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20th Century Studios
The Devil Wears Prada Collection
Icons reign forever.
Andy Sachs returns to Runway as Miranda Priestly navigates a new media landscape and Runway's position within. The duo reconnect with former assistant Emily Charlton, now the head of a luxury brand that possesses funding which could ensure Runway's survival.
Kingson S
Aug 23, 2026 · via TMDB
An average film with an average story. It lacks the conviction of the first part. Also, the character are bland, trying to be politically correct. No funny elements in the movie. Relies on the watcher being familiar with the first part that came out years back. I highly doubt the younger generation would have watched the prequel. Subtle connotations are a miss as a first time watcher of this movie franchise.
Vinicius Monteiro
Jul 31, 2026 · via TMDB
Going back to a classic is always a slippery slope. When I sat down to watch the highly anticipated sequel to *The Devil Wears Prada*, I was worried it would just be a pale copy of the original. Unfortunately, the new movie tries so hard to balance the comfort of nostalgia with the decline of print media that it ends up with a bit of an identity crisis. The direction feels strangely bureaucratic, as if the person behind the camera was just checking boxes for an engagement algorithm instead of bringing a unique vision. This is incredibly obvious in the visuals, too. The gritty, frantic warmth of early 2000s New York is gone, replaced by a sterile, overly polished digital look. The luxurious sets that used to feel seductive and oppressive now just feel cold, making the film look more like a generic streaming movie than a pop culture trendsetter. The script basically falls into the "soft reboot" trap. It recycles the exact same narrative beats and conflicts from the first movie, completely ignoring that these characters are in entirely different stages of their lives. Dealing with the brutal transition to the digital age and the collapse of the print market was the perfect natural path to take, but the execution is incredibly shallow. AI and social media are handled in a way that feels almost cartoonish, like an out-of-touch older executive trying to explain how the internet works. To make matters worse, the pacing really drags in the second act. The story gets bogged down by boring contract negotiations and forced romantic subplots that have zero chemistry and kill any sense of urgency. Everything is wrapped up way too easily in the end, making the whole thing feel like a very safe, predictable rough draft. Bringing Meryl Streep, Anne Hathaway, and Emily Blunt back together seemed like a surefire hit, but the reality on screen is pretty disappointing. The undeniable spark from the original is just gone, and their interactions feel so cold and rehearsed that it almost seems like they filmed their scenes in separate rooms. The script's biggest mistake was trying to awkwardly humanize Miranda Priestly. The ruthless, terrifying editor we loved to hate has been watered down into a tired, vulnerable executive, which completely strips her commands of their weight and ruins the tension. Emily Blunt’s immense talent is also totally wasted. While Andy has clearly matured, Emily is stuck in time, acting as a recycled punching bag who just repeats her bitter complaints from two decades ago without any real character growth. Throw in a new generation of assistants who lack any real charm, and it's clear the brilliant chemistry of the original was left in the past. Ultimately, the movie struggles to find its tone, awkwardly bouncing between 2000s dark comedy and a melancholic drama about the publishing world. It’s a victim of its own legacy, playing it too safe and prioritizing commercial demand over any genuine creative vision. But hey, my take shouldn't be the final word. If you're just looking for a cozy hit of nostalgia and aren't too worried about a flawless plot, seeing these familiar faces again might hit you completely differently. I definitely recommend watching it and drawing your own conclusions—your personal connection to the classic might help you look past these flaws and enjoy the return to Runway in a way my critical eye just couldn't.
Manuel São Bento
Jul 4, 2026 · via TMDB
Check out my full review @ https://www.manuelsbento.com/the-devil-wears-prada-2-2026-a-radiant-witty-sequel-that-successfully-tailors-nostalgia-for-the-modern-era/ Rating: B+ THE DEVIL WEARS PRADA 2 is a remarkably fun legacy sequel that effortlessly bridges the gap between mid-2000s nostalgia and the modern digital era. The electric chemistry of the original cast hasn't faded a bit, with Stanley Tucci delivering a stellar, scene-stealing performance. Supported by a remarkably witty script full of laugh-out-loud moments and stunning costume design, the film tackles the harsh realities of a changing media landscape with authenticity. While the second act slows down under corporate subplots, it remains a thoroughly entertaining, highly relevant update.
