Appian Way
Sikelia Productions
Not part of a collection.
The Wolf of Wall Street
Earn. Spend. Party.
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.
- Original title
- The Wolf of Wall Street
- Language
- EN
- Country
- US
- Budget
- $100,000,000
- Revenue
- $407,039,432
HaremCinema
Mar 21, 2026 · via TMDB
When I read a movie review the thing that I want to get out of it is to know what the reviewer got out of it. If they can tell me how it made them fee, what they thought and what they took away from it then it gives me a reasonable idea of what I might expect. I tell you that so you can understand why I'm going to tell you what I took away from The Wolf Of Wall Street. It's a true story and man-o-man is there a glut of filth and debauchery n this man's life. Wowee! It goes to show that an endless supply of money can buy an endless supply of....well, everything. Drugs by the truckload. Hooker by the cargo ship. Crime on an epic scale. A true excess of immorality. And yet, the moment in this maelstrom of sin, that stood out for me thos most was the moment Margot Robbie and Leonardo DiCaprio are having an argument and she retorts with "Who? Who? What are ya, a F*%#N owl?" It's an incredibly real, human moment that grabs you, pulls you into their private lives. So cunningly powerful. But then, what else could you expect from the sublime Mr. Martin Scorsese? I definitely recommend that you WATCH THIS FILM!
CinemaSerf
Jul 26, 2025 · via TMDB
This is based on a book telling the true story of a man who saw an opportunity to con his way to a $1 million a week job fleecing would-be investors and capitalising on that one human vice that most permeates society. Greed. Initially thumped by a financial crisis, Jordan Belfort (Leonardo DiCaprio) is reduced to joining a ramshackle school of amateur brokers selling penny stocks and hoping that enough of those will make enough commission to live on. Quickly, he realises the truth to that old expression about every penny making a pound, though - or in this case, a buck. He quickly galvanises this team into an affective trading force that is soon seemingly making money from thin air. Give their business an old-school name to establish some market credibility and the sky’s the limit? For years it was, as this man and his friends creamed the system at will, making a fortune to spend on drugs, hookers, houses, cars, yachts - you name it. These guys knew how to play the game and how to act with impunity whilst the Feds flapped around at their ankles trying to prove that any of this was unlawful. Of course, the more they got the more they wanted. The more they got away with, the more invulnerable they felt - and fairly soon their tentacles were spreading across Europe too. Sooner or later, their chickens must come home to roost, or should that be roast? Or will they? What’s clear from Scorsese’s rather savage and occasionally pithy indictment of profiteering capitalism is that these men don’t think they are ever going to be caught or, indeed, that they are doing anything wrong. Just like the early boxers who fought their way out of poverty, these guys started off wanting for things as basic as an home, or an education for their kids, or healthcare for their parents. What harm in improving yourself? It’s not real money, so it can’t impact on real people? What struck me about this, after about half an hour, is that once we got the point about these selfish and hedonistic folks living a life of profligate excess, the characterisations don’t really go anywhere. We watch them descend into a selfish, pill-induced, maelstrom, but once we have heard the first rousing, expletive-laden, speech from Belfort extolling the virtues of their aspirations, it didn’t need to continually reinforce the odiousness of what I was watching. We get it. He’s a venal and obnoxious individual blessed with the same thing that Hitler and Mussolini were - charisma. He could sell sand in the desert by fist-pumping the air and smiling at his all too eager and gullible employees and investors alike who wanted to make a quick dollar without asking too many questions. That is the aspect of this that I would have found more interesting to explore. Why are they so successful? Who are the people of all incomes, shapes and sizes, who are investing $25 and expect to get it back ten fold without risk or without penalty? We never see any of these something-for-nothing merchants who are every bit as greedy as the Belforts of this world. If these boys could milk things so effectively why the hell can’t governments make money like this for everyone’s benefit? These guys are no Nobel economics laureates, just psyched-up cheats and losers. Despite being pretty unlikeable, there is something potently appreciable about DiCaprio’s delivery of his foul-mouthed character here. Success goes to his head, his wife loves the trappings without enquiring too deeply and they live in a bubble that is as likely to illicit envy as it is disgust from folks who might loathe the idea, but who might not behave so very differently if presented with the same opportunity. This film disappointingly focuses on the shameful profligacy and the low hanging fruit of these people, and it’s a compelling enough watch for the most part, but as an evaluation of cause and effect I though it under-delivered and took an easy route of sensationalism. Good film, though.
