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Blade Runner 2049
16:14 Entertainment 16:14 Entertainment
Alcon Entertainment Alcon Entertainment
?
Bud Yorkin Productions
Columbia Pictures Columbia Pictures
Scott Free Productions Scott Free Productions
Blade Runner Collection Blade Runner Collection

Blade Runner 2049

The key to the future is finally unearthed.

2017 164 min ★ 7.6 (15,662) Released
Drama Science Fiction

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

Original title
Blade Runner 2049
Language
EN
Country
US
Budget
$150,000,000
Revenue
$259,239,658
Reviews & Ratings 6
specimenb

specimenb

Aug 10, 2026 · via TMDB

★ 9.0

I loved *Blade Runner 2049*. It expands the original’s world without losing its mystery, pairing stunning, haunting visuals with a surprisingly emotional story about identity, memory, and what it means to be human. Ryan Gosling’s restrained performance fits the film’s lonely mood perfectly, while Denis Villeneuve gives the slow pace real purpose. It’s deliberate and atmospheric rather than action-heavy, but for me that makes every image and quiet moment land even harder.

GenerationofSwine

GenerationofSwine

Jan 14, 2023 · via TMDB

★ 1.0

Did it really need a sequel? It was beautiful. I mean, it looked beautiful...even if there was one part that made me motion sick, but even that part was beautiful. And that, I think, was really more of a lighting thing than a set design thing or a special effects thing. Honestly, you remember the lighting in this. You remember it the way people remember the lighting in an Edward Hopper painting. But did it need a sequel? The acting was great, it really was. There was honestly no real flaw as to how the movie looked, how it was directed, or how it was acted. It was pleasing... ...but it was also kind of empty. So, did it need a sequel? Questions were answered, but those questions were best left as questions weren't they? The little mysteries that fueled debate that made the first film so...talked about, even if it was initially hated. Why did those questions need to be answered? They were better left as little mysteries to ponder. And the result is the empty feeling you get when a really fun problem is finally solved. There is that A-HA moment of adulation...and than that little depression when you realize the mystery is finally over and you can move on. From now on the questions will be officially answered and as it doesn't hurt this movie, it doesn't take away from the film as a singular entity, it kind of kills the first film. Now we know it all and because of that, the first Blade Runner will never have the same feeling when you watch it.

madmonk

madmonk

Sep 8, 2022 · via TMDB

★ 7.0

Visually stunning. That's it. It felt cold as the acting of the main character. Also it made so many assumptions on the original movie that it felt banal. Such a shame, because the concept behind could have been good, but the delivery is just not there, I'm afraid.

CinemaSerf

CinemaSerf

Sep 4, 2022 · via TMDB

★ 7.0

Ryan Gosling is great in this update of the Ridley Scott story from 1982. He is "K" - working for the new but still all-powerful "Tyrell Corporation" tasked with eliminating the last of the "Nexus" generation of replicants. It's on one such mission that he, quite literally, unearths a terrible secret that could spell doom for the already crippled society of mankind. "K" sets out to gather as much information as he can to prevent this collapse, and gradually comes to realise that the answer might lie with the long disappeared "Deckard" (Harrison Ford); his water ego from times gone by. Thing is, though, as his search nears it's conclusion, will he be permitted to discover and act upon the truth? This enhances and augments the original, rather than try to replace it. The story is well held together by a Gosling who makes his presence felt, but who allows the story to develop using imagery and a sparing dialogue. Robin Wright is maybe not the best as his boss "Joshi" but it does feature one of the better efforts from Ana de Armas ("Joi") as we head towards a denouement that really does look at life as we know it! The photography is dark and gritty, there is a distinct and effective sense of the claustrophobic and the score from Hans Zimmer is one of his best - it really does assist in focussing the attention on the detail of this cleverly constructed and compelling adventure with a conscience. Big screen if you can - the lighting and effects are better appreciated that way.

The Movie Mob

The Movie Mob

Aug 19, 2022 · via TMDB

★ 7.0

**Overall : One of the most visually spectacular, stunning, and beautiful films I have ever seen!** Now I need to be honest; I am a simple man, and the complexities of the philosophical questions presented by the Blade Runner movies are lost on me. What makes someone truly human or real is a profound question with which an escapist like myself doesn't want to grapple. But with all that being said, Blade Runner 2049 is a masterpiece regardless of your movie taste. The beauty of the bright neon colors splashing across the cold, dismal, muted city of Los Angeles in 2049 is breathtaking. Every scene and moment is a visual feast filled with practical effects despite being a sci-fi film with flying cars and futuristic technology. While parts of the story and action were a little slow, Blade Runner 2049 captivates and intrigues from start to finish.