CinemaSerf
May 6, 2026 · via TMDB
Much as I did quite enjoy this, it isn't a patch on the first outing for those at "Runway" magazine two decades ago. It seems that boss "Miranda" (Meryl Streep) has somewhat lost her touch and after a major in-print faux-pas, she is on the defensive with a publisher who needs her to eat some humble pie and appease disgruntled advertisers. To make matters worse, he imposes a new features editor in the form of her erstwhile second assistant "Andy" (Anne Hathaway) who has recently been the victim of some downsizing at her previous employer. Luckily for this unwelcomed new arrival, the debonaire "Nigel" (Stanley Tucci) is still around to try and smooth the path for her as she treads on some eggshells more delicate than those from Karl Fabergé. One of those they have to keep sweet is Dior, and guess who has taken the reins there? Yep - the original "Emily" (Emily Blunt) who is savouring her opportunity to make her former boss squirm. "Andy" is going to have to pull off something big if she is to impress her sceptical and aloof boss - a task made all the more difficult when their publisher dives head first into the consommé and his son espies an opportunity to employ some consultants to "streamline" this most lavish of publications. Will they unite to fight? Can they even trust each other? What was missing for me in this was an imperiousness from Streep. Her cutting one-liners and superiority complex are just too limited and humanised here - thanks in part to partner "Stuart" (Sir Kenneth Branagh), and her character spends altogether too much time on the back foot. Hathaway and Tucci reprise their roles well enough but the altered dynamic between "Andy" and a too peripheral "Emily" didn't quite work so well for me. Too much emphasis is made on the access the production has had to real high-fashion shoots, to real celebrity contributors and to the authentic glamour of the industry whilst the lacklustre story is rather left to find it's own way. Clearly, there is a valid point to be made regarding the compromising of journalistic values by automating so many of the creative processes for both simplistic and financial purposes, and this presents the pitfalls of those increasingly prevailing attitudes and of the public's apathy effectively at times - even if the sheer profligacy of this business might prove a little hard to stomach if you can't pay your electric bill. It's still an enjoyable dose of escapism but as in her meetings where "Miranda" is constantly being reined in by her politically correct assistant, this has been neutered and has lost a fair degree of it's sharpness.
Brent Marchant
May 2, 2026 · via TMDB
When 20 years pass between a movie and its sequel, a lot of disappointment can result when the follow-up is at last released. Derivative, underdeveloped story threads and an overreliance on nostalgic strolls down memory lane often abound, leaving viewers suitably underwhelmed, especially loyal fans of the source material. However, every so often, audiences are the lucky beneficiaries of pleasant surprises, movies that live up to their billing and come close to matching the magic of their predecessors. Such is the case with director David Frankel’s long-awaited answer to the iconic 2006 comedy “The Devil Wears Prada,” a delightful blend of the elements that made the original such a success, skillfully mixed with enough new material to create a work all its own. This latest offering follows what happens when the iconic Runway fashion magazine, led by longtime editor/diva in residence Miranda Priestly (Meryl Streep), finds itself in hot water for unwittingly publishing an offensive article in praise of a clothing manufacturer that’s essentially an exploitative sweat shop, placing the publication’s and editor’s future in jeopardy. To effect damage control, Runway quickly hires award-winning journalist Andy Sachs (Anne Hathaway) to come on board as the magazine’s new features editor. Andy’s hiring proves propitious for her, having just been unexpectedly laid off from her job (despite her recent accolades), and for Runway, given her familiarity with the magazine, having once worked there, ironically, as Miranda’s often-put-upon assistant. Having now been