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16:14 Entertainment
Alcon Entertainment
Columbia Pictures
Scott Free Productions
Blade Runner Collection
The key to the future is finally unearthed.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
specimenb
Aug 10, 2026 · via TMDB
I loved *Blade Runner 2049*. It expands the original’s world without losing its mystery, pairing stunning, haunting visuals with a surprisingly emotional story about identity, memory, and what it means to be human. Ryan Gosling’s restrained performance fits the film’s lonely mood perfectly, while Denis Villeneuve gives the slow pace real purpose. It’s deliberate and atmospheric rather than action-heavy, but for me that makes every image and quiet moment land even harder.
GenerationofSwine
Jan 14, 2023 · via TMDB
Did it really need a sequel? It was beautiful. I mean, it looked beautiful...even if there was one part that made me motion sick, but even that part was beautiful. And that, I think, was really more of a lighting thing than a set design thing or a special effects thing. Honestly, you remember the lighting in this. You remember it the way people remember the lighting in an Edward Hopper painting. But did it need a sequel? The acting was great, it really was. There was honestly no real flaw as to how the movie looked, how it was directed, or how it was acted. It was pleasing... ...but it was also kind of empty. So, did it need a sequel? Questions were answered, but those questions were best left as questions weren't they? The little mysteries that fueled debate that made the first film so...talked about, even if it was initially hated. Why did those questions need to be answered? They were better left as little mysteries to ponder. And the result is the empty feeling you get when a really fun problem is finally solved. There is that A-HA moment of adulation...and than that little depression when you realize the mystery is finally over and you can move on. From now on the questions will be officially answered and as it doesn't hurt this movie, it doesn't take away from the film as a singular entity, it kind of kills the first film. Now we know it all and because of that, the first Blade Runner will never have the same feeling when you watch it.
madmonk
Sep 8, 2022 · via TMDB
Visually stunning. That's it. It felt cold as the acting of the main character. Also it made so many assumptions on the original movie that it felt banal. Such a shame, because the concept behind could have been good, but the delivery is just not there, I'm afraid.
CinemaSerf
Sep 4, 2022 · via TMDB
Ryan Gosling is great in this update of the Ridley Scott story from 1982. He is "K" - working for the new but still all-powerful "Tyrell Corporation" tasked with eliminating the last of the "Nexus" generation of replicants. It's on one such mission that he, quite literally, unearths a terrible secret that could spell doom for the already crippled society of mankind. "K" sets out to gather as much information as he can to prevent this collapse, and gradually comes to realise that the answer might lie with the long disappeared "Deckard" (Harrison Ford); his water ego from times gone by. Thing is, though, as his search nears it's conclusion, will he be permitted to discover and act upon the truth? This enhances and augments the original, rather than try to replace it. The story is well held together by a Gosling who makes his presence felt, but who allows the story to develop using imagery and a sparing dialogue. Robin Wright is maybe not the best as his boss "Joshi" but it does feature one of the better efforts from Ana de Armas ("Joi") as we head towards a denouement that really does look at life as we know it! The photography is dark and gritty, there is a distinct and effective sense of the claustrophobic and the score from Hans Zimmer is one of his best - it really does assist in focussing the attention on the detail of this cleverly constructed and compelling adventure with a conscience. Big screen if you can - the lighting and effects are better appreciated that way.
The Movie Mob
Aug 19, 2022 · via TMDB
**Overall : One of the most visually spectacular, stunning, and beautiful films I have ever seen!** Now I need to be honest; I am a simple man, and the complexities of the philosophical questions presented by the Blade Runner movies are lost on me. What makes someone truly human or real is a profound question with which an escapist like myself doesn't want to grapple. But with all that being said, Blade Runner 2049 is a masterpiece regardless of your movie taste. The beauty of the bright neon colors splashing across the cold, dismal, muted city of Los Angeles in 2049 is breathtaking. Every scene and moment is a visual feast filled with practical effects despite being a sci-fi film with flying cars and futuristic technology. While parts of the story and action were a little slow, Blade Runner 2049 captivates and intrigues from start to finish.
renzo-benzo
Sep 19, 2021 · via TMDB
The only thing _great_ about Blade Runner 2049 is the cinematography and the Atari sign, but it was just trying to copy Blade Runner instead of a new story. Outside of that it's dog dung. The music is a poor knock off Vangelis score. The story is basically fan-service and pandering by the studio with the tons of plot holes. It includes of biblical references, and aspects from the books _Fahrenheit 451_ by Ray Bradbury, that also takes place in 2049, mixed with _1984_ by George Orwell to try to come off as intellectual, but utterly fails and is poorly done. It practically ignored _Do Androids Dream of Electric Sheep_ by Phillip K. Dick. The original Blade Runner film did too, but at least that film was interesting. This film doesn't introduce anything new or anything that could be considered an original idea. The editing is awful. Dragging out scenes for no reason other than an attempt to appear "intelligent and serious" or to try to mimic 'Blade Runner' doesn't work since there's no reason for it story wise. It's kind of like a Zack Snyder movie, in that regards. The acting is subpar and wooden. Harrison Ford was phoning it in. It's a shallow film that misses the point. Here's a neat idea, why not try to actually adapt _Do Androids Dream of Electric Sheep_ into a film. I don't understand why people think this shallow movie is an intellectual and intelligent movie.