R

renzo-benzo

Sep 19, 2021 · via TMDB

★ 3.0

The only thing _great_ about Blade Runner 2049 is the cinematography and the Atari sign, but it was just trying to copy Blade Runner instead of a new story. Outside of that it's dog dung. The music is a poor knock off Vangelis score. The story is basically fan-service and pandering by the studio with the tons of plot holes. It includes of biblical references, and aspects from the books _Fahrenheit 451_ by Ray Bradbury, that also takes place in 2049, mixed with _1984_ by George Orwell to try to come off as intellectual, but utterly fails and is poorly done. It practically ignored _Do Androids Dream of Electric Sheep_ by Phillip K. Dick. The original Blade Runner film did too, but at least that film was interesting. This film doesn't introduce anything new or anything that could be considered an original idea. The editing is awful. Dragging out scenes for no reason other than an attempt to appear "intelligent and serious" or to try to mimic 'Blade Runner' doesn't work since there's no reason for it story wise. It's kind of like a Zack Snyder movie, in that regards. The acting is subpar and wooden. Harrison Ford was phoning it in. It's a shallow film that misses the point. Here's a neat idea, why not try to actually adapt _Do Androids Dream of Electric Sheep_ into a film. I don't understand why people think this shallow movie is an intellectual and intelligent movie.

User reviews courtesy of TMDB.

Keywords 21
2040s android artificial intelligence (a.i.) blade runner bounty hunter cyber thriller cyberpunk direct dystopia epic sci-fi future humanoid robot informative las vegas los angeles, california oscar winner sequel serious slow burn tech noir transhumanism
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Cast 28
Ryan Gosling

Ryan Gosling

'K'

