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How did we end up here?
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
CinemaSerf
Oct 9, 2026 · via TMDB
With his glory days seemingly behind him, former "Birdman" actor "Riggan" (Michael Keaton) is trying to prove he is still an acting force to be reckoned with by putting on a play on Broadway. He has adapted it, is directing it and has his name in lights too and just about everything he owns is riding on this. That includes his best friendship with "Jake" (Zach Galifianakis) whose patience is running out as his erratic and occasionally quite precious friend works his way throught the previews. Then a lighting mishap robs him of one of his cast and with only a few days to go before opening, they discover that most likely successors are already hard at work in the Marvel universe. Then, out of the blue, "Mike Shiner" (Edward Norton) comes onto his radar. He's an established name for theatre goers and seems keen to take on the role of something akin to his antagonist in "What We Talk About Love...". This man is a natural, indeed he is way better at improvising and imbuing his character with fizz than "Riggan" and so with temperatures rising behind the curtain; arch-critic "Tabitha" (Lindsay Duncan) just gagging to write a scathing review for the New York Times and his own family dynamic looking more like that of the Borgias, he hasn't his problems to seek. Can he and the increasingly exasperated "Jack" manage to get this thing in front of an audience? If so, what chance it will succeed or just end up running the night? If that old adage about all of life being a stage is ever to be exemplified on screen, then this could be that film - and Keaton is on perfect form. Here is a man who has come to believe in his own celebrity and also, to quite an unnerving extent, in some of the "super powers" attributed to his "Birdman" character with whom he regularly communicates! As this fairly brutally satirical exposé of many things Thespian unfolds, we watch not just a critique of some of the artistic excesses of the luvvies, but we also drill a little into the psychology of adulation and of it's toxic and addictive properties. "Riggan" is a man who has had it all but who has managed to fritter away just about everything of importance to be left with a shell, an hollow and empty existance devoid of any really meaningful relationships with people like his daughter "Sam" (Emma Stone). Norton is good at playing the foil and he doesn't disappoint here. He manages to craft a provocative and fairly unlikeable persona that seems designed to provide the ultimate contrast to "Riggan" and thereby initiate confrontation between them - but in a way that comes across as natural and often quite entertaining, rather than contrived. What's also quite effective here is the pacing. Like the lives it's supposed to be reflecting it sometimes hares along at an almost frantic pace then at other times slows to something more glacial, but Keaton manages to make sure you don't lose interest in his fate and that of his often quite perilous production. Hollywood is littered with talent that had their day in the sun and retired gently to Palm Beach, "Riggan" isn't one of those and by the end I couldn't quite decide whether I wanted him to succeed, or for "Tabitha" to let rip.
Peter McGinn
Dec 16, 2020 · via TMDB
I was drawn to watch this film for a couple of reasons. One, basically, was Michael Keaton. Overall I find movies are worth a look when he is in it. Also there is the play within a play, the stage production his character is doing, based on an actual short story by Raymond a carver. When I first started writing short stories and novels decades ago, I was influenced by Carver’s spare writing style and his realistic dialogue. I guess this particular short story has been used in a few short films also. I don’t believe this movie is in any way considered an Independent Film, but it has that feel to me, the way it clings to gritty realism and comic book fantasy all at once, the philosophical musings of most of the characters, the total lack of a defined ending, all speak to me of an independent film. I didn’t come away from watching it thinking it was a great movie, merely interesting in places and well acted. Unfortunately, I disliked most of the characters, with a few exceptions such as the discarded ex-wife/girlfriend or whatever she was. However skilled the production standards and acting might be, this movie proved to me that empathy for the characters and the quality of the writing still counts for a lot. And as a writer (of lower quality admittedly) I was relieved to realize it.