thrown together under these trying circumstances, the confrontational duo struggles to make things work out, an ordeal that eventually culminates in a battle in which multiple parties vie for ownership of the publication. Joining the fray in this rollercoaster scenario are Miranda’s trusty righthand man, Nigel Kipling (Stanley Tucci), Andy’s onetime condescending rival, Emily Charlton (Emily Blunt), and an array of Runway assistants, staffers and interns, along with a host of friends, foes, competitors and celebrity cameos including appearances by the likes of Lady Gaga, Lucy Liu and Kenneth Branagh. The narrative generally flows smoothly, if a bit episodic and compartmentalized at times, with more than its fair share of laughs, vibrant fashion montages, gorgeously shot location settings in New York and Milan, and a frank, bitingly honest appraisal of how the publishing business has “changed” (i.e., declined) in the two decades since the original film. “The Devil Wears Prada 2” likely won’t go down in the annals of filmmaking as an enduring piece of cinema, but it certainly makes the grade as a capable, entertaining sequel that isn’t the kind of letdown that so many of its celluloid peers often are. Indeed, as Miranda would likely sum it up, “That’s all.…”
User reviews courtesy of TMDB.
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Mun Ka-young
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Conrad Ricamora
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Jess Gonchor
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Teddy Blanks
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Florian Ballhaus
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Sean Flanigan
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Etzel Ecleston
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Evelyne Noraz
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Nicki Ledermann
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Atomová katedrála
Gauguin: Voyage to Tahiti
Epilogue
Murder Party
Garfield: A Tail of Two Kitties
Blood and Chocolate
Then She Found Me
Return of the Killer Tomatoes!
Eugenie de Sade
David Copperfield
Ask Me Anything
The Swan Princess: Royally Undercover
Evan Almighty
Promise at Dawn
Jonathan
Freejack
Superman III
Teenage Mutant Ninja Turtles III
Chelsea Girls
Ask the Dust
Scary Movie 4
Emil and the Detectives
The Story of O
Police Academy 4: Citizens on Patrol
Angel
Deuces Wild
Suburban Girl
Love Nest
House Party 2
Greetings
Valkoiset ruusut
Alexander: The Other Side of Dawn
El lugar donde estuvo el paraíso
Warkop DKI: ViRaLiN dOoOoNg..!!
Honey, We Shrunk Ourselves
The Rats: A Witcher Tale
The Toxic Avenger Part II
The Seeker: The Dark Is Rising
Mad Dog Coll
Animal 2
The Good Night
Nicholas on Holiday
The Moment
So Cold the River
Blue Sky Jo
The Cat in the Hat
A Room with a View
Tell Me No Secrets
Fast and Loose
Deuce Bigalow: European Gigolo
House Party 3
The New Twenty
Dark Journey
Young Bodies Heal Quickly
The Stranger in My Home
Dark Sun
The Adderall Diaries
The Conscript
Police Academy 5: Assignment Miami Beach
Bigger Fatter Liar
The Killer Condom
Paul Blart: Mall Cop 2
Midnight Run for Your Life
Ratter
My Super Ex-Girlfriend
Police Academy 6: City Under Siege
Gisela
Weekend at Bernie's II
The Nine Lives of Fritz the Cat
The Broadway Melody
The Very Late Afternoon of a Faun
Sagrada Reset Part 1
The Toxic Avenger Part III: The Last Temptation of Toxie
Ilf and Petrov Rode in the Tram
The Adventures of Huckleberry Finn
Three Lives
Sin on the Beach
The Boy and the Convict
Peacock Alley
Murder in the Cassava Patch
Blue Rodeo
The Christ Slayer
White Flags
Provo
Jarrapellejos
Cuckoo in a Dark Forest
Sysmäläinen
Naked in New York
Lost Boys: The Tribe
Leprechaun: Back 2 tha Hood
Scary Movie 5
Nights of Farewell
Madame and Her Niece
Belated Flowers
Vladimir Dubrovsky: The Noble Robber
Swindle
Naked Singularity
Hana Yori Dango: The Movie
Flesh Gordon Meets the Cosmic Cheerleaders
The Woman Whom Must Be Hanged
Dying
Sudden Outbursts of Emotions
Lízino štěstí
Loitering with Intent
Kristina Talking Pictures
Dumb and Dumberer: When Harry Met Lloyd
Kaivopuiston kaunis Regina
Equator
The Horse That Cried
Dangerous Paradise
Perfect Timing
Nightmare in Venice
2 Women
Frogs!