Nathan
Jul 26, 2022 · via TMDB
An amazing bio pic of Jordan Belfort that has everything you'll ever want: comedy, drama, romance, heart and the list goes on. This movie was an absolute joy. The acting was superb in this movie all around. Leonardo DiCaprio gives one of his best performances of his career. Jonah Hill and Margo Robbie were fantastic! For a movie that was almost three hours, it flew by and was incredibly engaging. I can not believe it took me this long to see it. **Score:** _90%_ **Verdict:** _Excellent_
sporkproductions
Aug 13, 2021 · via TMDB
When I'm Scorsese's age I just hope to still be able to chew my food and go to the bathroom unassisted. That he can still make some of the most cutting edge, visceral, and enjoyable films out there is stunning. Is this his best film? No. But, even a mediocre film for him is better than 99% of the movies being made. The performances are super-fun, the pace is relentless, the visual flare is incredible, and the story is fascinating. Is there a discussion to be had about the immorality being glamorized by this film? Sure. That's the case for a lot of his films (and a lot of films in general). We could debate his intentions with the outcome and what the film is saying about our society all day but that's another discussion. Is the film a joy to watch? Yes! It definitely is.
r96sk
Mar 14, 2021 · via TMDB
I didn't care for the characters, but I damn did have a great time watching <em>'The Wolf of Wall Street'</em>. It's absolutely nuts, and I mean that in a positive way. Leonardo DiCaprio simply never puts an acting foot wrong, this is the sixth film I've seen of his and I love <em>(fwiw: all 9/10+)</em> them all. Phenomenal actor! He is outstanding here as Jordan Belfort, the guy this film is based upon. As noted, I didn't really ever care for Jordan but DiCaprio makes it impossible not to enjoy watching events throughout. Jonah Hill (Donnie) comes in with a very good performance, the type of which I hadn't previously seen from him; closest being, in terms of quality, <em>'Moneyball'</em>. Margot Robbie, meanwhile, isn't easy to forget as Naomi. Though none of the following standout big, it's pleasant to see Jon Bernthal, Matthew McConaughey and Jon Favreau, among others, appear. The almost three hour run time, aside from a couple of moments, goes by fairly quickly. A big reason for that is the sheer bonkers nature of the plot, which goes in so many different directions it's impressive. It doesn't, as I've already mentioned, breed likeability for the characters but I definitely had a fun time watching it all unfold. I guess it depends on what you, as a viewer, prefer. I got the desired amount of entertainment.
tmdb39513728
Jan 9, 2015 · via TMDB
**Voracious Bull** Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie? When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_. After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made? _The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.
User reviews courtesy of TMDB.
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Leonardo DiCaprio
Jordan Belfort
Jonah Hill
Donnie Azoff
Margot Robbie
Naomi Lapaglia
Matthew McConaughey
Mark Hanna
Kyle Chandler
Agent Patrick Denham
Rob Reiner
Max Belfort
Jon Bernthal
Brad
Jon Favreau
Manny Riskin
Jean Dujardin
Jean Jacques Saurel
Joanna Lumley
