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Nightcrawler
Bold Films Bold Films
Sierra/Affinity Sierra/Affinity

Not part of a collection.

Nightcrawler

The city shines brightest at night.

2014 118 min ★ 7.7 (12,047) Released
Crime Drama Thriller

When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.

Original title
Nightcrawler
Language
EN
Country
US
Budget
$8,500,000
Revenue
$47,425,835
Reviews & Ratings 6
Nathan

Nathan

Jul 12, 2022 · via TMDB

★ 10.0

_Nightcrawler_ shows the dark and sadistic rise of an underground freelance video producer that left me on the edge of my seat in disbelief throughout the entire film. The film begins following Lou Bloom, a man down on his luck during economic turmoil trying to find his way in the world. The whole first act really builds his sense of helplessness and drive to help lift himself out of his financial hardship. This drive is built upon throughout the entire story as with each step Bloom’s morals and societal lines drift farther and farther from the norms. The entire theme of the story really resonates with common day America, as you are told to work hard and pave a path for yourself no matter the cost to those around you. Dan Gilroy did an outstanding job with the direction and writing of the entire film. The unsettling nature of dialogue and characters actions/motivations is incredibly eerie as it is indicative of society today. Each scene feels real as if it is a retelling of true events. I believed every second of Lou Bloom as a character, and that is largely due to Jake Gyllenhall’s best performance to date. Gyllenhall does such an excellent job of putting on this outcast persona. As a loner, he spends most of his time learning on the internet and due to that he does not really understand the nuances of everyday life. This is done tremendously well as every line delivered by Gyllenhall is so sharp and awkward, but the source of the words is tremendously powerful. The sense of emotion displayed by the lead is fantastic as well, he swings from being incredibly upset to quickly turning into a calm put together businessman. It demonstrates Bloom’s extreme passion for this work as his emotions blind him to not only his speech but slowly morality. Every aspect of Gyllenhall’s performance was incredibly visceral and every bit deserving of an Oscar. I touched a lot on the main lead here, but the supporting cast was all around spectacular. Rene Russo and Riz Ahmed did excellent jobs in their parts. They were able to mirror the audience's reactions to the unhinged nature that is Lou Bloom, this aspect really resonated with me. Overall, _Nightcrawler_ was one of the best movies I have seen in a long time. It was able to capture me in the world and had me completely engaged with the story Gilroy was attempting to deliver. The film ends with a bang and has left me thinking about it hours after viewing. **Grade:** _97%_ **Verdict:** _Masterpiece_

John Chard

John Chard

Jan 19, 2019 · via TMDB

★ 9.0

That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life. Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation. We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script. The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras. The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but stylish with it, it's also thrilling and deliciously troubling into the bargain. 9/10

John Chard

John Chard

Jan 19, 2019 · via TMDB

★ 9.0

That's my job, that's what I do, I'd like to think if you're seeing me you're having the worst day of your life. Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it's not long before Louis blurs the line between the rights and wrongs of the occupation. We here have our eyes opened to the world of the nightcrawlers (genuine people), and it's a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script. The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it's all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can't look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras. The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it's a minor complaint. For this is a sharp piece of film making, gloomy of course, but thrilling and deliciously troubling into the bargain. 9/10

Oldnewbie

Oldnewbie

May 3, 2017 · via TMDB

I find it truly amazing that Jake Gyllenhaal did not win nor was even nominated for an Oscar for this stunning performance as Louis Bloom. Makes me wonder how much of who gets nominated and who wins rides on insider politics and not on merit. Or how many Oscar noms and wins are "gifts" in the respect that either an actor has a catalog of wonderful performances and has never won (Henry Fonda comes to mind for "On Golden Pond")or the effort put into as role somehow makes it an Oscar winning performance (Leo DiCaprio in "The Revenant"). Gyllenhaal becomes his character; a feral, single minded, means justify the end "bottom feeder" catering to the worst in humanity - our seemingly built in need to view others pain. He sees nothing at all wrong with what he does or how he goes about it. Easily he is most believable sociopath I have seen on film. In a performance marked by many stand out moments perhaps the most galvanizing one is not an action sequence but a quiet moment (before a storm) where he tells an employee that "Maybe my problem isn't that I don't understand people, but that I don't like them." How his work was over looked for an Oscar is beyond what good acting warrants and indeed must fall within the machinery of Hollywood backroom politics. Going by IMDb, he was nominated for outstanding acting by just about every other award given in entertainment except the Academy. Maybe perhaps his Lou Bloom was too good and looking at this work, for Hollywood, was like looking into the darkest darkness; understanding the reflection they saw in it was themselves.

