frank. That only gets more serious when the Feds and the US Senate decide to conduct a crackdown on the burgeoning drugs trade that Vito is seeing as a future way to make millions of dollars. In the end, Frank is going to have to make some tough decisions. Now, aside from the skills of the make-up artists who have managed to make one De Niro look authentic and the other like someone from a Jim Henson movie, the rest of this is a pretty poorly paced and shallow gangster movie with a great deal of chatting and virtually no action aside from the opening scene and a very messy haircut later on. His solution is, historically, quite quirky but the rest of this is procedural and I thought really rather dull as it bounces us around the timelines of their lives, loves and fairly ruthless business tactics before rushing us through who did what to whom as the story rather fizzles out. It’s all a pretty weak style over substance exercise that sees it’s lacklustre star woodenly going through the motions leading a supporting cast that adds very little to the whole thing as it lumbers along stylishly, but unremarkably. Nobody’s finest work, sorry.
User reviews courtesy of TMDB.
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Robert De Niro
Vito Genovese / Frank Costello
Debra Messing
Bobbie Costello
Cosmo Jarvis
Vincent Gigante
Kathrine Narducci
Anna Genovese
Michael Rispoli
Albert Anastasia
Michael Adler
Senator Tobey
Ed Amatrudo
Rudolph Halley
Joe Bacino
Joe Profaci
Anthony J. Gallo
Tommy Lucchese
Wallace Langham
Senator Estes Kefauver
Louis Mustillo
Joe Bonanno
Matt Servitto
George Wolf
Robert Uricola
Tony Bender
Belmont Cameli
Frankie Boy
Carrie Lazar
LT. Trooper
James Ciccone
Carlo Gambino
Bob Glouberman
Victor Riesel
Jeffrey Grover
Judge Liebowitz
Jean Zarzour
Elsa Anastasia
Abi Van Andel
Judge Peggy Cooper
Zach Meiser
Trooper Vasisko
D.J. Stroud
Push Cart Vendor
Sydney Miles
Young Bobby Costello
Joseph Moreland
Juror
Antonio Cipriano
Young Vito
Brian Scolaro
Paul Castellano
Noah Bain Garret
Abe Telvi
Bryant Carroll
Local Reporter #1 Divorce
Jean Claude Leuyer
Assassin
Robert Arce
Keith Norval
Luke Stanton Eddy
Young Frank
J. Barrett Cooper
Doctor #2
Wynn Reichert
Doctor #1
Rich Williams
Walter Hawley
Christine McBurney
Trish Hawley
Todd Covert
Edwin Barry - Defense Attorney
Mike Seely
Sheriff Crosswell
Amadeo Fusca
Lucky Luciano
Jennie Malone
Copa Nightclub Patron
Robert DiDonato
Edward Guinan
John Dinello
Joe Barbara
James P. Harkins
Detective Jim Mullins
Louie Lawless
Joe the Boss
David Vegh
Warden
Mark Tierno
Juror #1
Mark Axelowitz
Asst District Attorney Kamen
Glenn Cunningham
Sgt. Ralph Salerno
Andrew Philpot
Pedestrian
Dakota Phillips
Zebra Club Patron (uncredited)
Neil Spisak
Production Design
Brad Einhorn
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Alan Tuskes
Props
Dante Spinotti
Director of Photography
Walt Perez
Grip
Jeffrey Kurland
Costume Design
Jenny McManus
Stand In
Lex D. Geddings
Stunt Double
Kurt Hockenberry
Stunt Driver
Wally Crowder
Stunt Driver
Blaise Corrigan
Stunts
Brian Searle
Stunts
Jean Claude Leuyer
Stunts
Barry Levinson
Director
Franklin Carpio
Rigging Grip
Brendan Flynn
Assistant Location Manager
Ellen Chenoweth
Casting
Anthony Tittanegro
Executive Producer
Barry Levinson
Producer
Charles Winkler
Producer
Irwin Winkler
Producer
Gabe Hilfer
Music Supervisor
David Fleming
Original Music Composer
Nicholas Pileggi
Writer
Mar 21, 2025
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Jun 7, 2025
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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