Aunt Emma
Cristin Milioti
Teresa Petrillo
Christine Ebersole
Leah Belfort
Shea Whigham
Captain Ted Beecham
Katarina Čas
Chantalle
P.J. Byrne
Nicky Koskoff ('Rugrat')
Kenneth Choi
Chester Ming
Brian Sacca
Robbie Feinberg ('Pinhead')
Henry Zebrowski
Alden Kupferberg ('Sea Otter')
Ethan Suplee
Toby Welch
Barry Rothbart
Peter DeBlasio
Jake Hoffman
Steve Madden
Mackenzie Meehan
Hildy Azoff
Bo Dietl
Bo Dietl
Jon Spinogatti
Nicholas the Butler
Aya Cash
Janet (Jordan's Assistant)
Rizwan Manji
Kalil
Stephanie Kurtzuba
Kimmie Belzer
J.C. MacKenzie
Lucas Solomon
Ashlie Atkinson
Rochelle Applebaum
Thomas Middleditch
Stratton Broker in a Bowtie
Stephen Kunken
Jerry Fogel
Edward Herrmann
Stratton Oakmont Commercial (voice)
Jordan Belfort
Auckland Straight Line Host
Ted Griffin
Agent Hughes
Fran Lebowitz
Honorary Samantha Stogel
Robert Clohessy
Nolan Drager (Jordan's Lawyer)
Sandra Nelson
Aliyah Farran (Forbes Reporter)
Johnnie Mae
Violet (Housekeeper)
Christina Jeffs
Venice (Dominatrix)
Zana Markelson
Swiss Flight Attendant #2
Welker White
Waitress
Danny Flaherty
Zip (Lude Buying Teenager #1)
Carla Corvo
Pam
Dustin Kerns
Ben Jenner
Ashley Blankenship
Sales Assistant #1 (in Men's Room)
Madison McKinley
Heidi
Kerry Malloy
Helicopter Pilot
Aaron Lazar
Blair Hollingsworth
Steve Routman
SEC Attorney #1
Steve Witting
SEC Attorney #2
Charley Morgan
SEC Attorney #3
Michael Nathanson
Barry Kleinman
Tess Olivia
Blue Chip Hooker / Sales Assistant #2
Dan Bittner
Rothschild Broker #1
John Behlmann
Rothschild Broker #2
Ward Horton
Rothschild Broker #3
Bret Shuford
Rothschild Broker #4
Paul Monte Jr.
Rothschild Broker #5
Steven Boyer
Investor's Center Broker #1
Danny A. Abeckaser
Investor's Center Broker #2
Tracy Friedman
Investor's Center Broker #3
Matthew Rauch
Stratton Broker #1
Michael Izquierdo
Stratton Broker #2
Donnie Keshawarz
Stratton Broker #3
Johnathan Tchaikovsky
Stratton Broker #4
Brian Charles Johnson
Young Broker
Sebastian Tillinger
Another Broker
Chris Riggi
Party Broker #1
Dan Hunter
Party Broker #2
Meghan Rafferty
Donnie's Assistant
José Ramón Rosario
Maitre d' Hector
Davram Stiefler
Broker in Men's Room
Dan Daily
Honorary Raymond Samitz
Ben Van Bergen
Swiss Customs Officer #1
Matte Osian
Swiss Customs Officer #2
Michael Devine
Cop #1
Jason Furlani
Cop #2
Scott Nicholson
Police Officer #1
Jeremy Bobb
Police Officer #2
Tom Greer
Brookville Police Officer #2
Sharon Jones
Wedding Singer #1
Emily Tremaine
Cristy
Zineb Oukach
Hostess on The Naomi
Giselle Eisenberg
Skylar Belfort (4 Years Old)
Deema Aitken
Lude Buying Teenager #2
Ashley Springer
Job Applicant #1
Justin Anthony Long
Job Applicant #2
Gregory Perri
Job Applicant #3
Chris Caldovino
Rocco #1
Marcos A. Gonzalez
Rocco #2
Rémy Bennett
Abby
Catherine Curtin
FBI Agent #1
Paul Urcioli
FBI Agent #2
Michael Bryan French
Inmate Playing Tennis #2
Armen Garo
Rao's Patron #1
Garry Pastore
Rao's Patron #2
Louis Vanaria
Rao's Patron #3
Lawrence Smith
Extra Broker #1
Peter Youngblood Hills
Audience Member #1
Daniel Hepner
Audience Member #2
Brendan Griffin
Audience Member #3
Derek Milman
Audience Member #4
Victor Verhaeghe
Audience Member #5
Jared Houseman
Audience Member #6
Spike Jonze
Dwayne (uncredited)
Martin Scorsese
John (voice) (uncredited)
Silvia Kal
Wedding Guest (uncredited)
Tommy Bayiokos
Kacandes Diner Man (uncredited)
Spenser Granese
Broker (uncredited)