mattwilde123

mattwilde123

Mar 9, 2017 · via TMDB

★ 8.0

'Nightcrawler' is a neo noir thriller starring a very impressive (and thin) Jake Gyllenhaal which cleverly satirises the media industry's obsession with horror and violence. The poster's correlation with Nicolas Winding Refn's 'Drive' is a very clear choice because they are very similar in how they're made in terms of themes and even soundtrack. The film is also very similar to Martin Scorsese's 'Taxi Driver' and David Fincher's 'Seven' as the cinematography is very bleak and dark. The story is disturbingly gripping as the audience view Lou Bloom's rise as an amateur journalist who seems to do anything to get the best footage of horrific crime scenes. What's more shocking are the news channels that purchase his work claiming "if it bleeds, it leads!". Jake Gyllenhaal is brilliant in the starring role as he seems creepy but also powerful and shrewd. ★★★★

T

tmdb39513728

Feb 4, 2015 · via TMDB

**Survival of the Batsh!t Craziest** Here we have a sociopath for the digital age. A _Taxi Driver_ for the early 21st Century. Louis Bloom might have been born yesterday, just before taking an online course in Small Business Management, the new way to self-educate, without the petty annoyances of human contact and interaction. Every basic lesson he absorbed is put to the test with the obsessive solitary singular purpose of succeeding. Jake Gyllenhaal immerses himself in the role with psychotic stupor. He speaks with the same forward-plotting conviction whether tossing about obvious clichés or revealing something brilliant. The perfect entrepreneur. A maniacal detached idiot savant on a ruthless predatory mission. Morality and the legal system are minor roadblocks to dodge, riddles to resolve, sentiments to overcome. His brand of narcissistic psychosis is a genetic mutation that insures the survival of the species. Like an Aryan bulldozer, he cripples and kills the weak, exploiting the flaws in humanity, cannibalizing the limits of civilization, and capitalizing on each opportunity every step of the way, all for his own personal gain. All while intuiting which backs to scratch and/or stab and when. The perfect entrepreneur. The quintessential post-9/11 movie hero. Where Travis Bickle sought to take down corruption to rescue the innocent, Louis Bloom does the opposite, preying on the fallen and severing the social codes and mores that bind us for his own solitary success. American Exceptionalism. Nightcrawler is nanoeconomics in its purest, most wicked and vicious form. I'm sure some may see it not so much as a comment on what ails us but as an inspiration to venture out from, and Bloom as a persistent determined role model to imitate. How-to-Succeed-in Business-Without-Feeling. Humanity is merely a construct that can be subjugated, an apparatus to dismantle, a child's toy for the child that wants it all.

User reviews courtesy of TMDB.

Keywords 21
character study crime scene cynicism ethics frantic home invasion job interview journalism los angeles, california murder neo-noir news business newsreel footage police scanner psychological thriller psychopath serial killer sociopath stakeout stringer underground
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Cast 30
Jake Gyllenhaal