Matthew Brady
Jan 27, 2020 · via TMDB
"I'm nothing. I'm not even here." The story to Birdman is about an wash up actor (Michael Keaton) - famous for portraying an iconic superhero - as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself. Okay in my review of Whiplash I bought this movie up mid way through the review just to give a heads up of when I'm going to watch it, because Birdman was my most anticipated film of 2014. But just like every time I really wanted to see a film so baldy I have to wait for a while until I finally get a chance to watch it, story of my life really. But anywhere, I was really looking forward to this movie ever since September, and now finally seeing the film I can safely say that Birdman is one of the best movie of 2014. I always know that Micheal Keaton was the kind of movie star that will pick any random movie role just because... well he what's to be important and still show to everyone that he still got it, I guess. Early last year he was in two movies that were pretty blah, and that was The Robocop (remake) and Need for Speed, and those films just made Keaton look like he was just cashing it in just for the sake of it. Until I watched this movie and seeing Micheal Keaton's performance and thinking to myself "Wait is Keaton giving probably his best performance I've ever seen in my life? I think he is", because Keaton in this movie pretty much pulls of the best performance I've seen him in his all career. His character in this movie is like a washed up actor who had everything like: the love from the critics and he's fans. Yeah he still dose have that Keaton thing that he always dose in his previous movies, but the scenes where he plays his character (Which is himself if you really look at his character in this movie) but anywhere he still gives a strong and believable performance that at times give me flashbacks of the good old days when he still had roots and felt like he isn't just cashing it in. I hear a lot of Oscar buzz about his performance in this movie, and I wouldn't be surprise if he wins because he totally deserves it. Excellent work Keaton. Edward Norton is also in this movie and played a familiar character to himself has the hard to work with actor that at times doesn't follow the lines that he was given or even the direction he was told. We already know that Norton is a fantastic actor in his previous work, but in this movie his performance could be descried has stellar and insanely good. Emma Stone is this movie and of course like most of the actors I named off so far who were outstanding in this movie and well you can already guess what I'm going to say next. Emma Stone acting in this movie was just terrific and marvellous to watch. It's good to see a real break out performance from her more than the lay back ones in her other movies. Nice one Emma. The other cast in the movie like Naomi Watts, Zach Galifianakis both did good as well. The whole movie is shot to look like it's all in one shot and my mind was just blown away by that fact. There were scenes in way I said to myself "Oh my god is it one shot?", well I can already imagine the stress, hard work and how many takes they had to do to get it, and boy did it pay off nicely, because I couldn't take my eyes off the screen. I dared myself to look away from the beautiful cinematography and the impressive editing used in the film. The movie has a brilliant message about film critics today that doesn't feel like it's in your face message that you normally get in movies. There's a scene in this movie and by the way it's not a spoiler, but I really need to get this out the way first. Micheal Keaton character starts having a rant over this theater critic who is going to give a bad review to he's play when she hasn't even seen it or any of the premieres. He talks about how she only users big words that nobody will say in person and shes to lazy to come up what she really thinks about it so she users big words just to fill in the sentence. This movie probably has the best rant in movie history and Keaton in that scene shows how good of a actor that he is. For problems in the movie: I really don't have any to be honest. I loved this movie and yes I'm coming out be saying that. This isn't just the best movie of the year and such, no this is just flawless film making right here. Birdman and Whiplash are the two films I will highly recommend to people, because those two films are my favorite films of 2014.
mattwilde123
Mar 9, 2017 · via TMDB
This film tells the story of an over-the-hill actor called Riggan Thomson (brilliantly portrayed by Michael Keaton) who was once the star of a superhero blockbuster franchise known as 'Birdman'. We are shown his journey into making a Broadway production starting with the initial rehearsals and read-throughs. What follows is a brilliant exploration of celebrity culture in an intriguing and satirical way. 'Birdman' could essentially be looked at as one continuous long shot. The camera constantly weaves around the actors and action and so the audience are completely immersed into the perspectives of the various characters (mostly Riggan's). The opening shot plays like a scene in Paul Thomas Anderson's 'Boogie Nights' as it delightfully establishes the narrative in a fluid and polished style whilst introducing the cast and their entertaining interchanges during a rehearsal with hilarious consequences. The editing throughout the picture is almost flawless when moving from scene to scene and has a dizzying effect much like Gasper Noé's 'Irreversible'. 'Birdman' also boasts some marvellous special effects throughout such as when Riggan (Keaton) is alone and being taunted by his egotistical alter-ego. The film shows up typical blockbuster action movies by asking the audience what they want and giving it to them in a manner which embraces the excitement and epic-ness of the genre whilst also poking fun of the conventions. The music that accompanies the film is very scarce in a lot of places adding emphasis to the dialogue and situations arising but, in some cases, an erratic and improvisational drum riff can be heard (occasionally accompanied with the drummer on the set) which completely adds to the eccentricity and spontaneity of the movie. The screenplay is very intricately written and contains many profound philosophical speeches about art, celebrity and criticism. There are monologues and debates by characters in which they discuss the core beliefs of the film such as Riggan's speech during his performance of his Raymond Carver play "What We Talk About When We Talk About Love". The whole narrative of the film is very intriguing and interesting. There is a perfect blend of comedy and poignancy. There are a lot of twists and ambiguity throughout the film which could be analysed and interpreted for a long time. Michael Keaton is fantastic as the protagonist and gives a performance that would have given his career a huge revival (his squeal is my highlight of the film). The parallels with the character's career and that of Keaton's could not have been a mistake and gives the performance that much more edge. Edward Norton plays the method actor from hell (Mike Shiner). He is annoying, snobbish and smug and played brilliantly by Norton who excels in the vileness and pomposity of the character. The film is very much about actors. The self obsessive nature of acting is definitely highlighted by the two central performances but there is also a cast that really help to deliver the film's meaning such as Emma Stone, Zach Galifianakis, Andrea Riseborough and Naomi Watts. Overall, 'Birdman' is a fantastic film. It is filled with pathos and profound imagery whilst keeping the viewer thoroughly entertained throughout. ★★★★½
Dean
Jun 9, 2016 · via TMDB
First of all, let me say, I like most of movies where Naomi Watts plays & thought this one would be good too, after all it has high ratings, but don't be fooled by famous actors which play in this movie. Don't be fooled & think that movie is good. No, not at all. This movie is complete junk. It supposed to be a comedy, but I didn't even find it funny. It's just like a big mess. I started watching it & I couldn't last longer than 30 minutes, it was so boring & uninteresting that I fell asleep. I can't believe people rate this movie so high & even worse - this movie won an Oscar. This again proves, that ratings & Oscar ain't always accurate.