User reviews courtesy of TMDB.
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Ryan Gosling
'K'
Harrison Ford
Rick Deckard
Ana de Armas
Joi
Dave Bautista
Sapper Morton
Robin Wright
Lieutenant Joshi
Sylvia Hoeks
Luv
Mackenzie Davis
Mariette
Jared Leto
Niander Wallace
Carla Juri
Dr. Ana Stelline
Hiam Abbass
Freysa
Lennie James
Mister Cotton
David Dastmalchian
Coco
Sean Young
Rachael
Edward James Olmos
Gaff
Barkhad Abdi
Doc Badger
Wood Harris
Nandez
Tómas Lemarquis
File Clerk
Sallie Harmsen
Replicant
Loren Peta
Rachael Double
Mark Arnold
Interviewer
Krista Kosonen
Doxie #2
Elarica Johnson
Doxie #3
David Benson
Liberace Look-A-Like
Kingston Taylor
Boy with One Ear
Ellie Wright
Little Ellie
Suzie Kennedy
Marilyn Look-A-Like
Stephen Triffitt
Sinatra Look-A-Like
Vilma Szécsi
Angry Old Lady
Stefan Speth
Art Direction
George Hull
Conceptual Design
Dennis Gassner
Production Design
Gena Vazquez
Props
Christopher Alex Menges
Sculptor
Paul Inglis
Supervising Art Director
Dylan Goss
Aerial Director of Photography
Jean-Louis Darville
Data Wrangler
Roger Deakins
Director of Photography
Pierre Gill
Second Unit Director of Photography
Bill Corso
Makeup Artist
Donald Mowat
Makeup Department Head
Cliff Fleming
Aerial Coordinator
Amy Geist
Post Production Assistant
Joel Kramer
Second Unit
Domonkos Párdányi
Stunt Coordinator
Joel Kramer
Stunt Coordinator
Mike Massa
Stunt Coordinator
Chloé Bruce
Stunt Double
Martin De Boer
Stunt Double
Mike Massa
Stunt Double
Rob de Groot
Stunt Double
Adam Hart
Stunts
Eniko Fulop
Stunts
Gáspár Szabó
Stunts
István Draco Markolt
Stunts
Iván Orsányi
Stunts
Jason Chu
Stunts
Joel Michael Kramer
Stunts
Martin De Boer
Stunts
Narantsogt Tsogtsaikhan
Stunts
Norbert Kovács
Stunts
Péter Sokorai
Stunts
Tamás Hagyó
Stunts
Zoltán Hódi
Stunts
Andrew G. Vajna
Thanks
Ryota Nakanishi
Thanks
Syd Mead
Thanks
Denis Villeneuve
Director
Joel Kramer
Second Assistant Director
Joe Walker
Editor
Caitlin McKenna
ADR Voice Casting
Francine Maisler
Casting
Dana Belcastro
Co-Producer
Steven P. Wegner
Co-Producer
Bill Carraro
Executive Producer
Frank Giustra
Executive Producer
Ridley Scott
Executive Producer
Andrew A. Kosove
Producer
Broderick Johnson
Producer
Bud Yorkin
Producer
Cynthia Sikes
Producer
Balázs Varga
First Assistant Sound Editor
Goro Koyama
Foley Artist
Avi Kaplan
Musician
Rio Mangini
Musician
Benjamin Wallfisch
Original Music Composer
Hans Zimmer
Original Music Composer
Doug Hemphill
Sound Re-Recording Mixer
Ron Bartlett
Sound Re-Recording Mixer
Mark Mangini
Supervising Sound Editor
Stephen James
Compositing Supervisor
Tristan Myles
Compositing Supervisor
Pierre D'Oncieu
Digital Compositor
Arnaud Brisebois
Matte Painter
Gerd Nefzer
Special Effects Supervisor
Jean-Louis Darville
Visual Effects Coordinator
Annie Normandin
Visual Effects Producer
Michelle Eisenreich
Visual Effects Producer
Paul Lambert
Visual Effects Supervisor
Pierre Buffin
Visual Effects Supervisor
Ryan Tudhope
Visual Effects Supervisor
Philip K. Dick
Characters
Hampton Fancher
Screenplay
Michael Green
Screenplay
Hampton Fancher
Story
Oct 3, 2017
Los Angeles, California
Oct 6, 2017
Dec 26, 2017
Jan 16, 2018
4K Ultra HD / Blu-ray / DVD
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Seven Dorms of Death
2015
Preview
1982
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
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