Gregory Brown
Upper Eastside Pedestrian (uncredited)
Bryan Burton
Young Stratton Inc. Broker (uncredited)
Kelsey Deanne
Pool Party Guest (uncredited)
London Hall
Swiss Airline Passenger (uncredited)
Rosemary Howard
Rao's Pedestrian (uncredited)
Chris Kerson
Kimmie Belzer's Desk Mate (uncredited)
Natasha Kojic
Singer (uncredited)
Seregon O'Dassey
Masseuse to Donnie Azoff (uncredited)
Michael Power
Seminar Guest (uncredited)
Nicole Rutigliano
Stripper (uncredited)
Vitaliy Shtabnoy
Kent - Broker (uncredited)
Madeleine Wade
Call Girl (uncredited)
David Wenzel
Banker (uncredited)
Joe Zaso
Rudy (uncredited)
Claudette Lalí
Strip Girl (uncredited)
Martin Klebba
Azoff's Bullseye (uncredited)
Michael Dubuc
Stock Broker (uncredited)
Geoffrey J.D. Payne
Waiter (uncredited)
Judah McFadden
Wedding Guest (uncredited)
Sylvia Ward
Wedding Guest (uncredited)
Jeffrey A. Brown
Location Scout
Randall Balsmeyer
Title Designer
Maceo Bishop
Camera Operator
Rodrigo Prieto
Director of Photography
Robert Legato
Second Unit Director of Photography
Sandy Powell
Costume Design
Siân Grigg
Makeup Artist
Gary Archer
Prosthetics
Michael Arnold
Choreographer
Tim Monich
Dialect Coach
Robbie Robertson
Executive Music Producer
Blaise Corrigan
Stunt Coordinator
Gianni Biasetti Sr.
Stunt Double
Aaron Vexler
Stunts
Aja Frary
Stunts
Bobby Beckles
Stunts
Caroline Vexler
Stunts
Chris Cenatiempo
Stunts
Christopher Place
Stunts
Dean Neistat
Stunts
Declan Mulvey
Stunts
Dina L. Margolin
Stunts
Don Hewitt Sr.
Stunts
Drew Leary
Stunts
George B. Colucci Jr.
Stunts
Jared Burke
Stunts
Jeffrey Lee Gibson
Stunts
Jeremy Sample
Stunts
Judi Lewis Ockler
Stunts
Kevin Rogers
Stunts
Martin Klebba
Stunts
Mike Burke
Stunts
Neimah Djourabchi
Stunts
Nicole Callender
Stunts
Peter Epstein
Stunts
Roy T. Anderson
Stunts
Samantha MacIvor
Stunts
Scott Burik
Stunts
Shane Geraghty
Stunts
Shawnna Thibodeau
Stunts
Victor Paguia
Stunts
William Cote
Stunts
Gina Telaroli
Thanks
Jho Low
Thanks
Michael Bloomberg
Thanks
Petrea Burchard
Thanks
Martin Scorsese
Director
Adam Somner
First Assistant Director
Robert Legato
Second Unit Director
Élodie Ichter
Digital Intermediate
Yvan Lucas
Digital Intermediate
Thelma Schoonmaker
Editor
Ellen Lewis
Casting
Meghan Rafferty
Casting Associate
Adam Somner
Co-Producer
Ted Griffin
Co-Producer
Georgia Kacandes
Executive Producer
Irwin Winkler
Executive Producer
Rick Yorn
Executive Producer
Emma Tillinger Koskoff
Producer
Joey McFarland
Producer
Leonardo DiCaprio
Producer
Martin Scorsese
Producer
Riza Aziz
Producer
Craig Barron
Visual Effects Supervisor
Eran Dinur
Visual Effects Supervisor
Joe Farrell
Visual Effects Supervisor
Robert Legato
Visual Effects Supervisor
Jordan Belfort
Book
Terence Winter
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Paper Tiger
Strong Hearts Have Scars
Život a smrt malíře Petra Jana B.
Drug Garden
Wantawsan
Paradise: Disturbed
GoodFellas
Once Upon a Time in America
Casino
American Gangster
Donnie Brasco
Serpico
American Psycho
The Big Short
25th Hour
Marathon Man
Wall Street
Lawless
War Dogs
Layer Cake
The Apprentice
American Hustle
The Outfit
The Wizard of Lies
The Informer
Black Mass
Gotti
Mob Town
A Walk Among the Tombstones
The Alto Knights
The Laundromat
Casino Jack
Collision
Made
Dec 17, 2013
New York City, New York
Dec 25, 2013
Mar 25, 2014
DVD / Blu-ray
Dec 14, 2021
4K UHD
Sep 12, 2023
Netflix