tmdb39513728
Feb 4, 2015 · via TMDB
**mounting spontaneity** or (dumb luck) It's not fair. I love Raymond Carver, long takes, theatre, Batman, NYC rooftops and alleyways, the blending layers of self-referential fiction, delirious fantasy, the creative process, the insane logistics of run-on cinematography, the seamless assembly of shifting environments, stepping into unresolved mental spaces, demonstrations of solitary madness and the unbearable anticipation of being, being judged, being booed, un-being, unhinging, delusional uppers, existential downers, magic surrealism, telekinetic fury, dreams of flying, throwing tantrums, the fragile yet invincible ego, immaculately constructed chaos, the recurring climax of ending it all -- where the blazes is that blasted improvisational drumming coming from? -- oh there, and there, so absurd, don't stop, the shot must go on, the show must go on, "You are not important, get used to it," she said, but so much angst overwhelms him, tethered to a feathered fantasy, a nagging reminder of what once was, or could have been, refusing to believe it's too late to soar to former heights, yet grounded by time and gravity, trapped in a narrative, caged in a fabrication, "You're an actress, honey," says another, "you have no self-respect" and all actors are game, Keaton and Stone zoned-in, knowing the pain, pretending to not care or pretending to matter, failing to be authentic, acting over acting, meta-acting meta-fiction meta-filmed with a meta-critical message: yeah, we're all messed-up and meta-fµcked, but after shooting your nose to spite the ruse, by unmasking the unexpected virtue of ignorance, peeling off layers of pretense and self-importance, you just might find a momentary strain of pure, uncomplicated innocence. It's not fair. I love this sh*t!
User reviews courtesy of TMDB.
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Michael Keaton
Riggan
Emma Stone
Sam
Zach Galifianakis
Jake
Edward Norton
Mike
Andrea Riseborough
Laura
Naomi Watts
Lesley
Amy Ryan
Sylvia
Lindsay Duncan
Tabitha
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Damian Young
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Clara
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Valentino Musumeci
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Taylor Schwencke
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Craig muMs Grant
Broadway Man on Street
Kyle Knauf
Annoying Times Square Guy
Dave Neal
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Kelly Southerland
Annoying Times Square Guy
Roberta Colindrez
Broadway Woman on Street
Frank Ridley
Mr. Roth
Janis Corsair
Female Usher
Rakesh G. Shah
Liquor Store Owner
Bill Camp
Crazy Man
Malachi Weir
Guy in Window
Jackie Hoffman
Lady on Balcony (Mary)
Stephen Adly Guirgis
Good Neighbor
Glenn Wein
Young Male Usher
Ebrahim Jaffer
Cab Driver
Susan Blackwell
Intermission Woman
Anna Hardwick
Blonde Reporter
Dusan Dukic
Newscaster
Helena-Alexis Seymour
Newscaster
Ian Finlay
Newscaster
Paugh Shadow
Theater Guard (uncredited)
Madeline Farbstein
Lady in the theater
Kevin Thompson
Production Design
Rodrigo Prieto
Additional Photography
Emmanuel Lubezki
Director of Photography
Chris Haarhoff
Steadicam Operator
Atsushi Nishijima
Still Photographer
Albert Wolsky
Costume Design
Benjamin Kanes
Stunt Double
Aja Frary
Stunts
Blaise Corrigan
Stunts
Caroline Vexler
Stunts
Christopher Place
Stunts
Declan Mulvey
Stunts
Drew Leary
Stunts
George B. Colucci Jr.
Stunts
Heidi Germaine Schnappauf
Stunts
Jeremy Sample
Stunts
Mick O'Rourke
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Natalie M. Meyer
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Nicole Callender
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Peter Epstein
Stunts
Scott Burik
Stunts
Shawnna Thibodeau
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Thomas La Marche
Stunts
Thomas Place
Stunts
Victor Paguia
Stunts
Robert Legato
Thanks
Alejandro G. Iñárritu
Director
Adam Somner
First Assistant Director
Stephen Mirrione
Editor
Corey Bayes
First Assistant Editor
Alexander Dinelaris
Associate Producer
Nicolás Giacobone
Associate Producer
Francine Maisler
Casting
Christopher Woodrow
Executive Producer
Sarah E. Johnson
Executive Producer
Alejandro G. Iñárritu
Producer
Arnon Milchan
Producer
John Lesher
Producer
Aaron Glascock
Sound Designer
Skip Lievsay
Sound Re-Recording Mixer
Tom Ozanich
Sound Re-Recording Mixer
Ara Khanikian
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Robert Legato
Visual Effects Supervisor
Alejandro G. Iñárritu
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Alexander Dinelaris
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Armando Bo
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Nicolás Giacobone
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What movie experience do you prefer?
What is your favorite movie genre?
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Marlboro Lights
2021
Vân Sơn 44 In Connecticut - Nhớ Nhà
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
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1978 · 13 wins
Final Destination
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Halloween II
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Trivia
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Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
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