Harrison Ford

Harrison Ford

Rick Deckard

Ana de Armas

Ana de Armas

Joi

Dave Bautista

Dave Bautista

Sapper Morton

Robin Wright

Robin Wright

Lieutenant Joshi

Sylvia Hoeks

Sylvia Hoeks

Luv

Mackenzie Davis

Mackenzie Davis

Mariette

Jared Leto

Jared Leto

Niander Wallace

Carla Juri

Carla Juri

Dr. Ana Stelline

Hiam Abbass

Hiam Abbass

Freysa

Lennie James

Lennie James

Mister Cotton

David Dastmalchian

David Dastmalchian

Coco

Sean Young

Sean Young

Rachael

Edward James Olmos

Edward James Olmos

Gaff

Barkhad Abdi

Barkhad Abdi

Doc Badger

Wood Harris

Wood Harris

Nandez

Tómas Lemarquis

Tómas Lemarquis

File Clerk

Sallie Harmsen

Sallie Harmsen

Replicant

Loren Peta

Loren Peta

Rachael Double

Mark Arnold

Mark Arnold

Interviewer

Krista Kosonen

Krista Kosonen

Doxie #2

Elarica Johnson

Elarica Johnson

Doxie #3

David Benson

David Benson

Liberace Look-A-Like

Kingston Taylor

Kingston Taylor

Boy with One Ear

Ellie Wright

Ellie Wright

Little Ellie

Suzie Kennedy

Suzie Kennedy

Marilyn Look-A-Like

Stephen Triffitt

Stephen Triffitt

Sinatra Look-A-Like

Vilma Szécsi

Vilma Szécsi

Angry Old Lady

Crew 76
Stefan Speth

Stefan Speth

Art Direction

George Hull

George Hull

Conceptual Design

Dennis Gassner

Dennis Gassner

Production Design

Gena Vazquez

Gena Vazquez

Props

Christopher Alex Menges

Christopher Alex Menges

Sculptor

Paul Inglis

Paul Inglis

Supervising Art Director

Dylan Goss

Dylan Goss

Aerial Director of Photography

Jean-Louis Darville

Jean-Louis Darville

Data Wrangler

Roger Deakins

Roger Deakins

Director of Photography

Pierre Gill

Pierre Gill

Second Unit Director of Photography

Bill Corso

Bill Corso

Makeup Artist

Donald Mowat

Donald Mowat

Makeup Department Head

Cliff Fleming

Cliff Fleming

Aerial Coordinator

Amy Geist

Amy Geist

Post Production Assistant

Joel Kramer

Joel Kramer

Second Unit

Domonkos Párdányi

Domonkos Párdányi

Stunt Coordinator

Joel Kramer

Joel Kramer

Stunt Coordinator

Mike Massa

Mike Massa

Stunt Coordinator

Chloé Bruce

Chloé Bruce

Stunt Double

Martin De Boer

Martin De Boer

Stunt Double

Mike Massa

Mike Massa

Stunt Double

Rob de Groot

Rob de Groot

Stunt Double

Adam Hart

Adam Hart

Stunts

Eniko Fulop

Eniko Fulop

Stunts

Gáspár Szabó

Gáspár Szabó

Stunts

István Draco Markolt

István Draco Markolt

Stunts

Iván Orsányi

Iván Orsányi

Stunts

Jason Chu

Jason Chu

Stunts

Joel Michael Kramer

Joel Michael Kramer

Stunts

Martin De Boer

Martin De Boer

Stunts

Narantsogt Tsogtsaikhan

Narantsogt Tsogtsaikhan

Stunts

Norbert Kovács

Norbert Kovács

Stunts

Péter Sokorai

Péter Sokorai

Stunts

Tamás Hagyó

Tamás Hagyó

Stunts

Zoltán Hódi

Zoltán Hódi

Stunts

Andrew G. Vajna

Andrew G. Vajna

Thanks

Ryota Nakanishi

Ryota Nakanishi

Thanks

Syd Mead

Syd Mead

Thanks

Denis Villeneuve

Denis Villeneuve

Director

Joel Kramer

Joel Kramer

Second Assistant Director

Joe Walker

Joe Walker

Editor

Caitlin McKenna

Caitlin McKenna

ADR Voice Casting

Francine Maisler

Francine Maisler

Casting

Dana Belcastro

Dana Belcastro

Co-Producer

Steven P. Wegner

Steven P. Wegner

Co-Producer

Bill Carraro

Bill Carraro

Executive Producer

Frank Giustra

Frank Giustra

Executive Producer

Ridley Scott

Ridley Scott

Executive Producer

Andrew A. Kosove

Andrew A. Kosove

Producer

Broderick Johnson

Broderick Johnson

Producer

Bud Yorkin

Bud Yorkin

Producer

Cynthia Sikes

Cynthia Sikes

Producer

Balázs Varga

Balázs Varga

First Assistant Sound Editor

Goro Koyama

Goro Koyama

Foley Artist

Avi Kaplan

Avi Kaplan

Musician

Rio Mangini

Rio Mangini

Musician

Benjamin Wallfisch

Benjamin Wallfisch

Original Music Composer

Hans Zimmer

Hans Zimmer

Original Music Composer

Doug Hemphill

Doug Hemphill

Sound Re-Recording Mixer

Ron Bartlett

Ron Bartlett

Sound Re-Recording Mixer

Mark Mangini

Mark Mangini

Supervising Sound Editor

Stephen James

Stephen James

Compositing Supervisor

Tristan Myles

Tristan Myles

Compositing Supervisor

Pierre D'Oncieu

Pierre D'Oncieu

Digital Compositor

Arnaud Brisebois

Arnaud Brisebois

Matte Painter

Gerd Nefzer

Gerd Nefzer

Special Effects Supervisor

Jean-Louis Darville

Jean-Louis Darville

Visual Effects Coordinator

Annie Normandin

Annie Normandin

Visual Effects Producer

Michelle Eisenreich

Michelle Eisenreich

Visual Effects Producer

Paul Lambert

Paul Lambert

Visual Effects Supervisor

Pierre Buffin

Pierre Buffin

Visual Effects Supervisor

Ryan Tudhope

Ryan Tudhope

Visual Effects Supervisor

Philip K. Dick

Philip K. Dick

Characters

Hampton Fancher

Hampton Fancher

Screenplay

Michael Green

Michael Green

Screenplay

Hampton Fancher

Hampton Fancher

Story

Gallery 562
Videos 10
Similar Movies 647
US Release Dates 4

Oct 3, 2017

Los Angeles, California

Premiere

Oct 6, 2017

R Theatrical

Dec 26, 2017

R Digital

Jan 16, 2018

4K Ultra HD / Blu-ray / DVD

R Physical

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Seven Dorms of Death

Seven Dorms of Death

2015

VS
Preview

Preview

1982

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
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0 Streak

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Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
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Crime 0%
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