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Complete Fiction
Domain Entertainment
Genre Films
Paramount Pictures
Not part of a collection.
Hunt him down.
Desperate to save his sick daughter, working-class Ben Richards is convinced by The Running Man's charming but ruthless producer to enter the deadly competition game as a last resort. But Ben's defiance, instincts, and grit turn him into an unexpected fan favorite — and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.
Gordon
Aug 29, 2026 · via TMDB
What a great movie! This movie doesn't need you to have read the book to enjoy it, nor does it require that you've seen the version from the late 80's. It was a great stand alone movie by Edgar Wright that has impressive visuals and a story that gets you involved and keeps you interested. Glen Powell is outstanding and creates a character you root for the whole film. Would definitely recommend.
samsalabäm
Jun 1, 2026 · via TMDB
What a shitshow. In the first half hour I thought it might at least be fun, but the longer it went on the more stupid it got. This movie doesn't even know what story it wants to tell or which genre it wants to be. Dystopia? Comedy? A kind of Crank/Gamer/Scott Pilgrim Mix-up? It really feels like they just threw a bit of everything good into a mixing bowl and made the worst tasting pasta sauce ever. You know, the 80s had a lot of weird and bad told movies but at least they tried. They made an effort. They knew how to use sarcasm in the right way, how to build up drama and make it work to combine an actual dystopian setting with a hint of humour. This movie doesn't know how to do any of that. It's just just more coming out of the garbage machinery which hollywood has decided to become.
Sierbahnn
Jun 1, 2026 · via TMDB
Technically proficient, but soulless Unlike its original from 1987 this movie lacks the messaging and heart that made the first one more interesting. It is far less believable than the hyper-campy 80's classic. Where the first iteration has characters, memorable moments and a story worth engaging in, this version is bland, has only one character that you actually get to know, and he has no arc worth mentioning. There is a great sense of bland inevitability to the whole thing, and the ending only solidifies it, whereas the 1987 version gives you more to think about. While this is not a bad movie by any metric, it does lack heart, and 'fun' is not enough to make it great.
GenerationofSwine
Mar 17, 2026 · via TMDB
No one asked for this, no one wanted this.... and like so many other movies that no one asked for or wanted, they gave it to us anyway.... .... and they added political lectures to it, but at least they didn't race and gender swap the lead. Even then, it's an insult to the original, it's an insult to the source material, it's an insult to the intelligence.
Chandler Danier
Dec 28, 2025 · via TMDB
Oh dude...end it at the plane crash. The man who runs is good at running. Nice skill set like that guy who transports things. Lots of movers these days. Should have been called Marathon Man.
misubisu
Dec 27, 2025 · via TMDB
### **Review: *The Running Man (2025)*** **Score: 7/10** Comparing any remake to the 1987 Arnold Schwarzenegger classic is a brutal contest. The original is a beloved, muscle-bound, high-camp satire of 80s media and authoritarianism, where the puns are as thick as the biceps. The 2025 adaptation wisely doesn't try to be that. It takes Stephen King's (writing as Richard Bachman) original dystopian novel and the core concept of a deadly game show—where convicts run for their lives while being hunted by celebrity "Stalkers"—and grafts it onto a sleek, modern framework. The result is a surprisingly tense, socially conscious thriller that largely succeeds on its own terms, though it can't escape the long shadow of its predecessor's iconic swagger. **Where the 2025 Version Excels (And Diverges Radically):** * **Tone & Atmosphere:** Forget the garish, neon-lit spectacle. This version is a **gritty, grounded, and genuinely stressful survival thriller**. The focus is on claustrophobic chase sequences, clever evasion, and the psychological torment of being hunted. It trades the original's cartoonish gladiators for more believable, tech-augmented hunters and a game that feels like a sinister, nationwide social media event. * **Social Commentary:** While the 1987 film satirised game shows and TV culture, the 2025 update is a sharp critique of **algorithmic entertainment, surveillance capitalism, and influencer culture**. The "Running Man" show is a TikTok/Twitch hybrid gone horribly wrong, where public approval and viral engagement dictate a contestant's fate. It feels frighteningly plausible. * **The Protagonist:** Our new Ben Richards is no invincible super-cop. He's a desperate, resourceful everyman, played with a compelling mix of vulnerability and grit. His fight feels more like a struggle for survival than a one-man revolution, making the stakes feel more immediate and personal. **Where It Stumbles in the Comparison:** * **The Charisma Deficit:** This is the unavoidable trade-off. The new film lacks the sheer, **iconic bravado and quotable lunacy** of the original. There's no equivalent to "Here is Sub-Zero... Now, plain zero!" or a villain as deliciously hammy as Richard Dawson's Killian. The 2025 version's antagonists are sinister and slick, but they aren't *fun* in the same way. * **A Sombre Experience:** It is a far more serious film. The dark humour and satirical edge of the original are replaced with a relentless, anxious tone. You won't leave with a pumped fist and a smile; you'll leave feeling like you've narrowly escaped a digital panopticon. For fans of the original's flavour, this can feel like a loss. **The Verdict:** If you go in expecting a nostalgic rehash of Arnie's one-liners and explosive set-pieces, you will be **bitterly disappointed**. However, if you can accept it as a **complete re-imagining** that uses the same premise to tell a different story for a different era, it is a successful and compelling film. It stands as a strong, **7/10 dystopian thriller**—tense, smartly updated, and visually distinct. It understands that today's horrors are less about theatrical dictators and more about omnipresent screens and crowd-sourced cruelty. The 1987 film is a time-capsule classic of 80s excess; the 2025 version is a sleek, paranoid warning for the digital age. They are two very different victories.
User reviews courtesy of TMDB.
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Glen Powell
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Debi Mazar
Amoré Americano
Emma Sidi
Adriané Americano
Malcolm Atobrah
Bruce Americano
Georgia Goodman
Elizabeth
John Paul Wagner
Stage Manager
John Addison
Opening Titles Dad
Derek Miller
Cabbie
Sophie Simnett
Ticket Agents
Hannah McClean
Charlotte
Rich Hall
Roberts
Henry Miller
YVA Patron
Michael Bacall
Stoned Dude
Suzanne Prescott
Belinda Brave
Oluniké Adeliyi
Ma
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Charley Palmer Rothwell
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Bebe Cave
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Protestor
James Austin Johnson
Announcer (Voice)
Rene Costa
Audience member (uncredited)
George Hull
Concept Artist
Marcus Rowland
Production Design
Chung Chung-hoon
Director of Photography
Jennifer White
Choreographer
Lee Briggs
Executive Visual Effects Producer
Andrej Riabokon
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Darrin Prescott
Stunt Coordinator
Bogdan Kumšackij
Stunt Double
Danny Downey
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Darrin Prescott
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Paul Machliss
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Francine Maisler
Casting
Kharmel Cochrane
Casting
Leo Thompson
Co-Producer
Anthony Tittanegro
Executive Producer
Audrey Chon
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Rachael Prior
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Stephen King
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Ivan Doykov
Line Producer
Edgar Wright
Producer
Simon Kinberg
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Steven Price
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Stephen King
Novel
Edgar Wright
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Michael Bacall
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Seven Dorms of Death
2015
Preview
1982
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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