Jake Gyllenhaal

Louis Bloom

Rene Russo

Rene Russo

Nina Romina

Riz Ahmed

Riz Ahmed

Rick

Bill Paxton

Bill Paxton

Joe Loder

Kevin Rahm

Kevin Rahm

Frank Kruse

Michael Hyatt

Michael Hyatt

Detective Frontieri

Price Carson

Price Carson

Detective Lieberman

Ann Cusack

Ann Cusack

Linda

Kent Shocknek

Kent Shocknek

Kent Shocknek

Sharon Tay

Sharon Tay

Sharon Tay

Marco Rodríguez

Marco Rodríguez

Scrapyard Owner

Michael Papajohn

Michael Papajohn

Security Guard

Jonny Coyne

Jonny Coyne

Pawn Shop Owner

Rick Chambers

Rick Chambers

KWLA Anchor Ben Waterman

Pat Harvey

Pat Harvey

Pat Harvey

James Huang

James Huang

Marcus Mayhem Video

Bill Seward

Bill Seward

Bill Seward

Kevin Dunigan

Kevin Dunigan

Cop #2

Eric Lange

Eric Lange

Ace Video Cameraman

Kiff VandenHeuvel

Kiff VandenHeuvel

Editor

Christina De Leon

Christina De Leon

Barred Door Woman

Jamie McShane

Jamie McShane

Freaked Motorist

Dig Wayne

Dig Wayne

Neighbor

Myra Turley

Myra Turley

Female Neighbor

Juan Fernandez

Juan Fernandez

Reporter Ron De La Cruz

Chris Wolfe

Chris Wolfe

Reporter Joel Beatty

Kathleen York

Kathleen York

Jackie (uncredited)

Viviana Chavez

Viviana Chavez

Desiree (uncredited)

Stephanie D'Abruzzo

Stephanie D'Abruzzo

Telephone Woman with Gloves (uncredited)

Bill Blair

Bill Blair

Control Room Switcher (uncredited)

Crew 49
Kevin Kavanaugh

Kevin Kavanaugh

Production Design

King Orba

King Orba

Property Master

James Laxton

James Laxton

Additional Director of Photography

Robert Elswit

Robert Elswit

Director of Photography

Amy Westcott

Amy Westcott

Costume Design

Candace Neal

Candace Neal

Hair Department Head

Donald Mowat

Donald Mowat

Makeup Department Head

Julie Wagner

Julie Wagner

Stand In

Mike Smith

Mike Smith

Stunt Coordinator

Monique McKellop

Monique McKellop

Stunt Driver

Chad Guerrero

Chad Guerrero

Stunts

Charlie Picerni

Charlie Picerni

Stunts

Chic Daniel

Chic Daniel

Stunts

Craig Baxley Jr.

Craig Baxley Jr.

Stunts

Dickey Beer

Dickey Beer

Stunts

Erik Stabenau

Erik Stabenau

Stunts

Freddy Bouciegues

Freddy Bouciegues

Stunts

Jalil Jay Lynch

Jalil Jay Lynch

Stunts

Joel Lambert

Joel Lambert

Stunts

John C. Meier

John C. Meier

Stunts

Lance Gilbert

Lance Gilbert

Stunts

Laura Albert

Laura Albert

Stunts

Mark Riccardi

Mark Riccardi

Stunts

Matt Berberi

Matt Berberi

Stunts

Mehdi Merali

Mehdi Merali

Stunts

Oliver Keller

Oliver Keller

Stunts

Pak Ho-Sung

Pak Ho-Sung

Stunts

Samuel Hübinette

Samuel Hübinette

Stunts

Simon Rhee

Simon Rhee

Stunts

Steve Holladay

Steve Holladay

Stunts

Tim Gilbert

Tim Gilbert

Stunts

Tom Harper

Tom Harper

Stunts

Jaime FitzSimons

Jaime FitzSimons

Technical Advisor

Dan Gilroy

Dan Gilroy

Director

Richard L. Fox

Richard L. Fox

First Assistant Director

Mike Smith

Mike Smith

Second Unit Director

John Gilroy

John Gilroy

Editor

Michael Bauman

Michael Bauman

Gaffer

Carmen Cuba

Carmen Cuba

Casting Consultant

Stephanie Wilcox

Stephanie Wilcox

Co-Producer

Gary Michael Walters

Gary Michael Walters

Executive Producer

David Lancaster

David Lancaster

Producer

Jake Gyllenhaal

Jake Gyllenhaal

Producer

Jennifer Fox

Jennifer Fox

Producer

Tony Gilroy

Tony Gilroy

Producer

James Newton Howard

James Newton Howard

Original Music Composer

Scott Martin Gershin

Scott Martin Gershin

Sound Designer

Scott Martin Gershin

Scott Martin Gershin

Sound Supervisor

Dan Gilroy

Dan Gilroy

Writer

Gallery 216
Videos 21
Similar Movies 393
US Release Dates 4

Sep 25, 2014

Fantastic Fest

Premiere

Oct 31, 2014

R Theatrical

Jan 27, 2015

R Digital

Feb 10, 2015

R Physical

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Stripper Wives

Stripper Wives

1999

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Sally's Beauty Spot

Sally's Beauty Spot

1990

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

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0 Points
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Movie Trivia

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What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
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