The Miner' Wife ... Takes Her Pick 2
Father Sergius
Bethlehem Light
Indian 2: Zero Tolerance
Milenec lady Chatterleyové
Yana+Yanko
The Art of Being Normal
Tonight at Noon
Zeitoun
Berna's Tail
Hella Crazy 4
Butterfly in the Typewriter
The Lifeboat
Půlpenny
Burning Rainbow Farm
School for Scumbags
Lucrezia Borgia
Jandamarra's War
The End of the Lyubavines
Fists of Love
Sivooký démon
Flowers For Mrs. Harris
Děvče z hor
Třírohý klobouk
Knitwits
The Invisible Life of Addie Larue
Země duní
The Awakening of Helena Ritchie
The Eternal Mother
Gon-Mama
Rajamaa
Hajniks Wife
Klícka
Otcové a děti
C'est mieux la vie quand on est grand
Prêt-á-Poppy
Rembrandt
Melbhattan
The Princess Diaries 3
Povídky Svatopluka Čecha
The Boy Who Never Tangoed
Neon Rage
Lovers' Quarrel
Sorry, We're Dead
Spearphishing 2
Spearphishing 3
Mučivé tajomstvo
Strýčkov sen
Dutch & Razzlekhan
Joint Venture
Come Another Day
The Amazing Maurice: The Waters of Life
The Gallerist
Ramayana: Part Two
Paraagan
She's a Bitch
Anytime You're Feeling Lonely
Detransition, Baby
The Metamorphosis
Insect
39th Edogawa Rampo Prize "Kao ni Furikakaru Ame"
Salón de Belleza
Run
Godday Godday Chaa 2
Today, the two of us skipped
Veliká stavba
The New Simpsons Movie
Issa
King of Games
Sister Act 3
Větrná setba
Operation Napoleon: Tears of the Wolf
Cizinci v domě
Cucaracha
Last Night in Montreal
Ebenezer
Juilliard Opera: Dialogues des Carmélites
Doktor Munory a jiní lidé
Eloise
The Perfect Wife
Ghosts of a Holy War
Penny
Why Wait, Just Die
Evženie Grandetová
Cruella
Synecdoche, New York
Come from Away
Feel the Beat
Night and the City
My Dinner with Andre
The Devil Wears Prada
Mrs. Harris Goes to Paris
What Maisie Knew
Uptown Girls
The Darkest Minds
Psych 2: Lassie Come Home
Before I Fall
Call Me Crazy: A Five Film
Ocean's Eight
House of Strangers
Deadline - U.S.A.
Carrie Pilby
The Dead
The Namesake
Ladies in Black
Glass
Kinky Boots
Girlfriends
Geek Charming
Best Man Down
Hungry Hearts
Starving in Suburbia
Bottle Shock
TalhotBlond
Barbershop: The Next Cut
Woman Times Seven
Eloise at Christmastime
I Wanna Hold Your Hand
Hooking Up
Passing
Madea's Destination Wedding
SubUrbia
Wonderstruck
It Runs in the Family
The True Adventures of Wolfboy
Life During Wartime
Winged Creatures
The World of Henry Orient
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Courtney Pauroso: Vanessa 5000
2024
Bath Time
2012
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
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